本文關(guān)鍵詞：新時期以來科爾沁漢語小說創(chuàng)作研究　出處：《吉林大學》2017年博士論文　論文類型：學位論文

  更多相關(guān)文章： 新時期 科爾沁 漢語小說 創(chuàng)作群體 歷史書寫 生態(tài)敘事 家園意識

【摘要】：科爾沁漢語小說是科爾沁地域文學的典型代表,它具有濃郁的民族性和鮮明的地域性。新時期以來,相較于“十七年”文學時期,科爾沁漢語小說獲得了長足發(fā)展,創(chuàng)作隊伍不斷壯大、題材類型也越來越多樣,對科爾沁社會生活的透視也越來越多元、深刻。本文試圖從宏觀和微觀兩個角度對新時期以來的科爾沁漢語小說進行多角度、多側(cè)面地研究,以期全面、真實地展現(xiàn)新時期以來科爾沁漢語小說創(chuàng)作的風貌。本論文分為以下幾個部分:緒論分為兩部分,第一部分是對“科爾沁”這個關(guān)鍵詞進行歷史的、文化的界定,從而為本論文研究范圍的確定奠定理論基礎(chǔ)�！翱茽柷摺弊鳛橐粋�專有名詞,在歷史的變遷中,其指稱經(jīng)過了多重歷史演變。這雖然帶來了對科爾沁一詞界定的困難,但也標志著“科爾沁”具有十分豐厚的歷史文化內(nèi)涵,所以,“科爾沁”的“能指”與“所指”之間張力十足。首先,從“能指”來看,“科爾沁”有一個從部落名稱到地域名稱的演變過程。作為部落名稱,它是指以成吉思汗之弟哈布圖·合撒兒后裔為領(lǐng)主的部落集團;作為地域名稱,它則是指以科爾沁草原為中心,各族人民生息繁衍的一個廣大區(qū)域的統(tǒng)稱。其次,從“所指”來看,“科爾沁”具有民族性與地域性的雙重文化內(nèi)涵。第二部分主要對新時期以來科爾沁漢語小說的研究范圍、研究現(xiàn)狀、研究目的與意義、研究思路與方法幾個方面進行分析,從而為研究提供立論基礎(chǔ)。正文分為四個部分,其主要內(nèi)容如下:第一,新時期以來科爾沁漢語小說創(chuàng)作的開放性。首先,新時期以來科爾沁漢語小說創(chuàng)作群體構(gòu)成具有開放性,與“十七年”文學時期以蒙古族為單一創(chuàng)作群體不同,呈現(xiàn)出多民族共創(chuàng)的局面。這其中,蒙古族作家是繼往開來的主力軍,他們在十七年文學時期和新時期以來都為科爾沁漢語小說創(chuàng)作的繁榮和發(fā)展做出了突出貢獻;漢族及其他民族作家在新時期以來的加入,為科爾沁漢語小說創(chuàng)作增添了新的力量,成為漢語小說創(chuàng)作的生力軍。其次,新時期以來科爾沁漢語小說創(chuàng)作群體的創(chuàng)作視野越來越開放,改變了“十七年”時期因主題單一而導致的題材不夠豐富的特點,題材表現(xiàn)越來越多樣化�！笆吣辍睍r期,科爾沁漢語小說以歌頌和堅持黨的領(lǐng)導作為主題,產(chǎn)生了兩類題材:蒙古牧民生活題材、革命歷史斗爭題材。新時期以后,科爾沁漢語小說不但主題多樣,而且題材在原有基礎(chǔ)上有了很大拓展,歷史題材、牧民生活題材在“十七年”基礎(chǔ)上有了更多樣化的表現(xiàn),與此同時,還出現(xiàn)了描寫塞外城鎮(zhèn)、農(nóng)村生活和草原生態(tài)的題材,使科爾沁漢語小說題材越來越多樣化,主題也越來越多元化。第二,新時期以來科爾沁漢語小說歷史書寫的現(xiàn)代性。新時期以來的科爾沁漢語小說創(chuàng)作中最突出的一個現(xiàn)象就是歷史長篇小說比較盛行,且筆力大都集中在對成吉思汗及其子孫為歷史內(nèi)容的“黃金家族”的書寫上�？茽柷邼h語小說作家對“黃金家族”的書寫具有現(xiàn)代性。文學現(xiàn)代性屬于審美現(xiàn)代性,它是對社會現(xiàn)代性即理性的超越、否定。文學不是對社會現(xiàn)實生活和社會歷史的簡單復(fù)制、反映,它是在對生活真實反映基礎(chǔ)上的藝術(shù)真實的審美創(chuàng)造。在“黃金家族”的歷史書寫中,深刻體現(xiàn)了這種文學的審美價值追求。首先,從歷史理性上來看,大歷史視野的切入是“黃金家族”歷史書寫的一個突出特點。大歷史視野下的歷史觀是“黃金家族”小說書寫的歷史理性表達。這種歷史觀主要是以大歷史觀的歷史觀理論為依托,同時又摻雜個人歷史觀的一種歷史觀。在這一歷史觀的影響下,科爾沁漢語小說家的歷史書寫表現(xiàn)出對“黃金家族”歷史的更多關(guān)注,以及對歷史價值判斷的客觀性特點。其次,對歷史人物的人性化塑造與關(guān)照是“黃金家族”具有審美現(xiàn)代性的另一個重要方面�！包S金家族”的歷史是一個征戰(zhàn)殺伐的歷史,從歷史理性來看,它推動了歷史的發(fā)展,但是從人文角度來看,卻暴露了戰(zhàn)爭殘忍的一面,即戰(zhàn)爭對人性的虐殺�？茽柷邼h語小說作家對“黃金家族”中的歷史人物進行了多元塑造,并以博大的人文情懷對戰(zhàn)爭中的女性命運給予了深切的關(guān)注,從側(cè)面對戰(zhàn)爭殘酷本質(zhì)進行了批判。第三,新時期以來科爾沁漢語小說的家園意識�？茽柷邼h語小說作家的創(chuàng)作具有濃郁的家園意識。不管是用鄉(xiāng)土敘事方式書寫的科爾沁現(xiàn)實生活中的蕓蕓眾生,還是生態(tài)敘事下對科爾沁生態(tài)地理文化的關(guān)注,乃至科爾沁漢語小說作家對科爾沁民族的歷史書寫,都不同程度地表達了科爾沁漢語小說作家的家園意識。而這些作品在主題表達上,不管是對祖先光榮歷史的崇拜、對民族苦難的追溯、對科爾沁鄉(xiāng)土的贊美、還是對傳統(tǒng)家園文化的批判和反思,實際上都是家園意識的生動文本表達。作家們以其對現(xiàn)實家園的審視與反思,通過回望過去、古今對比,試圖建立一個理想與現(xiàn)實相合的理想家園,所以對科爾沁鄉(xiāng)土家園的還原、現(xiàn)實家園的反思以及詩意家園的建構(gòu)就成為當代科爾沁漢語小說作家們永恒不泯的審美追求。第四,新時期以來科爾沁漢語小說生態(tài)敘事的魔幻性。科爾沁漢語生態(tài)小說并非完全意義上的魔幻現(xiàn)實主義文學,它只是在敘事的方法上具有魔幻現(xiàn)實主義小說的敘事特點而已,雖然魔幻現(xiàn)實主義的敘事方式和敘述技巧不是整體地被借鑒到新時期以來科爾沁生態(tài)小說的描寫中,但卻構(gòu)成了科爾沁生態(tài)空間書寫的一道獨特景觀。大體看來,當代科爾沁漢語小說作家對科爾沁生態(tài)空間的魔幻敘事主要體現(xiàn)為神話敘事、冷靜敘事和神秘敘事三個方面。神話敘事主要體現(xiàn)在對歷史與現(xiàn)實進行神話式的處理,對民族的社會和文化形態(tài)進行模擬或虛構(gòu),同時在敘述中適當引入神話和傳說。冷靜敘事是指用一種“無畏”的語調(diào),任何時候都不懷疑所敘述的事情,打破看來是真實事物和看來是神奇事物之間的界限。神秘敘事是魔幻現(xiàn)實主義文學中對現(xiàn)實藝術(shù)描寫的常態(tài),即通過對現(xiàn)實生活中種種神秘世相的描寫和對深植于民族傳統(tǒng)之中信仰世界的神奇再現(xiàn)。
[Abstract]:The Chinese novel is a typical representative of Horqin geographical literature, it has rich nationality and distinctive area. Since the new period, compared to the "seventeen years" literature, in Chinese novels has achieved great development and creative team is constantly growing, more diverse types of theme, the social life and perspective of Horqin more deeply. This paper attempts to carry out multi angle of the new period in the Chinese novel from two angles of macroscopic and microscopic, multi lateral research, with a view to a comprehensive, true show since the new period, Erqin Chinese novel creation style. This paper is