本文選題：格非小說　切入點(diǎn)：“后革命敘事”　出處：《遼寧大學(xué)》2017年碩士論文

【摘要】：格非自登上文壇以來就成為先鋒作家中重要的一員,格非小說具有的先鋒性使其在中國(guó)當(dāng)代文學(xué)史上留下濃墨重彩的一筆。深入探究格非小說創(chuàng)作,其具有“后革命立場(chǎng)”的小說是其重要組成部分。格非擺脫了傳統(tǒng)革命歷史敘事的模式化傾向,在新的時(shí)代背景與創(chuàng)作觀念的共同作用下,重新思考革命歷史敘事的樣態(tài),以新的歷史觀和敘事策略重塑革命歷史敘事的新圖景,其審慎的態(tài)度與辯證的思維方式致使革命歷史敘事呈現(xiàn)出獨(dú)特的藝術(shù)風(fēng)貌�！昂蟾锩弊鳛橐环N具有多重內(nèi)涵的理論,為格非小說的研究提供了有效的闡釋維度。格非在借鑒中西方文學(xué)資源以及結(jié)合自身創(chuàng)作觀念的基礎(chǔ)上,在故事架構(gòu)、人物塑造以及敘事策略等方面對(duì)傳統(tǒng)革命歷史敘事進(jìn)行重構(gòu),從而建構(gòu)了“后革命時(shí)代”革命歷史敘事的新形態(tài)。論文主要分以下幾個(gè)部分:緒論部分在明確選題對(duì)象以及研究意義的基礎(chǔ)上,對(duì)前人研究成果進(jìn)行梳理,進(jìn)而指出本選題的研究方法和創(chuàng)新之處。第一章是“后革命”與中國(guó)當(dāng)代文學(xué)敘事。在對(duì)“后革命”理論加以界定的基礎(chǔ)上,對(duì)中國(guó)當(dāng)代文學(xué)的“后革命敘事”進(jìn)行梳理。首先,從中西方的理論演變來探討“后革命”理論,并且指出“后革命”在文學(xué)上的具體表征。其次,分別從80年代文學(xué)和90年代以來文學(xué)兩個(gè)階段來展開論述,明確中國(guó)當(dāng)代文學(xué)中“后革命敘事”的嬗變。本章旨在明確“后革命”理論的具體內(nèi)涵,進(jìn)而闡述格非小說“后革命敘事”生成的文學(xué)場(chǎng)域。第二章是“后革命敘事”的文化語境與格非的成長(zhǎng)史。從時(shí)代背景、作家心態(tài)以及具體創(chuàng)作三方面來展開論述。首先,對(duì)中國(guó)視閾下的“后革命時(shí)代”加以分析。其次,結(jié)合成長(zhǎng)經(jīng)歷、作家記憶以及時(shí)代特征闡述先鋒作家的創(chuàng)作心態(tài)。再次,結(jié)合具體創(chuàng)作闡述歷史敘事呈現(xiàn)的寓言化傾向。第三章是格非小說“后革命敘事”的審美追求。格非小說中具有“后革命立場(chǎng)”的小說不同程度地體現(xiàn)了對(duì)傳統(tǒng)革命敘事的消解。主要表現(xiàn)為歷史定論的非必然性,小說中往往呈現(xiàn)出故事情節(jié)的突然轉(zhuǎn)變與目的和結(jié)果的偏離,前者使敘事呈現(xiàn)偶然性,后者使敘事具有反諷性。與此同時(shí),革命場(chǎng)景呈現(xiàn)出非史詩(shī)性特點(diǎn),場(chǎng)景的營(yíng)造以及暗淡化描寫增添了文本的悲劇色彩。此外,革命者表現(xiàn)出欲望化、宿命感以及目的與信念游移的特點(diǎn)。第四章是格非小說“后革命思維”與敘事策略。一是格非小說中運(yùn)用敘事“空缺”,造成人物行動(dòng)和故事情節(jié)的斷裂。二是格非選取獨(dú)特的意象對(duì)革命故事進(jìn)行書寫,首先,水意象蘊(yùn)含著揮之不去的憂郁和孤獨(dú),夢(mèng)意象則是預(yù)示著理想的失敗。其次,閣樓與瓦釜意象象征著對(duì)生存的圍困。再次,金蟬作為信物推動(dòng)著情節(jié)的發(fā)展,瓦釜預(yù)示著理想的無奈放逐。第五章是對(duì)格非小說“后革命敘事”的深層思考。首先,探究格非“后革命敘事”的獨(dú)特性,格非小說創(chuàng)作呈現(xiàn)出由早期的形式策略向后期注重革命歷史轉(zhuǎn)變的特點(diǎn)。并且,革命者參加革命的動(dòng)力有時(shí)是內(nèi)心的欲望,伴隨革命進(jìn)程的是對(duì)潛在愛慕對(duì)象的追求。其次,對(duì)先鋒派“后革命敘事”立場(chǎng)進(jìn)行反思,主要側(cè)重于對(duì)先鋒派“后革命敘事”的批判性思考。結(jié)語部分是格非小說“后革命敘事”的意義、價(jià)值及展望。
[Abstract]:His self boarded the literary world has become an important member of the avant-garde writers in the vanguard of Gefei's novels due to their stay in the history of contemporary literature Chinese thick and heavy in colours on a pen. Explore Gefei's novels, which has a "post revolutionary standpoint" is an important part of the story. Get rid of the tendency of Ge Fei model the traditional revolutionary history narrative, in the common role of background and creation of new concepts, new thinking patterns of revolutionary history narrative, with a new picture of the new conception of history and narrative strategies to reshape the revolutionary history narrative, the prudent attitude and dialectical thinking mode in revolutionary history narrative showing a unique artistic style. "After the revolution" as a multi connotation theory provides effective interpretive Dimension Research of Gefei's novels in reference to western literature. His resources and combining the concept of creation On the basis of the structure of the story, characters and narrative strategies etc. to reconstruct the traditional revolutionary historical narration, so as to construct a new form of post revolutionary era "revolutionary historical narration. This paper is divided into the following parts: the introduction part based on clarifying the objects and the meaning of the research, reviews the previous research the results, and