【摘要】： 每一代人都在追逐著自己的文學夢想,而每一代人的文學夢想又因其新異的特質(zhì)而閃爍著獨特的光芒�；仡櫺聲r期文學創(chuàng)作,在艱難的跋涉中,中國文學終于突破了慣性寫作的維度而實現(xiàn)了向自覺寫作的轉(zhuǎn)換。從先鋒小說對形式的執(zhí)著,到新寫實小說向現(xiàn)實的回歸,再到新生代小說對個人話語的建立,每一次的探索都賦予了中國文學新的生命力。20世紀末以來,在眾聲喧嘩的時代語境中,一批年輕的“80后”作家張揚著他們新鮮而凜冽的青春叱咤登場,以他們?yōu)橹黧w構(gòu)筑的“80后”文學在社會上引起了強烈反響,為中國文壇平添了一道獨特的風景。而“80后”小說創(chuàng)作作為“80后”文學的生力軍,更是彰顯出一種新穎銳利的文學氣質(zhì),以其不菲的創(chuàng)作實績和鮮明的個性特征為新世紀的中國文學注入了一股清新而濃郁的青春氣息。本文即以“80后”小說家為研究對象,在文本細讀的基礎上,對“80后”小說創(chuàng)作作出整體的觀照。 “80后”一代人是生活在改革開放旗幟下的特殊的一代,社會轉(zhuǎn)型期的歷史文化語境賦予了他們獨特的成長背景。在全新的時空狀態(tài)下,他們在價值觀、生活方式、行為準則等方面都與以往社會有著巨大差異。社會物質(zhì)的極大豐富、程序化的教育體制、大眾文化的影響在他們身上留下了深深的烙印。在這樣的背景下成長起來的“80后”小說家自然形成了他們不同于以往的文化品格。他們追求個性,表現(xiàn)出更加張揚和率性的寫作姿態(tài);在他們眼中,文學不再是高高在上的圣壇;而城市化的進程、大眾文化的興盛也使這批年輕的作家表現(xiàn)出明顯的都市化傾向和與市場的某種親和。 “80后”小說家本身存在強烈的個性差異,他們的作品也呈現(xiàn)出多樣化的創(chuàng)作樣態(tài),但是,共同的時代文化語境給予了他們相似的文化品格。透過“80后”小說文本,我們?nèi)匀豢梢栽诩姺卑唏g的表象背后發(fā)現(xiàn)其共通的思想和精神趨向。“80后”小說家大都在二十歲前后“出道”,這使他們的寫作與青春期的個人體驗和經(jīng)驗緊密相關(guān)。他們的小說作品體現(xiàn)出了較為明顯的叛逆意識,渴望逃離禁錮,追尋屬于自己的自由;成長中的孤獨體驗也在其作品中得到了淋漓盡致的抒寫,氤氳成孤寂而憂傷的情緒氛圍。同時,耽于幻想是他們這一代人共同的精神特質(zhì),也構(gòu)成了“80后”小說中比較明顯的想象特征。 綜觀“80后”小說文本,在彰顯叛逆、孤獨和幻想等精神趨向的同時,其敘事風格和語言特征也呈現(xiàn)出鮮明的傾向性。從敘事上看,其小說作品表現(xiàn)出濃郁的“個人化”風格,不約而同地從自我經(jīng)歷出發(fā),極致地抒寫自我的成長,多以“內(nèi)聚焦”的敘事視角講述“自己”的故事,渲染真實而凜冽的青春體驗;同時,他們的作品也體現(xiàn)出一種對現(xiàn)實生活尤其是對都市物質(zhì)生活的熱忱和流連,從而構(gòu)成了其個人化敘事風格的又一表征。在語言上,“80后”小說家似乎從一登場就萌發(fā)了某種自覺,追求新奇的審美效果,其語言表現(xiàn)出明顯的“陌生化”傾向,而在大眾文化的暈染中,影視、動漫的深刻影響使他們的小說語言帶有極強的流動性和圖像感,打上了一層“影像化”的光暈。 “80后”小說真率而誠摯地抒寫青春的疼痛和溫暖、張揚幻想的綺麗和吊詭,為新世紀文學注入了一些新鮮的活力。但是,我們必須看到,在“新鮮”的背后,“80后”小說創(chuàng)作也有著十分明顯的局限,不知不覺地陷入了一種尷尬的困境�！�80后”小說表現(xiàn)出明顯的自我復制傾向,執(zhí)著于反復地挖掘自己僅有的生命體驗和個人經(jīng)驗,不厭其煩地將之訴諸筆端,進行著疲憊的自我復制,導致了其創(chuàng)作格局的狹隘和小氣,顯得局促而又后勁不足;他們的想象力呈現(xiàn)出某種“先天不足”,并有著極端化的畸形發(fā)展傾向;同時人文精神的缺失也是“80后”小說創(chuàng)作面臨的一大困境。
[Abstract]:Every generation is chasing its own literary dream, and every generation's literary dream has a unique light because of its new characteristics. Reviewing the literary creation in the new period, in the difficult trek, the Chinese literature finally broke through the dimension of the inertia writing and realized the conversion to the conscious writing. From the persistence of the pioneer novel to the form, to the return of the new realistic novel to the reality, and to the creation of the personal discourse by the new-generation novel, each exploration has given the new vitality of the Chinese literature. Since the end of the 20th century, in the context of the noisy era, A group of young "80" writers made the appearance of their fresh and beautiful youth. The "80" literature, which they built for the subject, has aroused strong reaction in the society and added a unique landscape to the Chinese literary circles. As a new force of the "80" literature, the creation of the "80" novel shows a novel and sharp literary temperament, which has injected a fresh and strong youth breath into the Chinese literature in the new century with its high artistic performance and distinct personality characteristics. In this paper, the "80" novelist is the research object, and on the basis of the fine reading of the text, the author makes an overall view on the creation of the "80" novel. The "80" generation is the special generation of life under the banner of reform and opening-up, and the historical and cultural context of the social transformation has given them unique Long background. In the new time-and-space state, they have a great influence on the values, the way of life, the code of conduct, and so on Great difference. The social material's extremely rich and programmed education system, the influence of the mass culture has left deep in them The "80" novelists, who have