本文關(guān)鍵詞： 鮑照 “興頭” “冷寂” 鋪陳 反問(wèn) 自我呈現(xiàn)　出處：《求索》2017年03期 　論文類(lèi)型：期刊論文

【摘要】：關(guān)于鮑照詩(shī)歌的風(fēng)格,歷代皆相推許其“驚挺”“險(xiǎn)急”的詩(shī)端,卻忽視了其詩(shī)“冷寂”的收束。實(shí)際上鮑照有大量的詩(shī)歌都具有開(kāi)端“興頭”、結(jié)句“冷寂”的構(gòu)思特點(diǎn),并在一熱一冷的起伏間表達(dá)曲折回環(huán)的心理和深沉抑郁的痛苦,從而達(dá)成一種頓挫之致,形成峭促勁健的美學(xué)張力。在修辭手法上則形成了開(kāi)端鋪陳與結(jié)句反問(wèn)之間的對(duì)比。其用意是詩(shī)人從普遍人生中的種種悲哀現(xiàn)象來(lái)提煉現(xiàn)實(shí)的本質(zhì),以揭示一己人生悲哀的普遍性和典型化,這使得鮑照詩(shī)歌成為魏晉時(shí)期詩(shī)歌深化自我呈現(xiàn)的典范。
[Abstract]:As to the style of Bao Zhao's poetry, the past dynasties have all agreed with him that he was "frightened" and "desperate", but neglected the collection of his poem "cold silence." in fact, Bao Zhao has a large number of poems which have the characteristics of starting "interest" and concluding sentences "cold silence". And express the twists and turns of psychology and deep depression between the ups and downs of a hot and cold state, thus achieving a kind of frustration. It forms a sharp and vigorous aesthetic tension. In terms of rhetoric, it forms a contrast between the beginning and the conclusion. Its intention is to refine the essence of reality from the sorrowful phenomena of life in general. In order to reveal the universality and typicalization of the sorrow of one's own life, Baozhao's poetry has become the model of deepening self-presentation of poetry in Wei and Jin dynasties.
【作者單位】： 北京外國(guó)語(yǔ)大學(xué)中文學(xué)院;
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本文編號(hào)：1546538