發(fā)布時(shí)間：2018-10-16 16:25

【摘要】：整個(gè)20世紀(jì)發(fā)生的重大事件及其給我們生活帶來(lái)的巨大變化令我們目不暇接,其中,電腦網(wǎng)絡(luò)與數(shù)碼技術(shù)給我們帶來(lái)的沖擊尤為明顯,并且,隨著數(shù)碼技術(shù)廣泛深入至人們生活的各個(gè)層面,時(shí)裝插畫(huà),這一古老而又獨(dú)具內(nèi)涵的繪畫(huà)藝術(shù)形式煥發(fā)出全新的生機(jī)與活力,這是在20世紀(jì)中期攝影技術(shù)高速發(fā)展的背景之下,完全無(wú)法想象與預(yù)見(jiàn)的一幕。 在20世紀(jì)初期至20世紀(jì)中期的這段時(shí)間內(nèi),時(shí)裝插畫(huà)發(fā)展迅猛,并隨之捧起了一批享譽(yù)全球的時(shí)尚插畫(huà)家,他們所創(chuàng)作的時(shí)裝插畫(huà)風(fēng)格迥異,爭(zhēng)奇斗艷,較之20世紀(jì)之前的時(shí)裝插畫(huà)而言,顯得極富于創(chuàng)新性和觀(guān)賞性,可以說(shuō),這段時(shí)期是時(shí)裝插畫(huà)的黃金時(shí)期。然而,在攝影技術(shù)逐漸嶄露頭角后,時(shí)裝插畫(huà)一步步面臨著瓦解與崩潰的境地,甚至在很長(zhǎng)的一段時(shí)間內(nèi),時(shí)裝插畫(huà)仿佛己銷(xiāo)聲匿跡。然而,正是因?yàn)槠�、八十年代以�?lái)計(jì)算機(jī)技術(shù)的發(fā)展,時(shí)裝插畫(huà)得以重生。并且,新興數(shù)碼技術(shù)與已有的繪畫(huà)手法相結(jié)合后,產(chǎn)生了較之20世紀(jì)早、中期來(lái)說(shuō)更具視覺(jué)沖擊、更加富于現(xiàn)代感的時(shí)裝插畫(huà),因此,我們由此可以大膽預(yù)見(jiàn),時(shí)裝插畫(huà)在未來(lái)發(fā)展中將會(huì)更加豐富多元、多姿多彩。 時(shí)裝插畫(huà)由古至今發(fā)展而來(lái),一直是深受廣大群眾喜愛(ài)的大眾藝術(shù),它不僅具有極高的藝術(shù)審美價(jià)值,也具有較深的歷史認(rèn)知價(jià)值,但是卻一直未受到應(yīng)有的重視,只是作為大眾文化傳播的一份子而微小的存在著。雖然優(yōu)秀的時(shí)裝插畫(huà)作品頗多,但是對(duì)其藝術(shù)風(fēng)格進(jìn)行專(zhuān)門(mén)而系統(tǒng)的梳理與研究并不多見(jiàn),可以說(shuō),其理論研究始終落后于其創(chuàng)作實(shí)踐,因此,該論文專(zhuān)門(mén)針對(duì)此點(diǎn)進(jìn)行詳細(xì)的理論研究,從歷史的角度去考察、分析、論證,并得出結(jié)論,這將有助于我們?nèi)娑床旌桶盐諘r(shí)裝插畫(huà)藝術(shù)風(fēng)格的未來(lái)發(fā)展,以期為時(shí)裝插畫(huà)的理論研究領(lǐng)域添磚加瓦。 本研究將主要探討關(guān)于20世紀(jì)時(shí)裝插畫(huà)藝術(shù)風(fēng)格在其初、中、后期發(fā)生了現(xiàn)代創(chuàng)新,但卻又有歷史繼承這一主要內(nèi)容。并且研究發(fā)現(xiàn),時(shí)裝插畫(huà)藝術(shù)風(fēng)格大致可分為裝飾藝術(shù)風(fēng)格類(lèi)型,簡(jiǎn)約藝術(shù)風(fēng)格類(lèi)型,魔幻藝術(shù)風(fēng)格類(lèi)型,現(xiàn)實(shí)藝術(shù)風(fēng)格類(lèi)型,手繪藝術(shù)風(fēng)格類(lèi)型,數(shù)碼藝術(shù)風(fēng)格類(lèi)型,動(dòng)漫藝術(shù)風(fēng)格類(lèi)型,涂鴉藝術(shù)風(fēng)格類(lèi)型、新古典藝術(shù)風(fēng)格類(lèi)型,后現(xiàn)代藝術(shù)風(fēng)格類(lèi)型。其后,通過(guò)對(duì)這些時(shí)裝插畫(huà)藝術(shù)風(fēng)格的繼承與創(chuàng)新進(jìn)行詳細(xì)的比對(duì)與研究,梳理其脈絡(luò),規(guī)整其內(nèi)容,系統(tǒng)完善且一目了然地把研究成果以圖文并茂的形式呈現(xiàn)出來(lái),這便是本論文研究的意義與重點(diǎn)所在。
[Abstract]:The great events of the whole 20th century and the tremendous changes in our lives have made us dizzying. The impact of computer networks and digital technology on us is especially obvious, and, With the extensive development of digital technology to all levels of people's life, fashion illustrations, this ancient and unique artistic form of painting has a new vitality and vitality, which is under the background of the rapid development of photography technology in the middle of the 20th century. A scene completely unimaginable and foreseen. During the period from the beginning of the 20th century to the middle of the 20th century, fashion illustrations developed rapidly, and a group of world-renowned fashion illustrator artists, who created fashion illustrations of very different styles, competed with each other. Compared with the fashion illustrator before the 20th century, it is full of innovation and appreciation, it can be said that this period is the golden age of fashion illustration. However, after the emergence of photography technology, fashion illustration is faced with disintegration and collapse step by step, even in a very long period of time, fashion illustration seems to have disappeared. However, because of the development of computer technology since the 1970s and 1980s, fashion illustrations were reborn. Moreover, the combination of emerging digital technology and existing painting techniques has produced fashion illustrations that are more visual and more modern in the middle of the 20th century than in the early 20th century, so we can be bold to foresee them. Fashion illustrations will be more diverse and colorful in the future. Fashion illustration, developed from ancient times to now, has always been a popular art loved by the masses. It not only has a very high aesthetic value of art, but also has a deep historical cognitive value, but it has not been given due attention. Only as a part of mass cultural communication and small existence. Although there are a lot of excellent fashion illustration works, but the special and systematic combing and research on its artistic style is rare. It can be said that its theoretical research has always lagged behind its creative practice, so, This paper is devoted to the detailed theoretical study of this point, from the historical point of view to investigate, analyze, demonstrate, and draw a conclusion, which will help us to fully understand and grasp the future development of fashion illustration art style. In order to contribute to the theoretical research field of fashion illustration. This study will mainly discuss the art style of fashion illustration in the 20th century in its early, middle and late period of modern innovation, but there is historical inheritance of this main content. And the study found that fashion illustration art style can be divided into decorative art style type, simple art style type, magic art style type, realistic art style type, hand-painted art style type, digital art style type. Animation art style type, graffiti art style type, new classical art style type, post-modern art style type. Then, through the detailed comparison and research on the inheritance and innovation of these fashion illustrations' artistic style, combing their context, regularizing their contents, systematically perfecting and clearly presenting the research results in the form of picture and text, This is the significance and focus of this paper.
【學(xué)位授予單位】：東華大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類(lèi)號(hào)】：J218.5

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