【摘要】：與現(xiàn)今的中國動畫電影藝術(shù)在國際上的地位不同,在20世紀(jì)世界動畫電影的舞臺上,中國動畫電影曾經(jīng)以其獨(dú)有的民族魅力和藝術(shù)表現(xiàn)手法被贊譽(yù)為“中國動畫學(xué)派”。在經(jīng)過了上世紀(jì)末葉的步履蹣跚甚至停滯不前的狀態(tài)后,近年來中國的動漫藝術(shù)得到了政府政策強(qiáng)有力的支持,各地的動漫創(chuàng)作團(tuán)隊(duì)逐漸擴(kuò)大,動漫基地逐年增多,動漫作品的產(chǎn)量也急劇增加。動漫產(chǎn)業(yè)在中國如火如荼的發(fā)展,動畫電影作為動漫藝術(shù)的一個重要分支在這種大環(huán)境下,突破了舊的經(jīng)營模式,取得了長足進(jìn)步。但是發(fā)展中也暴露出了諸多問題。隨著動漫創(chuàng)意產(chǎn)業(yè)的發(fā)展,對動畫電影的研究也成為學(xué)界和業(yè)界的焦點(diǎn)之一,但是國內(nèi)對于動畫電影的研究很大一部分都是側(cè)重于從動畫的產(chǎn)業(yè)化發(fā)展的角度或者如何營銷的角度進(jìn)行研究,也有很少的一部分是從美學(xué)的角度和制作技術(shù)角度進(jìn)行論述或研究。缺少對動畫文本本體弊端的分析以及對我國的動畫理念的重新審視。比如對動畫的精神本質(zhì)的認(rèn)識,對動畫電影創(chuàng)意瓶頸原因的分析,對如何結(jié)合動畫電影中各敘事要素的功能來體現(xiàn)民族特色,如何對待古典的和現(xiàn)代化題材的動畫類型,對動畫電影敘事模式單一化的探討等。本文采取總分總的格局,共分三個部分。第一章為第一部分,在這一章中,文章簡要考察中國動畫電影的發(fā)展環(huán)境和發(fā)展現(xiàn)狀,在此基礎(chǔ)上分析中國動畫電影在創(chuàng)意理念上的孱弱之處,在故事的選擇與講述上的弊端,在融入本土特色上的不足之處。第二章至第四章為文章的第二部分,在這一部分中,本文對第一章中提出的問題進(jìn)行逐一剖析,逐一地提出一些改進(jìn)的思路和方法。文章的第五章是總結(jié)部分,在這一部分中文章將對全文所得出的一些思路和方法進(jìn)行簡要的歸納總結(jié)。 本文力圖細(xì)化到具體的動畫電影的創(chuàng)作要素上進(jìn)行論證。試圖找到一些適合拓寬或改進(jìn)未來中國動畫電影發(fā)展的創(chuàng)作理念的可行思路和方法,結(jié)合分析動畫電影敘事要素的具體功能,分析中國動畫電影如何在敘事中和角色塑造中更好的融入民族特色,探尋如何改進(jìn)中國動畫電影重視模仿輕視原創(chuàng)的現(xiàn)狀,分析豐富中國動畫電影的敘事手法的必要性,最后進(jìn)行總結(jié)。
[Abstract]:Different from the present Chinese animation film art in the international position, in the 20th century world animation film stage, the Chinese animation film has been praised as the "Chinese animation school" for its unique national charm and artistic expression technique. After stumbling or even stagnating at the end of the last century, in recent years China's animation art has been strongly supported by government policies, and animation creation teams have gradually expanded, and animation bases have increased year by year. Animation production also increased dramatically. Animation industry in China is in full swing, animation film as an important branch of animation art in this environment, broke through the old business model, has made considerable progress. But the development also exposed many problems. With the development of animation creative industry, the research on animation film has become one of the focal points of the academic and industry. However, a large part of the domestic research on animation films is focused on the development of animation industrialization or how to conduct research from the perspective of marketing. There are also a few from the point of view of aesthetics and production technology to discuss or study. Lack of analysis of the defects of animation text ontology and re-examine the concept of animation in China. For example, the understanding of the spiritual essence of animation, the analysis of the reasons for the creative bottleneck of animation films, how to combine the functions of the narrative elements in animation films to reflect the national characteristics, how to deal with the classical and modern animation types of subjects, This paper discusses the singularity of the narrative mode of animation film and so on. This article adopts the general pattern of total score, altogether divides into three parts. The first chapter is the first part. In this chapter, the author briefly investigates the development environment and current situation of Chinese animation film, and then analyzes the weakness of Chinese animation film in the creative idea, the malpractice in the selection and narration of the story. The inadequacies in the integration of local characteristics. Chapter two to chapter four is the second part of the article. In this part, the problems raised in the first chapter are analyzed one by one, and some improved ideas and methods are put forward one by one. The fifth chapter of the article is the summary part, in this part, the article will carry on the brief summary to the full text some thought and the method. This article tries to refine to the specific animation movie creation essential factor carries on the demonstration. This paper attempts to find some feasible ideas and methods suitable for broadening or improving the future development of Chinese animation film, and analyzes the specific functions of the narrative elements of the animation film, in combination with the analysis of the specific functions of the narrative elements of the animation film. This paper analyzes how Chinese animation films better integrate into national characteristics in narration and character shaping, explores how to improve the present situation of Chinese animation films that attach importance to imitation and despise originality, and analyzes the necessity of enriching the narrative techniques of Chinese animation films. Finally, a summary is made.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J954

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本文編號：2304015