grown up in this context, naturally form them different from those of the past In the eyes of their eyes, literature is no longer a lofty altar, and the process of urbanization and the prosperity of the mass culture also make the young writers manifest the tendency of urbanization and some of the market The "80" novelists themselves have a strong personality difference, their work also presents a variety of creative styles, but the common era cultural context gives them A similar cultural character. Through the "post-80s" novel, we can still find it common in the background of a variety of mottle. The trend of thought and spirit. Most of the "80" novelists are "out-of-road" before and after the age of 20, which makes their writing and adolescence personal experience It is closely related to the experience. Their small-story works embody the more obvious rebellious consciousness, the desire to flee the forbidden area, and pursue the freedom of their own; the lonely experience in the growth is also expressed in the works, and the loneliness is the loneliness. The emotional atmosphere of sadness is also a kind of spiritual trait of their generation, and also the comparison of the "80" 's novels. The text of the "80" of the comprehensive view, while showing the spiritual trend of the rebellion, the loneliness and the illusion, is the narrative style and the language. The sign also presents a distinct tendency. From the narrative, the small-story works show a strong "Personalization" style, and the self-experience is the ultimate expression of self-growth, and the "oneself" 's story is narrated by the "internal focus"' s narrative perspective, and the rendering is true. In the meantime, their work also shows a kind of enthusiasm and continuous connection to the real life, especially the urban material life, so as to form one of them. In the language, the "80" novelist seems to have developed some kind of self-consciousness from the appearance, pursuing the novel aesthetic effect, and the language has the obvious "chemical and biochemical" tendency, while in the language, The deep influence of film and TV and animation in the halo-dyeing of mass culture has made their novel language have very strong liquidity and image sense, with a layer of "unk>" imag. E " Halo. Image" The truth rate of the novel sincerely expresses the pain and warmth of the youth, and displays the illusion of the beauty and the pendant. In the new century, the literature of the new century has injected some fresh vitality. However, we must see that in the back of the "fresh", the creation of the "80" novel has a very obvious limitation. Unconsciously, it is in an awkward situation. The post-80s" novel shows the obvious self-replication tendency, and is dedicated to the repeated excavation of only the life experience and the personal experience of his own, and will not be tired of having to resort to the pen end, carry out the tired self-replication, and lead to the narrow creation pattern. Their imagination presents some kind of "The first day is not enough" and has the tendency of extreme form development, and the absence of the humanistic spirit is also "80"
【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2009
【分類號】：I207.42

【引證文獻】

相關(guān)碩士學位論文 前8條

1 王淑敏;從學校內(nèi)的“失敗”到學校外的“成名”[D];首都師范大學;2011年

2 杜智;關(guān)于中日新生代女作家“殘酷描寫”的比較研究[D];遼寧師范大學;2011年

3 鄒艷;雜志書出版現(xiàn)象研究[D];湖南師范大學;2010年

4 李艷;當代文學的“中國經(jīng)驗”理論研究[D];廣西師范大學;2010年

5 牛藝霞;“80后”文學批評之研究[D];蘭州大學;2012年

6 蒙玲芳;“80后”女作家的女性意識[D];西北師范大學;2012年

7 謝兵;在青春文學困境中探索[D];杭州師范大學;2013年

8 周通;韓寒現(xiàn)象研究[D];延邊大學;2013年

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本文編號：2504964