中國當(dāng)代新卡通繪畫藝術(shù)研究
發(fā)布時(shí)間：2018-12-15 00:10
【摘要】： 任何一種藝術(shù)都沒有絕對(duì)的穩(wěn)定性,它們會(huì)隨著社會(huì)發(fā)展進(jìn)程不斷解構(gòu)、重構(gòu)。中國的當(dāng)代藝術(shù)則隨著社會(huì)結(jié)構(gòu)和經(jīng)濟(jì)制度的深刻變化進(jìn)行著一次又一次的變革。文化現(xiàn)象的融合產(chǎn)生出了許多前衛(wèi)新鮮的新面孔。許多從校門走出不久的年輕藝術(shù)家從不同的緯度出現(xiàn)在當(dāng)代藝術(shù)的舞臺(tái)上,成為新世紀(jì)藝術(shù)界最有活力的生力軍。他們脫離了歷史、政治和現(xiàn)實(shí)的苦難,生活在被時(shí)尚流行文化包圍的網(wǎng)絡(luò)時(shí)代,他們的藝術(shù)創(chuàng)作也極力在流行文化中尋找個(gè)人圖式。于是,選擇熟悉和喜愛的漫畫符號(hào)語言成為他們藝術(shù)的視覺本體。新卡通繪畫,這一隨之誕生的藝術(shù)形式,在擁有引人關(guān)注的藝術(shù)面貌的同時(shí)也備受爭(zhēng)議和指責(zé)。它所表現(xiàn)出的的絢爛、輕松、戲謔、游戲的才情被評(píng)論家斥為缺乏知識(shí)分子的批判性和社會(huì)文化責(zé)任,作品流露出的只是順從日常生活的享樂意識(shí)和時(shí)尚意識(shí)。 當(dāng)九十年代那些帶有強(qiáng)烈的政治意識(shí)取向、深刻而沉重的政治波普?qǐng)D式被當(dāng)代藝術(shù)青年毫不猶豫的拋棄,轉(zhuǎn)為風(fēng)行一種極富卡通游戲色彩的絢爛圖式表達(dá)后。所有人都強(qiáng)烈的感受到:中國當(dāng)代藝術(shù)正經(jīng)歷一場(chǎng)巨變。 藝術(shù)是時(shí)代的產(chǎn)物,本文希望通過分析研究中國當(dāng)代新的繪畫語言,來反映年輕一代藝術(shù)家的精神氣質(zhì)和新的視覺形態(tài);反映中國的社會(huì)變化給個(gè)人自我經(jīng)驗(yàn)帶來的新東西。本文結(jié)合當(dāng)前的文化背景和藝術(shù)環(huán)境,對(duì)新卡通繪畫的形成、發(fā)展及流行的原因進(jìn)行考察,全文共分為五個(gè)部分: 第一部分:敘述新卡通繪畫由出生到流行的發(fā)展歷程。大眾消費(fèi)文化在現(xiàn)代中國的迅猛發(fā)展,給年輕藝術(shù)家提供了可自由發(fā)展的藝術(shù)土壤。新卡通藝術(shù)是從世紀(jì)末多元文化共存的尷尬格局中脫身而出的一支新勢(shì)力。 第二部分:本章結(jié)合圖像時(shí)代的到來分析卡通自身的優(yōu)勢(shì),并通過分析新卡通藝術(shù)創(chuàng)作群體的生活環(huán)境、思考方式以及相關(guān)的社會(huì)條件揭示新卡通繪畫產(chǎn)生的合理性和必然性。 第三部分:批評(píng)家認(rèn)為現(xiàn)在的卡通繪畫在圖像上與大眾流行卡通、尤其是與日本風(fēng)格的動(dòng)漫太過相像。這一章里通過梳理中國當(dāng)代藝術(shù)發(fā)展歷程,結(jié)合分析新卡通繪畫與日本當(dāng)代藝術(shù)、西方波普等存在的差異,討論如何在這之上建立起屬于自己的新藝術(shù)而不總被人認(rèn)為是對(duì)動(dòng)漫游戲的簡(jiǎn)單模仿。 第四部分:年輕藝術(shù)家如今在這一探索上走得更遠(yuǎn),行走的姿態(tài)也更為多姿多彩,他們中間不乏許多靈動(dòng)智慧的面孔:熊莉均色彩張揚(yáng)的快樂感覺、李繼開那些魔幻現(xiàn)實(shí)主義的夢(mèng)境、熊宇畫中的透明虛幻的氣氛……他們雖然沒有旗幟鮮明的藝術(shù)主張,然而處于這樣一個(gè)眾聲喧囂的年代,表現(xiàn)自我表述內(nèi)心對(duì)他們來說才是最重要的。從自己獨(dú)特的視角出發(fā),他們用全新的方式、用新鮮的藝術(shù)語言反映著眼中的世界。本章通過分析這些個(gè)性迥異的圖像,力求從風(fēng)格的多樣化、思維的前瞻性等方面突出他們的藝術(shù)成就。 第五部分:在當(dāng)下這個(gè)變化多端的世界,架上繪畫以外的許多藝術(shù)形式,演繹著令人目不暇接的變奏,新卡通繪畫能走多遠(yuǎn),作為當(dāng)代藝術(shù)它能否構(gòu)成一種文化及社會(huì)的積極動(dòng)力、又會(huì)不會(huì)隨著價(jià)值取向的日益多元化而逐漸消解,本章進(jìn)行了深刻的思考和討論。
[Abstract]:There is no absolute stability in any art, and they will be deconstructed and reconstructed with the process of social development. The contemporary art of China is changing with the profound changes of the social structure and the economic system. The integration of cultural phenomena has produced many new and new faces of avant-garde. Many young artists who come out of the school in the near future appear on the stage of contemporary art from different latitudes, and become the most dynamic force in the art world in the new century. They are separated from the suffering of history, politics and the reality, living in the network age surrounded by the fashionable and popular culture, and their artistic creation is also trying to find the personal schema in the popular culture. Then, choose the familiar and favorite caricature symbol language to become the visual body of their art. The new cartoon painting, which is born in the form of art, is also controversial and accused while having an interesting artistic appearance. It shows the brilliant, relaxed, play-in, the game's talent is repelled by the critic as the lack of the intellectual's critical and social cultural responsibility, the work exudes only the pleasure consciousness and the fashion consciousness of the obedience to the daily life. As those with strong political consciousness in the 1990s, the deep and heavy political wave of the political wave was abandoned by the youth of the contemporary art without hesitation, and turned into a gorgeous drawing of the color of