新世紀(jì)媒介場中的文學(xué)生產(chǎn)
發(fā)布時間：2019-04-15 14:24
【摘要】：本論文以新世紀(jì)以來發(fā)表、出版的小說為研究對象,從文學(xué)期刊、出版、網(wǎng)絡(luò)和影視四種媒介對新世紀(jì)文學(xué)生產(chǎn)的影響入手,具體分析四大媒介如何次場間相互交錯,并借政治、經(jīng)濟(jì)之力,內(nèi)爆媒介場的權(quán)力以影響新世紀(jì)文學(xué)的樣貌、成規(guī),以及對新世紀(jì)文學(xué)未來走向產(chǎn)生的影響。同時,試圖展現(xiàn)新世紀(jì)文學(xué)生產(chǎn)過程中整個文學(xué)生產(chǎn)機制的動態(tài)運作。保持文學(xué)研究與文學(xué)現(xiàn)狀的同步進(jìn)行,實現(xiàn)對當(dāng)下文學(xué)現(xiàn)實的干預(yù)。本文由前言、正文和結(jié)語三部分組成。 前言部分介紹目前新世紀(jì)小說的研究現(xiàn)狀,闡明本論文選題的價值和意義。 正文分為四章。 第一章市場化與新世紀(jì)文學(xué)期刊樣貌,主要分析文學(xué)期刊的生存環(huán)境和改版模式及其對新世紀(jì)文學(xué)樣貌的影響。 第二章市場化與新世紀(jì)文學(xué)出版策略,主要分析新世紀(jì)以來出版政策、出版環(huán)境的變化,暢銷書的市場策劃,獲獎書的搶灘出版,并以“21世紀(jì)文學(xué)大系”的出版為例探析政治權(quán)力與市場經(jīng)濟(jì)對文學(xué)出版的影響。 第三章影視媒介與新世紀(jì)文學(xué)生產(chǎn),主要從影視與出版的互動式消費,作家影視雙棲的影像化書寫,青春文學(xué)的動漫元素幾方面探討視圖媒介的發(fā)展對新世紀(jì)文學(xué)的影響。 第四章網(wǎng)絡(luò)平臺與新世紀(jì)十年文學(xué),主要分析網(wǎng)絡(luò)寫手、網(wǎng)絡(luò)讀者和網(wǎng)絡(luò)運營者的不同觸網(wǎng)心理,導(dǎo)致網(wǎng)絡(luò)寫作的產(chǎn)業(yè)化和集團(tuán)化,以此探討網(wǎng)絡(luò)平臺對新世紀(jì)文學(xué)書寫的影響。 結(jié)語部分主要指出盡管媒介愈加豐富,媒介間關(guān)系日益復(fù)雜,媒介場內(nèi)文學(xué)生產(chǎn)的復(fù)雜性、多樣性和豐富性也隨之呈現(xiàn)出來,但擁有大量消費者的文學(xué)作品依然是那些貼近民眾生活,關(guān)注社會基本矛盾和人的基本生活欲求,表現(xiàn)人性永恒主題的作品。
[Abstract]:Taking the novels published and published in the new century as the research object, this paper starts with the influence of the four media, such as literary journals, publishing, network and film and television, on the literary production in the new century, and analyzes in detail how the four media intertwined with each other in the next field. By means of the power of politics and economy and the power of internal explosive media to influence the appearance of literature in the new century, the stereotypes, and the influence on the future trend of literature in the new century. At the same time, it tries to show the dynamic operation of the whole literary production mechanism in the process of literary production in the new century. Keep the literature research in step with the literature present situation, realize the intervention to the present literature reality. This paper consists of three parts: preface, text and conclusion. The preface introduces the current research situation of the novel in the new century, and clarifies the value and significance of this thesis. The text is divided into four chapters. The first chapter is about marketization and the appearance of literary periodicals in the new century. It mainly analyzes the living environment and the mode of revision of literary periodicals and their influence on the literary features of the new century. The second chapter is market-oriented and the strategy of literary publishing in the new century, which mainly analyzes the publishing policy, the change of publishing environment, the market planning of best-selling books, the publication of winning books, and the publication of winning books. The influence of political power and market economy on literary publication is analyzed by taking the publication of the Great Literary Department in the 21st century as an example. The third chapter discusses the influence of the development of the view media on the literature of the new century from the interactive consumption of the film and television and publishing, the video writing of the writer's film and television amphibious, and the animation elements of the youth literature in the third chapter of the film and television media and the literary production of the new century. The fourth chapter is the network platform and the literature of the new century, mainly analyzes the network writer, the network reader and the network operator's different contact psychology, which leads to the industrialization and collectivization of the network writing. This paper discusses the influence of network platform on literary writing in the new century. The conclusion mainly points out that despite the increasing abundance of media and the increasing complexity of the relations between the media, the complexity, diversity and richness of literary production in the media field have also emerged. However, literary works with a large number of consumers are still those that are close to the lives of the people, pay attention to the basic contradictions of society and people's basic life desires, and express the eternal theme of human nature.
