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  本文關(guān)鍵詞：新世紀(jì)長(zhǎng)篇小說(shuō)的文體雜糅　出處：《華中師范大學(xué)》2015年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 新世紀(jì) 長(zhǎng)篇小說(shuō) 文體雜糅

【摘要】：新世紀(jì)以來(lái),長(zhǎng)篇小說(shuō)的繁榮發(fā)展已經(jīng)成為了我們無(wú)法忽視的事實(shí),無(wú)論是在題材方面還是藝術(shù)表現(xiàn)形式方面,新世紀(jì)的長(zhǎng)篇小說(shuō)都出現(xiàn)了一些令人耳目一新的變化。在題材方面,鄉(xiāng)村和歷史這兩大類題材成為新世紀(jì)長(zhǎng)篇小說(shuō)最熱衷的選擇,而在文體的創(chuàng)新方面,新世紀(jì)的長(zhǎng)篇小說(shuō)也呈現(xiàn)出了一些新的特質(zhì)。上個(gè)世紀(jì)九十年代,長(zhǎng)篇小說(shuō)的文體的創(chuàng)新就已經(jīng)開展了,但是,長(zhǎng)篇小說(shuō)的文體革新在新世紀(jì)才真正得到全面的展開,并取得令人矚目的成績(jī)。新世紀(jì)以來(lái),在文學(xué)界差不多每一篇有分量的長(zhǎng)篇小說(shuō)的問(wèn)世,都會(huì)以其獨(dú)特的文體形式吸引我們的視線,《生死疲勞》、《受活》、《檀香刑》、《上塘?xí)�、《秦腔》、《我的丁一之旅》、《浦之上》、《婦女閑聊錄》、《蛙》等,莫不接二連三地給我們帶來(lái)震撼和驚喜。而在新世紀(jì)的長(zhǎng)篇小說(shuō)的創(chuàng)作中,作家融合各種文學(xué)非文學(xué)要素,不斷雜糅各種非小說(shuō)文體,突破傳統(tǒng)小說(shuō)的邊界規(guī)范,打破文體之間的界限,是新世紀(jì)以來(lái)比較突出的一種創(chuàng)作現(xiàn)象。本文著眼于文體雜糅的角度來(lái)分析新世紀(jì)的長(zhǎng)篇小說(shuō)的文體特征,試圖通過(guò)對(duì)這一文學(xué)現(xiàn)象的分析來(lái)考察新世紀(jì)長(zhǎng)篇小說(shuō)的文體革新。本文主要分為三大部分,導(dǎo)論、正文、結(jié)語(yǔ)。導(dǎo)論部分主要是對(duì)“文體”、“長(zhǎng)篇小說(shuō)”的概念內(nèi)涵進(jìn)行一個(gè)簡(jiǎn)單的梳理和界定。正文部分共有四章,第一章和第二章論述新世紀(jì)長(zhǎng)篇小說(shuō)的文體雜糅的表現(xiàn),第一章側(cè)重論述新世紀(jì)長(zhǎng)篇小說(shuō)在體裁上的雜糅,體裁上的雜糅可以分為文備眾體式的雜糅和文體互滲式的雜糅。文備眾體式的雜糅又可分為五個(gè)方面。第一是與民間戲曲、歌謠的雜糅。第二是與戲劇的雜糅。第三是與書信的雜糅。第四是與詩(shī)歌的雜糅。第五是與實(shí)用文體的雜糅。文體互滲式的雜糅則包括三點(diǎn),一是哲思性小說(shuō),二是方志體小說(shuō),三是口述實(shí)錄體小說(shuō)。第二章側(cè)重的是新世紀(jì)長(zhǎng)篇小說(shuō)在語(yǔ)體上的雜糅,分為兩部分,一是與文藝語(yǔ)體之間的雜糅和滲透,二是文藝語(yǔ)體與非文藝語(yǔ)體的雜糅。第三章針對(duì)新世紀(jì)長(zhǎng)篇小說(shuō)的文體雜糅現(xiàn)象探究其生成原因,主要有兩個(gè)層面,作家自覺的文體意識(shí),文體雜糅的傳統(tǒng)。第四章是對(duì)上述論述的一個(gè)總結(jié),分為兩小節(jié)。第一節(jié)論述新世紀(jì)長(zhǎng)篇小說(shuō)文體雜糅的獨(dú)特性,即區(qū)別于此前文體雜糅的特質(zhì)。第二節(jié)即對(duì)新世紀(jì)長(zhǎng)篇小說(shuō)文體雜糅的一個(gè)評(píng)價(jià)。結(jié)語(yǔ)部分則主要側(cè)重闡述本篇論文寫作的目的。
[Abstract]:Since the new century, the prosperity and development of novels has become a fact that we can not ignore, whether in the subject matter or in the form of artistic expression. The novels of the new century have undergone some refreshing changes. In terms of subject matter, rural and historical themes have become the most popular choice of novels in the new century, while in the aspect of stylistic innovation. The novel of the new century also presents some new characteristics. In -10s, the style of the novel innovation has been carried out, but. In the new century, the innovation of the style of novel has really been carried out in an all-round way, and it has made remarkable achievements. Since the new century, almost every novel with great weight has been published in the literary world. The city will attract our attention with its unique stylistic form, "Life and death fatigue", "Lifetime", "Honolulu punishment", "Shangtang Book", "Qin Chamber", "my Tour of Ding Yi", "above Pu". "Women's gossiping", "Frog" and so on, bring us shock and surprise one after another. In the creation of novels in the new century, the writers fuse all kinds of literary and non-literary elements. Constantly mix all kinds of non-novel styles, break through the boundary norms of traditional novels, break the boundaries between styles. This paper focuses on the stylistic hybridity to analyze the stylistic features of the novel in the new century. This article is divided into three parts: introduction, text, conclusion. The introduction is mainly about style. There are four chapters in the text, the first chapter and the second chapter discuss the performance of the stylistic hybridity of the novel in the new century. The first chapter focuses on the genre of novels in the new century. The hybridity of genre can be divided into the mixture of style and style. The hybridity of style and style can be divided into five aspects. The first is folk opera. The second is the mixture with drama. The third is the mixture with letters. 4th is the hybridity with poetry. 5th is the hybridity with practical style. The mixture of style and style includes three points, one is philosophical novels. The second chapter is focused on the new century novel in the style of hybridity, divided into two parts, the first is the mixture and infiltration between literary and artistic style. The third chapter aims at the new century novel style miscellaneous phenomenon to explore its generation reason, mainly has two aspects, the writer conscious stylistic consciousness. Chapter 4th is a summary of the above exposition, which is divided into two sections. The first section discusses the unique features of the literary style of novel in the new century. The second section is an evaluation of the hybrid style of novel in the new century, and the conclusion mainly focuses on the purpose of writing this paper.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I207.42

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本文編號(hào)：1434981