本文選題：大學(xué)敘事 + 革命��； 參考：《南昌大學(xué)學(xué)報(bào)(人文社會(huì)科學(xué)版)》2017年05期

【摘要】：1920年代末至40年代,中國(guó)進(jìn)入了一個(gè)交織著階級(jí)斗爭(zhēng)和民族矛盾的動(dòng)蕩時(shí)期。革命救亡語(yǔ)境中的大學(xué)敘事主要書(shū)寫(xiě)了學(xué)院知識(shí)分子在時(shí)代激流中的抉擇與擔(dān)當(dāng),他們或走上街頭,為民請(qǐng)命;或放下書(shū)本,投身抗戰(zhàn);或堅(jiān)守崗位,弦歌不輟。與"五四"啟蒙時(shí)期的大學(xué)敘事相比,革命救亡年代的大學(xué)敘事已經(jīng)發(fā)生了根本性轉(zhuǎn)變,題材內(nèi)容從表現(xiàn)自我內(nèi)心轉(zhuǎn)向注重社會(huì)行動(dòng),藝術(shù)風(fēng)格從感傷抒情轉(zhuǎn)向深沉悲涼。
[Abstract]:In the late 1920s and 1940s, China entered a turbulent period of class struggle and ethnic contradictions.The university narration in the context of revolutionary salvation mainly describes the choice and responsibility of college intellectuals in the torrent of the times. They either take to the streets and ask for their lives for the people; or they put down their books and join in the war of resistance; or they stick to their posts and continue to sing songs.Compared with the university narration during the May 4th Enlightenment, the university narrative in the era of revolution and salvation has undergone a fundamental transformation, the content of the subject matter has changed from self-expression to social action, and the artistic style has changed from sentimental lyricism to deep sadness.
【作者單位】： 南昌大學(xué)人文學(xué)院中國(guó)語(yǔ)言文學(xué)系;
【基金】：國(guó)家社科基金項(xiàng)目“20世紀(jì)以來(lái)中國(guó)大學(xué)敘事小說(shuō)研究”(13BZW114)
【分類號(hào)】：I206.6

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1 李洪華;費(fèi)飛;;論老舍的“大學(xué)視野”與“大學(xué)敘事”[J];海南師范大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2014年05期

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