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李宇春同人小說的亞文化研究

發(fā)布時間:2019-02-18 20:53
【摘要】:同人小說是一個神秘的文學群體,很多真相至今還沒有得到充分的揭示和研究,他有純情的創(chuàng)作沖動,不為金錢、權力所動,這種純粹的文學寫作也沒有得到認真的解說。同人小說也是一個以女性群體為主要參與者的寫作和閱讀活動,其文本中還充分地展現了當代青少年女性群體出現的性問題。本論文選取的研究對象是李宇春同人小說,和當下比較流行的耽美同人小說、動漫同人小說相比,李宇春同人小說可研究性也很高,首先李宇春的中性風格是被女性主義研究者所關注的,這種風格讓女性粉絲對自身的女性主義意識進行的深刻反思;其次,耽美同人小說和動漫同人小說已經受到商業(yè)化的影響,而李宇春同人小說仍然是一個純粹的粉絲內部的寫作和閱讀活動,這種純文學活動在當下是很少見的。本文主要從性別詩學、文學批評、文化批評等理論角度對李宇春同人小說進行研究,來分析這一群女性粉絲進行同人小說創(chuàng)作的動力何在,李宇春同人小說中體現了哪些性與性別問題,這一文學群體內部的文學批評是怎樣相互回應的。 論文第一章為序言,主要介紹了國內外的研究綜述,以及本論文的研究方向,理清論文的結構,闡明論文研究的意義。 論文第二章是本論文引用概念的界定,由于本論文選擇的課題尚沒有受到大眾廣泛的關注,研究對象是主要生存在半封閉或封閉的網絡社區(qū)的亞文化,很多人對這一亞文化并不了解,所以特在論文前面設立此章節(jié)。 論文第三章是李宇春同人小說的發(fā)展簡介和產生背景研究。先簡述同人小說在各國的發(fā)展情況,然后從當代中國城市化進程、大眾文化與亞文化的關系、網絡話語空間和當下的性與性別狀況來研究超女同人小說產生的背景條件。 論文第四章是對李宇春同人小說亞文化群體的特點分析,主要特點有群體的自發(fā)性與管理自治、孤立排外性及其矛盾、年輕化及其生命周期、女性化、群體內部交流語言的獨特性。 論文第五章是李宇春同人小說的文本研究,其文本中最重要的三個特點即:追求原型人物的特質、以人物的愛情關系的配對、“萌”的審美心理。第一點中李宇春中性特質成為粉絲在同人創(chuàng)作中追求的最根本的特質;第二點中李宇春的同人小說中主要分為兩種配對類型,一是異性戀,一是同性戀,但這兩種配對形成各自不同的同人圈;第三點“萌”的審美心理體現了這一女性亞文化群體對自己審美理想追求的信念和激情。最后,李宇春同人小說的內部文學批評活動十分活躍,這是一個開放性文本,對它的不斷解讀形成了一個龐大的互文性網絡。 論文第六章是結語,從李宇春同人小說發(fā)展歷史的分析看,作為一個具有女性主義色彩的亞文化群體,面對主流文化的收編,她們能否發(fā)展得更好,對中國當今的文學和女性的發(fā)展帶來全新的氣息。
[Abstract]:Tongren novel is a mysterious literary group, many of the truth has not been fully revealed and studied, he has pure creative impulse, not moved by money, power, this pure literary writing has not been seriously explained. Tongren novel is also a writing and reading activity in which the female group is the main participant. The research object of this thesis is Li Yuchun's homonym novels, which are more popular in the present time, and the animation and human novels are more researchable than the animation and human novels, which are also highly researchable. First of all, Li Yuchun's neutral style is concerned by feminist researchers, which makes female fans deeply reflect on their feminist consciousness. Secondly, his novels and anime novels have been influenced by commercialization, while Li Yuchun's novels are still a pure fan's internal writing and reading activities, which are rare at present. This paper mainly studies Li Yuchun's novels from the perspectives of gender poetics, literary criticism and cultural criticism, to analyze the motive force of this group of female fans in the creation of their novels. What sex and gender are embodied in Li Yuchun's novels, and how the literary criticism in this literary group responds to each other. The first chapter is the preface, mainly introduces the domestic and foreign research summary, as well as the research direction of this paper, clarifies the structure of the paper, and clarifies the significance of the paper research. The second chapter is the definition of the concept cited in this paper. Because the topic chosen in this paper has not been widely concerned by the public, the research object is the sub-culture which mainly exists in the semi-closed or closed network community. Many people do not understand this sub-culture, so this chapter is set up earlier in the paper. The third chapter is a brief introduction and background study of Li Yuchun's novels. This paper first introduces the development of Tongren novels in different countries, and then studies the background conditions of supergirl novels from the following aspects: the process of urbanization in contemporary China, the relationship between mass culture and subculture, the network discourse space and the current sexual and gender situation. The fourth chapter analyzes the characteristics of sub-cultural groups in Li Yuchun's novels, which are characterized by their spontaneity and management autonomy, their exclusiveness and their contradictions, their rejuvenation and their life cycle, and their feminization. The uniqueness of the communication language within the group. The fifth chapter is the text study of Li Yuchun's novels. The three most important features of his novels are the pursuit of the characteristics of the archetypal characters, the matching of the characters' love relationship, and the aesthetic psychology of "adorable". The first point is that Li Yuchun's neutral character has become the most fundamental characteristic pursued by fans in the same creation. In the second point, Li Yuchun's homonym novels are divided into two types, one is heterosexual, the other is homosexuality, but these two kinds of pairing form their respective cohorts. Thirdly, the aesthetic psychology of "adorable" embodies the faith and passion of this female subculture group in pursuing their aesthetic ideal. Finally, Li Yuchun's internal literary criticism is very active, which is an open text, and its continuous interpretation forms a huge intertextuality network. The sixth chapter is the conclusion. From the analysis of Li Yuchun's history of the development of human novels, as a feminist sub-cultural group, facing the integration of mainstream culture, they can develop better. It brings a new flavor to the development of Chinese literature and women.
【學位授予單位】:海南大學
【學位級別】:碩士
【學位授予年份】:2013
【分類號】:I207.42

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