【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2011
【分類號】：I207.42
本文編號：2458226
[Abstract]:Taking the novels published and published in the new century as the research object, this paper starts with the influence of the four media, such as literary journals, publishing, network and film and television, on the literary production in the new century, and analyzes in detail how the four media intertwined with each other in the next field. By means of the power of politics and economy and the power of internal explosive media to influence the appearance of literature in the new century, the stereotypes, and the influence on the future trend of literature in the new century. At the same time, it tries to show the dynamic operation of the whole literary production mechanism in the process of literary production in the new century. Keep the literature research in step with the literature present situation, realize the intervention to the present literature reality. This paper consists of three parts: preface, text and conclusion. The preface introduces the current research situation of the novel in the new century, and clarifies the value and significance of this thesis. The text is divided into four chapters. The first chapter is about marketization and the appearance of literary periodicals in the new century. It mainly analyzes the living environment and the mode of revision of literary periodicals and their influence on the literary features of the new century. The second chapter is market-oriented and the strategy of literary publishing in the new century, which mainly analyzes the publishing policy, the change of publishing environment, the market planning of best-selling books, the publication of winning books, and the publication of winning books. The influence of political power and market economy on literary publication is analyzed by taking the publication of the Great Literary Department in the 21st century as an example. The third chapter discusses the influence of the development of the view media on the literature of the new century from the interactive consumption of the film and television and publishing, the video writing of the writer's film and television amphibious, and the animation elements of the youth literature in the third chapter of the film and television media and the literary production of the new century. The fourth chapter is the network platform and the literature of the new century, mainly analyzes the network writer, the network reader and the network operator's different contact psychology, which leads to the industrialization and collectivization of the network writing. This paper discusses the influence of network platform on literary writing in the new century. The conclusion mainly points out that despite the increasing abundance of media and the increasing complexity of the relations between the media, the complexity, diversity and richness of literary production in the media field have also emerged. However, literary works with a large number of consumers are still those that are close to the lives of the people, pay attention to the basic contradictions of society and people's basic life desires, and express the eternal theme of human nature.
【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2011
【分類號】：I207.42
【引證文獻(xiàn)】
相關(guān)碩士學(xué)位論文 前5條
1 耿春明;當(dāng)下文學(xué)生存狀態(tài)探索[D];齊齊哈爾大學(xué);2012年
2 張明倩;微時代的文學(xué)生產(chǎn)與消費[D];湖北民族學(xué)院;2013年
3 胡妍;“維系”與“維新”[D];安徽師范大學(xué);2014年
4 榮萍萍;產(chǎn)業(yè)融合背景下我國出版企業(yè)影視增值模式研究[D];河南大學(xué);2014年
5 馮瑞琳;新世紀(jì)《新華文摘》文學(xué)作品與評論研究[D];山東師范大學(xué);2015年
，本文編號：2458226
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