苗族傳統(tǒng)文學“除惡節(jié)的傳說”動畫角色創(chuàng)作設(shè)計
發(fā)布時間:2018-11-01 14:15
【摘要】: 動畫片人物的塑造來自于創(chuàng)作者對生活的認識理解、體驗和對人物心理活動的把握,對于題材的選擇,則是動畫創(chuàng)造的根本,也就是說故事是最重要的,選擇什么樣的故事進行創(chuàng)作,是我此次畢業(yè)設(shè)計的靈魂,從“花木蘭”到“功夫熊貓”給與我很大的啟示,我國動畫片創(chuàng)作有過輝煌的歷程,但現(xiàn)階段已落后于世界發(fā)達國家,要擺脫當前國產(chǎn)動漫創(chuàng)作存在的困境,必須走民族化的藝術(shù)創(chuàng)作道路。只有充分發(fā)掘利用中華民族豐富的文化因子,從民族化題材和美學元素,民族精神和氣質(zhì),民族化創(chuàng)作手法和創(chuàng)作風格等諸要素入手,并對此諸要素全面挖掘,充分整合,大膽創(chuàng)新,才能真正張揚我國民族化動漫的個性并煥發(fā)其燦爛的光輝。因此我選擇了貴州省黃平縣黃平苗族口頭文學“除惡節(jié)”故事做為動畫片的設(shè)計腳本,“除惡節(jié)”是苗族人民為了紀念一個聰明、勇敢為民除害的苗族少女而定下并延續(xù)至今的傳統(tǒng)節(jié)日,這是一個正義戰(zhàn)勝邪惡的古老而美麗傳說。我在畢業(yè)創(chuàng)作短片“除惡節(jié)”的人物設(shè)計過程中力圖尋找和探索動畫人物創(chuàng)作民族化的藝術(shù)創(chuàng)作表現(xiàn)方法。
[Abstract]:The creation of cartoon characters comes from the creators' understanding of life, experience and understanding of the psychological activities of characters, and the choice of subjects is the foundation of animation creation, that is, the story is the most important. The choice of what kind of story to create is the soul of my graduation project. From Hua Mulan to Kung Fu Panda, I have a great inspiration. Our animation has had a glorious history, but at this stage it has fallen behind the developed countries in the world. In order to get rid of the predicament of domestic animation creation, we must take the road of national art creation. Only by fully exploring and utilizing the rich cultural factors of the Chinese nation, starting with the elements of nationalization of themes and aesthetic elements, national spirit and temperament, nationalization of creative techniques and creative styles, and fully excavating and fully integrating these elements, Bold innovation, in order to truly spread our national animation personality and radiate its brilliant glory. So I chose Huangping Miao oral literature story of Huangping County, Guizhou Province, as the design script of the cartoon. "the Festival of eliminating evil" is the Hmong people's memory of a clever person. It is an ancient and beautiful legend of justice over evil that has been set up and continued to this day for the Hmong girls. In the process of character design of the short film "Anti-evil Festival", I try to find and explore the artistic expression method of the nationalization of animation character creation.
【學位授予單位】:中央美術(shù)學院
【學位級別】:碩士
【學位授予年份】:2009
【分類號】:J954
本文編號:2304163
[Abstract]:The creation of cartoon characters comes from the creators' understanding of life, experience and understanding of the psychological activities of characters, and the choice of subjects is the foundation of animation creation, that is, the story is the most important. The choice of what kind of story to create is the soul of my graduation project. From Hua Mulan to Kung Fu Panda, I have a great inspiration. Our animation has had a glorious history, but at this stage it has fallen behind the developed countries in the world. In order to get rid of the predicament of domestic animation creation, we must take the road of national art creation. Only by fully exploring and utilizing the rich cultural factors of the Chinese nation, starting with the elements of nationalization of themes and aesthetic elements, national spirit and temperament, nationalization of creative techniques and creative styles, and fully excavating and fully integrating these elements, Bold innovation, in order to truly spread our national animation personality and radiate its brilliant glory. So I chose Huangping Miao oral literature story of Huangping County, Guizhou Province, as the design script of the cartoon. "the Festival of eliminating evil" is the Hmong people's memory of a clever person. It is an ancient and beautiful legend of justice over evil that has been set up and continued to this day for the Hmong girls. In the process of character design of the short film "Anti-evil Festival", I try to find and explore the artistic expression method of the nationalization of animation character creation.
【學位授予單位】:中央美術(shù)學院
【學位級別】:碩士
【學位授予年份】:2009
【分類號】:J954
【共引文獻】
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1 李濤;美、日百年動畫形象研究[D];四川大學;2007年
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