本文關(guān)鍵詞： 方方 小說創(chuàng)作 歷史意識　出處：《廣東技術(shù)師范學(xué)院》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：方方是當(dāng)代作家中比較特殊的一位,她的文字既不缺少女性的敏感細(xì)膩,同時(shí)又有著男性身上的大氣磅礴。在《風(fēng)景》取得巨大反響后,方方被冠以“新寫實(shí)小說”代表性作家稱號,評論界和讀者都將目光聚焦在方方創(chuàng)作的有關(guān)武漢市民階層的作品,有關(guān)方方作品的評論大多也集中于分析在“新寫實(shí)小說”流派中方方作品的特色以及與同為“漢味”作家的池莉進(jìn)行平行比較,分析她們“新寫實(shí)”的異同。作家蔣子龍寫了一篇評論方方的文章《方方面面》,里面談到不管方方是否大紅大紫,她“從未被忽視過”。方方對此有自己的解釋,“沒有被忽略,是因?yàn)槲乙恢睕]有停下來不寫。如果有一天我不寫了。自然就會被忽略,這是件很自然的事。”正是因?yàn)榉椒揭恢蔽赐Ｏ聞?chuàng)作,并且不斷尋求新的寫作題材,她才從未“真正被忽略”。方方用風(fēng)格多變的作品證明自己除了能寫“毛茸茸的生活場景”、“零度情感介入”的作品外,同樣能創(chuàng)作“百變風(fēng)景”。在掌握基本脈絡(luò)后,此文通過文本細(xì)讀,回答方方“百變風(fēng)景中的歷史書寫”主要“寫了什么”、“如何寫的”這兩個(gè)問題,并結(jié)合作家自身的成長環(huán)境和時(shí)代背景挖掘?qū)懽鞅澈蟮母?試圖呈現(xiàn)不一樣的風(fēng)景。此文分為緒論、正文、結(jié)語三個(gè)部分。緒論簡要介紹有關(guān)方方歷史書寫的研究現(xiàn)狀和這一研究方向的價(jià)值。正文部分分為四個(gè)章節(jié),第一章從宏觀層面論述歷史與文學(xué)創(chuàng)作的關(guān)系,具體闡釋方方個(gè)人的歷史態(tài)度以及她的歷史意識;第二章結(jié)合方方的家族背景、個(gè)體的地域承擔(dān)以及“新歷史小說”的影響,深入挖掘方方小說中流露的歷史意識的形成淵源;第三章以實(shí)際文本為例,具體呈現(xiàn)方方的歷史意識與作品的融合方式;第四章主要說明方方創(chuàng)作歷史題材作品的目的。結(jié)語部分總結(jié)方方在創(chuàng)作中呈現(xiàn)出來的歷史意識,并指出當(dāng)下研究對歷史意識的意義。
[Abstract]:Fang Fang is one of the most special contemporary writers. Her writing is not only sensitive to women, but also magnificent in men. Fang Fang was dubbed the "New realistic novel" as a representative writer. Critics and readers focused their attention on Fang Fang's works about Wuhan's citizen class. Most of the comments about Fang Fang's works also focus on the analysis of the characteristics of Fang Fang's works in the genre of New realistic Fiction and their parallel comparison with Chi Li, who is also a writer of "Han flavor". To analyze the similarities and differences of their "new realism". Writer Jiang Zilong wrote a commentary on Fang Fang's article, "every aspect," which states that no matter whether Fang Fang is so popular or not, she "has never been neglected." Fang Fang has his own explanation for this, "not being ignored." It's because I've never stopped writing. If one day I don't write, nature will be ignored. It's natural. "it's because Fang has never stopped writing and is constantly looking for new writing topics. She has never been "really ignored". Fang Fang has proved that in addition to her works of "hairy life scenes" and "zero emotional involvement," she can also create "landscape changes." after mastering the basic context, This article answers the two questions about "what" and "how to write" in Fang Fang's "historical writing in the landscape of a hundred changes" through careful reading of the text, and combines the writer's own growing up environment and the background of the times to dig out the root of the writing. This article is divided into three parts: introduction, text and conclusion. The introduction briefly introduces the current research situation of Fang Fang's historical writing and the value of this research direction. The text is divided into four chapters. The first chapter discusses the relationship between history and literary creation from the macro level, explains Fangfang's personal historical attitude and her historical consciousness, the second chapter combines Fang Fang's family background, individual regional commitment and the influence of "New Historical Fiction". The third chapter takes the actual text as an example to show Fangfang's historical consciousness and the fusion way of his works. Chapter 4th mainly explains the purpose of Fangfang's creation of historical works. The conclusion summarizes Fangfang's historical consciousness in his creation and points out the significance of current research to historical consciousness.
【學(xué)位授予單位】：廣東技術(shù)師范學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.42

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