本文選題：莫言　切入點：民間性　出處：《牡丹江師范學院》2017年碩士論文

【摘要】：本文主要就我國著名作家,諾貝爾文學獎獲得者莫言提出的“作為老百姓寫作”的文學作品的創(chuàng)作觀點,即對莫言文學民間性進行研究。隨著莫言在文學領(lǐng)域創(chuàng)作風格的逐漸形成,莫言提出了“作為老百姓寫作”的創(chuàng)作思想。所以論文第一部分首先梳理莫言小說民間性的呈現(xiàn)。這一思想與以往文藝界“為老百姓而寫作”采取自上而下反映現(xiàn)實的偽民間寫作有所不同,莫言認為自己就是一名老百姓,自己的文學創(chuàng)作本質(zhì)上就是一名老百姓對自己周遭社會現(xiàn)實的真實反映。莫言認為文學創(chuàng)作者只有把自己真正擺在民間的位置上,才能真實地反映民間題材,寫出具有深度的現(xiàn)實主義作品。論文第二部分探討莫言作品民間文化的形態(tài)以及美學表現(xiàn)。莫言在其文學創(chuàng)作中,不僅將真實的山東省高密市以現(xiàn)實主義的表現(xiàn)手法還原在其文學作品當中,同時還運用具有象征性的表現(xiàn)手法將一些具有現(xiàn)實意義但并不在現(xiàn)實中真實存在的文學元素融入到其文學作品當中,莫言通過高超的文學表現(xiàn)能力,為讀者展現(xiàn)了在真正的現(xiàn)實并不真實存在,但卻真實擁有高度現(xiàn)實性價值的很多元素,從而實現(xiàn)了文學作品反映現(xiàn)實而又高于現(xiàn)實的文藝主張。論文最后一部分重點闡述對民間敘事的傳承與反思。在莫言早期的寫作中,曾經(jīng)大量借鑒現(xiàn)代西方文學的很多寫作方式,在文學創(chuàng)作過程中,莫言對技巧的深入認識與文學創(chuàng)作理論進行提煉與研究,但莫言始終認為立足中國傳統(tǒng)來構(gòu)建反映中國現(xiàn)實的文學才能真正創(chuàng)作出有深度的作品。因此在借鑒了西方現(xiàn)代文學的一些理論與技巧的同時,莫言將文學創(chuàng)作的主要方法與中國傳統(tǒng)藝術(shù)進行結(jié)合,而在文學創(chuàng)作上形成了獨具特色的個人風格。
[Abstract]:This paper focuses on the literary works of "writing as the common people" put forward by Mo Yan, a famous writer and Nobel Prize winner in literature. That is, to study the folklore of Mo Yan's literature. With the gradual formation of Mo Yan's creative style in the field of literature, Mo Yan put forward the creative thought of "writing as the common people". Therefore, the first part of the thesis firstly combs the appearance of the folklore of Mo Yan's novels. This thought is reflected from the top down in the past "writing for the common people" in literary and art circles. The reality of pseudo-folk writing is different. Mo Yan thinks that he is a common people, and that his literary creation is essentially a true reflection of the social reality around him. Mo Yan believes that literary creators only have to put themselves in the position of the people. The second part of the thesis discusses the form of folk culture and aesthetic performance of Mo Yan's works. Not only will the real Gaomi City of Shandong Province be reinstated in its literary works with realistic expressive techniques, At the same time, he also uses symbolic means of expression to incorporate some literary elements which have realistic significance but do not exist in reality into his literary works. To show the reader that there are many elements of real reality that are not real, but that have a high degree of realistic value. The last part of the thesis focuses on the inheritance and reflection of folk narration. In Mo Yan's early writing, In the process of literary creation, Mo Yan refined and studied the deep understanding of skills and the theory of literary creation. However, Mo Yan always believed that only by constructing literature reflecting Chinese reality based on Chinese tradition could he really create works of depth. Therefore, he drew lessons from some theories and techniques of modern western literature, and at the same time, he drew on some theories and techniques of modern Western literature. Mo Yan combined the main methods of literary creation with Chinese traditional art and formed a unique personal style in literary creation.
【學位授予單位】：牡丹江師范學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.42

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