本文關(guān)鍵詞：唐朝悼亡詩(shī)研究　出處：《山東大學(xué)》2015年碩士論文　論文類型：學(xué)位論文

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【摘要】：在中國(guó)文學(xué)史上,悼亡詩(shī)創(chuàng)作數(shù)量有限,研究者涉及較少,但悼亡詩(shī)具有其特殊意義。悼亡詩(shī)發(fā)展源遠(yuǎn)流長(zhǎng),自《詩(shī)經(jīng)》起,已經(jīng)有了悼亡詩(shī)創(chuàng)作,并在魏晉南北朝時(shí)期、唐宋時(shí)期有所發(fā)展,本文主要是對(duì)唐朝悼亡詩(shī)進(jìn)行研究。緒論部分主要介紹了悼亡詩(shī)概念、研究綜述、研究方法及意義�！暗客鲈�(shī)”專指夫妻之間的互悼,近年來(lái)學(xué)術(shù)界對(duì)“悼亡詩(shī)”研究有所開展,但缺乏系統(tǒng)性、理論性,筆者力求有所突破。第一章主要介紹了唐前悼亡詩(shī)發(fā)展?fàn)顩r,尤其關(guān)注《詩(shī)經(jīng)》中悼亡詩(shī)、潘岳悼亡詩(shī)、漢武帝悼亡詩(shī),自《詩(shī)經(jīng)》開始,悼亡詩(shī)基本范式就已經(jīng)確定,由于當(dāng)時(shí)的社會(huì)發(fā)展?fàn)顩r,悼亡詩(shī)發(fā)展受到嚴(yán)重阻隔,但是唐前悼亡詩(shī)已經(jīng)具有較高的藝術(shù)水平。第二章對(duì)唐朝悼亡詩(shī)進(jìn)行總體梳理,包括其創(chuàng)作的社會(huì)背景、創(chuàng)作基本情況等。韋應(yīng)物、元稹、李商隱悼亡詩(shī)創(chuàng)作相對(duì)較多,藝術(shù)手法嫻熟,筆者對(duì)三人的悼亡詩(shī)及其特色進(jìn)行了細(xì)致分析。第三章整體論述唐朝悼亡詩(shī)歌藝術(shù)特色。主要對(duì)唐朝悼亡詩(shī)歌的情感類型、意象體系、悼亡詩(shī)中夫妻關(guān)系、悼亡詩(shī)寫作范式及語(yǔ)言特色等進(jìn)行探究。第四章主要討論了唐朝悼亡詩(shī)創(chuàng)作的缺陷與不足,面對(duì)“生死”哲學(xué)問(wèn)題的無(wú)力掙脫、悼亡詩(shī)所展現(xiàn)的“功利性”與“自私性”、題材手法多沿襲前代等。結(jié)語(yǔ)部分對(duì)整篇文章進(jìn)行總結(jié)概括。
[Abstract]:In China literary history, memorial poetry creation of a limited number of researchers involved less, but DaoWang poetry has its special significance. The development of Monody has a long history, from Book of Songs, has been mourning poetry creation, and in the Wei and Jin Dynasties, the Tang and Song dynasties developed, this paper mainly conducts the research to the Tang Dynasty Memorial poetry. The introduction part mainly introduces the concept of Monody research, research methods and significance. The "mutual mourning mourning poems between husband and wife" refers to the academic community in recent years, the "Elegy" to carry out research, but the lack of systematic theory, the author tries to make a breakthrough. The first chapter mainly introduces the development status of mourning before Tang poetry, especially in poetry DaoWang Book of Songs, Pan Yue Memorial poetry, Han Wudi Memorial poetry, since the beginning of Book of Songs, the basic paradigm of mourning poems have been identified, because of social development was the memorial poetry development has been seriously barrier, But before the Tang Dynasty Memorial poetry has a high artistic level. The second chapter makes overall research on Tang Dynasty Memorial poetry, including the creation of the social background, basic creation. Wei Yingwu, Yuan Zhen, Li Shangyin Memorial poetry creation relatively more artistic skill, and the characteristics of the mourning poems of three people conducted a detailed analysis of third. The whole chapter discusses the Tang Dynasty poetry DaoWang artistic features. The main types of the Tang Dynasty poetry DaoWang emotion, imagery system, couple elegy, mourning poems writing paradigm and language features are explored. The fourth chapter mainly discusses the defects and shortcomings of the Tang Dynasty Memorial poetry creation, in the face of "life and death" philosophical problem is unable to get out of mourning, the poem shows the "utilitarian" and "selfish" theme, means many followed the previous generation. The conclusion part summarizes the whole article.

【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I207.22

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本文編號(hào)：1391757