points out the research methods and innovations. The first chapter is" the revolution "and Chinese contemporary literary narration. Based on the definition of" Post Revolution "on the theory of China contemporary literature" post revolutionary narration "combs. First of all, to explore the" Post Revolution "theory from the theory of evolution in the west, and pointed out that" the specific representation of revolution in literature. Secondly, from 80s and 90s literature literature since the two stages to discuss, clear Chinese contemporary literature The evolution of "post revolutionary narration". This chapter tries to clarify the specific connotation of "Post Revolution" theory, and then elaborates the literary field of Gefei's Novels "post revolutionary narration" generation. The second chapter is "the cultural context and his post revolutionary narration" growth history. From the background, writers and writings of the mind three aspects. First, to Chinese from the perspective of "post revolutionary era" to be analyzed. Secondly, combined with the growth experience, the writer of memory and the characteristics of the Times described the pioneer writer's creation mentality. Thirdly, combined with the specific creation tendency of fable historical narrative is described. The third chapter is the aesthetic pursuit of Gefei's Novels "post revolutionary narration" with "post revolutionary position" in the novels of Gefei's novels reflect the varying degrees of the deconstruction of the traditional narrative revolution. Mainly for the non necessity of the verdict of history, novels often show From the plot of the story suddenly change and the purpose and results, the former makes narrative contingency, which is the narrative irony. At the same time, the revolutionary scene showing a non epic character, scene to create and add the text description of the dark desalination of tragedy. In addition, the revolutionaries showed a desire, fatalism and characteristics the purpose and faith wavering. The fourth chapter is "post revolutionary thinking" of Gefei's novels and narrative strategies. One is to use the narrative "vacancy" of Gefei's novels, resulting in fracture action figures and story. The two is selected the unique image of Ge Fei writing of revolutionary stories first, water image contains the lingering melancholy and loneliness that is the dream image indicates that the ideal failure. Secondly, the attic and tile cauldron image symbolizes the siege of survival. Once again, cicada as a keepsake to promote the development of the plot, Watt kettle indicates The ideal helpless exile. The fifth chapter is the deep thinking of Gefei's Novels "post revolutionary narration". First of all, the unique of Gefei "post revolutionary narration", Gefei's novels emerged from early to late form of attention to the revolution of historical transformation. And the dynamic revolutionary in the revolution is sometimes inner desire with the process of revolution, is the potential love object pursuit of the avant-garde ". Secondly, after reviewing the revolutionary narrative stance, critical thinking focuses on the avant-garde" post revolutionary narration ". The conclusion of Gefei's Novels" post revolutionary narration "meaning, value and prospect.

【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.42

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