本文選題：金瓶梅　切入點：韻文　出處：《內(nèi)蒙古師范大學》2017年碩士論文　論文類型：學位論文

【摘要】：小說中融入詩詞韻文,是中國古代小說的常見現(xiàn)象。白話小說的韻散結(jié)合是在說話技藝中發(fā)展起來的一種具有民族特色的敘事方式,并在口頭文學向案頭文學演變的過程中得以保留下來。在《三國志通俗演義》、《水滸傳》、《西游記》、《金瓶梅》這類長篇章回小說中仍有唱、吟、誦等技藝內(nèi)容。本文意在前人研究的基礎上,對《金瓶梅》韻文的敘事作用作一番總體論述。筆者視詩、詞、曲、賦等韻文為小說的有機組成部分,立足于這種特殊的話語方式,探究韻文與小說敘事文本的關(guān)系。本論文分為四部分。第一部分探究韻文在主旨表意上的作用,認為《金瓶梅》將財欲、色欲作為人性弱點和社會罪惡的根源加以暴露和批判,反思社會對酒色財氣的過度追求,以天道循環(huán)論來寓寫因果報應,警示世人,并著筆忘恩負義的酒肉朋友和趨炎附勢的社會現(xiàn)象,反映人情冷暖、世態(tài)炎涼。第二部分探究韻文在人物塑造上的作用,認為《金瓶梅》借助韻文進行肖像描寫,既包括人物的容貌、身材、服飾,也包括動作姿態(tài)、表情神態(tài),著意于人物的復雜性,體現(xiàn)人物的矛盾心理和性格變化,并以一種含蓄蘊藉的方式展現(xiàn)人物復雜的心理層面和動態(tài)的思緒變化。第三部分探究韻文在表達效果上的作用,認為《金瓶梅》藉由韻文充分調(diào)動詩歌雋永遙深的意境和情調(diào),實現(xiàn)委婉、含蓄的抒情表意,并化俗為雅,將露骨的性愛場景引入朦朧、虛幻的境界,將尷尬的色情描寫加以藝術(shù)性地美化。第四部分探究韻文在情節(jié)建構(gòu)上的作用,認為《金瓶梅》以白描賦營造氣氛、渲染天氣環(huán)境、鋪設故事背景、描寫宴飲場面,使長篇的描述性散文凝結(jié)為精巧的韻文;并以韻文的合理運用實現(xiàn)多個事件的自然接續(xù),在情節(jié)層次上實現(xiàn)“起承轉(zhuǎn)合”的結(jié)構(gòu)功能,借助韻文模糊性的特點,利用“隱譎示意”的方式預示某些信息,為故事發(fā)展埋下伏筆。
[Abstract]:It is a common phenomenon in ancient Chinese novels to incorporate poetry and verse into novels. The combination of rhyme and dissipation of vernacular novels is a kind of narrative mode with national characteristics developed in speech skills. And in the evolution of oral literature to desk literature, it was preserved. In popular Romance of the three Kingdoms, Water margin, Journey to the West, Jin Ping Mei, there are still singing and chanting in such long Zhang Hui novels as "three Kingdoms", "Water margin", "Journey to the West" and "Jin Ping Mei". On the basis of previous studies, this paper makes a general exposition on the narrative function of verse in Jin Ping Mei. The author regards poetry, ci, song and Fu as an organic part of the novel. This paper is divided into four parts. The first part explores the role of verse in the main idea, and holds that Jin Ping Mei will be rich. As the root of human weakness and social evil, lust is exposed and criticized, reflecting on the excessive pursuit of wine and wealth in society, writing karma and retribution with the theory of natural cycle, and warning the world. The second part explores the role of rhymes in the characterization of characters, and holds that Jinping Mei carries out portrait description with the help of verse, which reflects the social phenomenon of ingratitude and ingratitude of wine and meat, reflecting the warmth and warmth of human feelings and the warmth of the world, the second part of which explores the role of verse in the characterization of characters. It includes not only the appearance, figure, dress, but also the posture and expression of the character, the complexity of the character, the contradictory psychology of the character and the change of character. The third part explores the function of verse in expressing effect, and thinks that Jin Ping Mei can fully arouse the meaningful and profound artistic conception and sentiment of poetry by the rhyme, and show the complex psychological level and dynamic change of thoughts in the characters in an implicit way. The third part explores the function of verse in expressing effect, and holds that Jinpingmei can fully mobilize the profound artistic conception and sentiment of poetry by means of verse. Realizing euphemism, implicit lyric expression, and transforming vulgarity into elegance, introducing explicit sexual scenes into hazy and illusory realm, artistically beautifying embarrassing pornographic descriptions. 4th part explores the role of verse in plot construction. It is considered that Jinping Mei creates atmosphere, exaggerates the weather environment, lays out the background of the story, describes the banquet scene, so that the long descriptive prose condenses into the exquisite rhyme, and realizes the natural succession of many events with the rational use of the verse. To realize the structural function of "starting, connecting and transferring" on the plot level, with the help of the fuzziness of verse, and using the way of "hidden and treacherous" to foreshadow some information, this paper lays the groundwork for the development of the story.
【學位授予單位】：內(nèi)蒙古師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.419

【相似文獻】

相關(guān)碩士學位論文 前2條

1 孟竹;《金瓶梅》韻文在小說中的作用研究[D];內(nèi)蒙古師范大學;2017年

2 張哲;《金瓶梅》陽谷方言詞語研究[D];北方民族大學;2017年

，

本文編號：1572437