the cartoon game. After the expression, all of us feel strongly: the Chinese contemporary art is experiencing one The art is the product of the times. In this paper, it is hoped that the spirit and the new visual form of the young artists will be reflected by the analysis of the new Chinese painting language. Based on the current cultural background and the art environment, this paper makes a survey on the causes of the formation, development and popular of the new cartoon painting. It is divided into five parts: the first part: the narrative of the new cartoon painting From the birth to the popular development course, the mass consumption culture is developing rapidly in the modern China and provides young artists with The art soil can be developed freely. The new cartoon art is an awkward pattern of multi-cultural coexistence at the end of the century. The second part: this chapter analyzes the advantages of the cartoon itself in the light of the arrival of the image age, and reveals the way of thinking and the relevant social conditions through the analysis of the life environment, the way of thinking and the related social conditions of the new cartoon art creation group. The Rationality and Inevitability of the New Cartoon Painting. Part Three: The Critics believe that the present cartoon painting is in image with the mass flow This chapter, through combing the development of Chinese contemporary art, combines the analysis of the differences between the new cartoon painting and the Japanese contemporary art, western wave and the like, and discusses how to set up a new art which belongs to itself. It is not always considered to be a simple imitation of the animation game. The fourth part: The young artists are far more far from this exploration, and the attitude of walking is more colorful. There are many of them in the middle of them: the bear's uniform color The happy feeling of the color, Li's follow-on Some of the magic realist dreams, the transparent and illusory atmosphere in the bear-woo picture. Although they do not have a clear artistic claim, they are so noisy In the years, the expression of self-expression is the most important for them. From a unique perspective, they In a brand-new way, the world in the eye is reflected in the fresh art language. This chapter tries to make it from style to style by analyzing these different images The fifth part: In the present changing world, there are many artistic forms other than painting on the shelf, which deducts the stunning changes, and the new cartoon painting can As a contemporary art, it can form a positive force of culture and society, and will not change with value
【學(xué)位授予單位】：西北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類號(hào)】：J218.7
本文編號(hào)：2379566
[Abstract]:There is no absolute stability in any art, and they will be deconstructed and reconstructed with the process of social development. The contemporary art of China is changing with the profound changes of the social structure and the economic system. The integration of cultural phenomena has produced many new and new faces of avant-garde. Many young artists who come out of the school in the near future appear on the stage of contemporary art from different latitudes, and become the most dynamic force in the art world in the new century. They are separated from the suffering of history, politics and the reality, living in the network age surrounded by the fashionable and popular culture, and their artistic creation is also trying to find the personal schema in the popular culture. Then, choose the familiar and favorite caricature symbol language