本文關(guān)鍵詞： 范巨卿 人物形象 東漢 書寫　出處：《山東師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：東漢名士范巨卿,山陽金鄉(xiāng)人,其生卒具體年代已不可考,在漢代以來的諸多歷史文獻(xiàn)及文學(xué)作品中,范式(字巨卿)的故事一再得到書寫與傳播,而也正是在這樣的書寫中,范式及其相關(guān)的故事不斷地被改編和演繹。關(guān)于范式(字巨卿)本人,現(xiàn)有立于魏青龍三年(公元235年)的碑文保存至今,是關(guān)于范式人物生平最早的記載。在范曄《后漢書·獨(dú)行列傳》中,共記載了范式的四件事,一是在太學(xué)游學(xué)并與汝南人張劭結(jié)識(shí),兩人分別時(shí)相約兩年后范式到汝南張劭家中赴約,兩年后,范式如約而至;二是張劭病故,死后托夢(mèng)于范式,范式得知后急忙去奔喪,與其告別后將其安葬;三是范式后來又去太學(xué)學(xué)習(xí),受同學(xué)長(zhǎng)沙陳平子托付照顧其妻兒返鄉(xiāng),范式應(yīng)允并踐行;四是范式在荊州刺史任上遇到曾經(jīng)的同窗孔嵩,并對(duì)其加以舉薦,孔嵩不肯出仕。范曄在編著《后漢書》時(shí)已相較于范式這一人物的生活時(shí)代已有三百余年,在這三百年的過程中,范式的人物書寫已經(jīng)有所取舍。而后世中范式這一形象的再創(chuàng)作,大多又以范曄《后漢書·范式傳》為底本。同時(shí),在魏晉南北朝時(shí)期,干寶創(chuàng)作的《搜神記》中錄有《山陽死友傳》的故事,可以看做后世著重突出“范張相交”的事跡起點(diǎn)。在唐宋時(shí)期,眾多的文人詩作中引用范式張劭相交的典故,或者寄托友情,或者懷念古人。宋元之后,市民社會(huì)興起,普通民眾對(duì)于文藝作品的需求日益旺盛,范巨卿及其相關(guān)故事在文學(xué)作品中得到新的演繹。元代雜劇《死生交范張雞黍》,就是以《范式傳》為藍(lán)本對(duì)其故事進(jìn)行的藝術(shù)演變,及至明代,話本小說的興起再次帶動(dòng)了范式故事的流傳,特別是明末小說家馮夢(mèng)龍的小說集《三言二拍》的風(fēng)行,其中就有《范巨卿雞黍死生交》這一故事對(duì)于范式故事的全新改寫。而也正是小說家對(duì)范式故事濃墨重彩的書寫,使得范式的故事得以風(fēng)行,進(jìn)而民間對(duì)于范式這一人物的品格和事跡更加推崇,明清以降,在范式的家鄉(xiāng),紀(jì)念范張的祠堂屢毀屢建,更多的文人墨客在范式的家鄉(xiāng)留下了紀(jì)念二賢的文字。千年以來,范式這一人物及其相關(guān)故事的書寫深刻地打上了每個(gè)時(shí)代的烙印,范式的人物形象也在歷史流轉(zhuǎn)中歷經(jīng)變化。
[Abstract]:Fan Juqing, a famous man of the Eastern Han Dynasty, was born in Jinxiang of Shanyang. In many historical documents and literary works since the Han Dynasty, the story of the paradigm has been written and spread again and again, and it is in this writing that it is in this way that the story is written. The paradigm and its related stories have been constantly adapted and interpreted. The inscription of the paradigm (Zhu Qing) himself, which has been written in Wei Qinglong for three years (A. D. 235), is still alive today. It is the earliest record of the life of the characters in the paradigm. In Fan Ye's Book of the Han Dynasty after Fan Ye's Biography of the Han Dynasty, there are four things about the paradigm. One is to travel in the Taixue and make acquaintance with Zhang Shao of the Runan people. Two years later, the paradigm came to the house of Zhang Shao in Runan. Two years later, the paradigm came as promised; second, Zhang Shao died of his illness, after his death, he entrusted his dream to the paradigm, and the paradigm hurried to the funeral and buried him after saying goodbye to him; Third, the paradigm later went to Taixue to study, and Chen Pingzi, a classmate of Changsha, entrusted to take care of his wife and children to return home. The paradigm promised and practiced; fourth, the paradigm met the former classmate Kong Song in the history of Jingzhou and recommended it. Kong Song refused to come out of office. Fan Ye, when he wrote the Book of the later Han Dynasty, had been living in the age of more than 300 years in comparison with the paradigm. In the course of these three hundred years, However, the re-creation of this image in later generations is mostly based on Fan Ye's "Biography of the later Han Dynasty". At the same time, during the Wei, Jin and Northern and Southern dynasties, The story of "dead friends of Shanyang" is recorded in Gan Bao's Records of God search, which can be regarded as the starting point of the deeds of "Fan Zhang intersecting each other" in later generations. In the Tang and Song dynasties, many literati poems cited the allusions of the paradigm Zhang Shao intersecting each other. Either relying on friendship or remembering the ancients. After the Song and Yuan dynasties, the civil society rose, and the general public had a growing demand for literary and artistic works. Fan Juqing and his related stories got a new interpretation in their literary works. The Yuan Dynasty zaju "living and exchanging Fan Zhangjiong" was the artistic evolution of his story based on the "Biography of the Paradigm", until the Ming Dynasty. The rise of fictions has once again led to the spread of paradigm stories, especially the popularity of novelist Feng Menglong's collection of novels, "three words and two beats", in the late Ming Dynasty. Among them, Fan Juqing's story "Fan Juqing's broiler broomcorn and sexual intercourse" is a new rewriting of the story of paradigm. And it is the novelist's intense writing of the story of paradigm that makes the story of paradigm popular. And then the folk praised the character and deeds of this character of paradigm more highly. In the hometown of the paradigm, in the Ming and Qing dynasties, Fan Zhang's ancestral temple was repeatedly destroyed and built, and more literati left words to commemorate the two sages in the paradigm's hometown. For millennia, The writing of Paradigm and its related stories is deeply marked by each era, and the characters of Paradigm also undergo changes in the historical circulation.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：K234.2;I206

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