divided into the following parts: the introduction is divided into two parts, the first part is the history of the words "in, the definition of culture, so as to lay a theoretical foundation for the determination of the scope of this thesis." in "as a proper In terms of the vicissitudes of history, its reference after multiple historical evolution. It brings on Horqin define difficulties, but also marks the "Horqin" has very rich historical and cultural connotation, so, "in the" signifier "and" signified "between the first full of tension. From the point of view," signifier "," evolution of Horqin "from a tribal name to the geographical name. As a tribal name, it refers to the younger brother of Gen Gi Khan and son Habutu - descendants as lords tribal groups; as a geographical name, it refers to the Horqin grassland as the center, referred to as a the majority of people of all ethnic groups live in the area. Secondly, from the" signified "," dual culture with national and regional Knorchin ". The second part of the new period of Chinese Fiction in Horqin area, research Form, purpose and significance of the study, several aspects of the research ideas and methods of analysis, so as to provide a theoretical basis for the study. The text is divided into four parts, the main contents are as follows: first, the open of Chinese novels in new period. First, since the new period of Chinese fiction creation group Erqin which is open, with the "seventeen years" literature of Mongolian as the creation of single groups, showing multiple ethnic groups to create a situation. Among these, Mongolian writers are the main force of the future, they in the seventeen year period and the new period literature for the prosperity and development of Horqin Chinese novels have made outstanding contributions; Han and other in addition the ethnic writers in the new period, add a new force in Chinese novels, become a force in Chinese novels. Secondly, since the new period in the Han Dynasty Language novels writing group vision more open, change the characteristics of "seventeen years" period due to a single theme theme is not rich enough, the theme is more and more diversified. "Seventeen years" period, in the Chinese novel in praise and adhere to the leadership of the party as the theme, the two themes: Mongolia pastoral life the theme of revolutionary history, the struggle theme. After the new era, in Chinese novels not only various topics and themes on the basis of the original has been greatly expanded, historical themes, pastoral life theme in the "seventeen years" on the basis of a more diverse performance, at the same time, also appeared in the description of the urban, rural life and grassland ecology the theme of Chinese novels, the Horqin more and more diversified, the theme is also increasingly diverse. Second, the modern Chinese novels since the new period in the history books written by the new. A prevailing phenomenon since the most prominent period of Chinese novels in Horqin is a historical novel, and the book largely focused on Gen Gi Khan and his descendants as the historical content of the "golden family" in Chinese writing. Writers writing about "golden family" with modernity. Modernity literature belongs to aesthetic modernity it is the modern society, namely rational transcendence, negation. Literature is not on social life and social history of the simple copy, it is reflected in the life reflect the true art of aesthetic creation basis. In the history of "writing gold family", reflects the profound aesthetic value of the literary pursuit first, from the point of view of historical reason, historical view entry is "a prominent feature of golden family history writing. The historical view of history from the perspective of the" Golden House Family history of novels written by rational expression. This view of history is the history of the concept of history as theoretical foundation, and a historical doping personal history view. In the view of history, historical writing Chinese novelist showed more in focus on the "golden family history" and, on the historical characteristics of objectivity of value judgment. Secondly, the humanization of historical figures and attention is another important aspect of the gold family "has the aesthetic modernity." golden family history is a sword of history, from the historical reason, it promoted the development of history. But from the humanistic perspective, it exposed the cruel side of the war, the war on humanity's murder. Chinese writers in Horqin were analyzed by multiple shaping of the "golden family" in historical figures, and with great humanities Given the deep feelings of concern for the fate of women in the war, was critical of the war cruel nature from the side. Third, home consciousness in Chinese novels since the new period in the Chinese fiction writers. In has rich home consciousness. Whether it is in real life written by local narrative manner in numerous living beings or ecological. The narration on Horqin geographical and cultural ecological concerns, and even in Chinese writer of fiction written in the history of Horqin nation, there are different degrees of expression of Chinese writers in Horqin homeland consciousness. And the expression of these works on the subject, whether it is the worship of ancestors of glorious history, dating back to the suffering of the nation, praise of Horqin local the home or the traditional cultural criticism and reflection, is actually a vivid expression of homeland consciousness. Text writers to the present Review and Reflection on the real home, by contrast, looking back, trying to build an ideal home for the ideal and the reality of consistency, so on Horqin local home reduction, construction of real home and home has become a reflection of poetic aesthetic pursuit of contemporary Chinese fiction writers in the eternal immortal. Fourth, the magic of Horqin Chinese the novel ecological narrative since the new period. The magical realism literature in Horqin Chinese ecological novels is not the full sense of the narrative features, it is only with the magic realism novel in the narrative way only, although the magic realism narrative style and narrative techniques to be used in the whole not since the new period in the ecological novels in but, constitute a unique landscape. In the ecological spatial writing. Generally speaking, Chinese writers of Science in Contemporary The magic narrative Erqin ecological space is mainly embodied in three aspects: narrative myth, calm narration and mysterious narrative mythological narrative. Mainly embodied in the process of myth of history and reality, simulated or fictional on the national social and cultural pattern, at the same time in the proper introduction of myths and legends. Calm narrative refers to the use of a "fearless" tone, no time no doubt account of what happened, it is true and it seems to break the boundaries between things. The mysterious magical narrative is normal description of realistic art of magic realism in literature, namely through the magical reproduction description of real life and the mysteries of the world. In the traditional belief in the world.

【學位授予單位】：吉林大學
【學位級別】：博士
【學位授予年份】：2017
【分類號】：I207.42
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本文編號：1432939