【摘要】：陳明執(zhí)導(dǎo)的《桃花源記》是近十年來的優(yōu)秀國產(chǎn)動漫,也是我國動漫產(chǎn)業(yè)以民族品牌形象走向國際化的一次成功嘗試。影片被譽為"藝術(shù)與技術(shù)的完美結(jié)合",是利用現(xiàn)代三維數(shù)碼技術(shù)傳播傳統(tǒng)文化的一個經(jīng)典案例。但是,作為改編自文學(xué)經(jīng)典的影視作品,該影片在文本解讀、敘事內(nèi)涵等方面與原著有明顯的誤差。從文學(xué)經(jīng)典到動漫影像,《桃花源記》的審美轉(zhuǎn)換和改編得失,對促進影視與文學(xué)的互動發(fā)展有一定的借鑒和反思意義。
[Abstract]:Peach Flower Source directed by Chen Ming is an excellent domestic animation in the past ten years, and it is also a successful attempt to internationalize the animation industry of our country with the national brand image. The film is known as the perfect combination of art and technology. It is a classic case of spreading traditional culture by means of modern three-dimensional digital technology. However, as a film and television work adapted from literary classics, the film has obvious errors with the original book in terms of text interpretation, narrative connotation and so on. From literary classics to animation images, the aesthetic transformation and adaptation of Peach Flower Source has certain reference and reflection significance for promoting the interactive development of film and television and literature.
【作者單位】： 廈門大學(xué)人文學(xué)院;貴州師范大學(xué)傳媒學(xué)院;
【分類號】：J954

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