to become the visual body of their art. The new cartoon painting, which is born in the form of art, is also controversial and accused while having an interesting artistic appearance. It shows the brilliant, relaxed, play-in, the game's talent is repelled by the critic as the lack of the intellectual's critical and social cultural responsibility, the work exudes only the pleasure consciousness and the fashion consciousness of the obedience to the daily life. As those with strong political consciousness in the 1990s, the deep and heavy political wave of the political wave was abandoned by the youth of the contemporary art without hesitation, and turned into a gorgeous drawing of the color of the cartoon game. After the expression, all of us feel strongly: the Chinese contemporary art is experiencing one The art is the product of the times. In this paper, it is hoped that the spirit and the new visual form of the young artists will be reflected by the analysis of the new Chinese painting language. Based on the current cultural background and the art environment, this paper makes a survey on the causes of the formation, development and popular of the new cartoon painting. It is divided into five parts: the first part: the narrative of the new cartoon painting From the birth to the popular development course, the mass consumption culture is developing rapidly in the modern China and provides young artists with The art soil can be developed freely. The new cartoon art is an awkward pattern of multi-cultural coexistence at the end of the century. The second part: this chapter analyzes the advantages of the cartoon itself in the light of the arrival of the image age, and reveals the way of thinking and the relevant social conditions through the analysis of the life environment, the way of thinking and the related social conditions of the new cartoon art creation group. The Rationality and Inevitability of the New Cartoon Painting. Part Three: The Critics believe that the present cartoon painting is in image with the mass flow This chapter, through combing the development of Chinese contemporary art, combines the analysis of the differences between the new cartoon painting and the Japanese contemporary art, western wave and the like, and discusses how to set up a new art which belongs to itself. It is not always considered to be a simple imitation of the animation game. The fourth part: The young artists are far more far from this exploration, and the attitude of walking is more colorful. There are many of them in the middle of them: the bear's uniform color The happy feeling of the color, Li's follow-on Some of the magic realist dreams, the transparent and illusory atmosphere in the bear-woo picture. Although they do not have a clear artistic claim, they are so noisy In the years, the expression of self-expression is the most important for them. From a unique perspective, they In a brand-new way, the world in the eye is reflected in the fresh art language. This chapter tries to make it from style to style by analyzing these different images The fifth part: In the present changing world, there are many artistic forms other than painting on the shelf, which deducts the stunning changes, and the new cartoon painting can As a contemporary art, it can form a positive force of culture and society, and will not change with value
【學(xué)位授予單位】：西北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類號(hào)】：J218.7
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 魯虹;“新人類”現(xiàn)象在中國當(dāng)代油畫中的呈現(xiàn)[J];文藝研究;2005年11期
，本文編號(hào)：2379566
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