宮崎駿動畫中日本傳統文化的解構與重建
發(fā)布時間：2018-08-25 15:53
【摘要】：當今世界,沒有哪一個國家的文藝市場會缺少動畫,它以時尚的創(chuàng)意、搞笑的情節(jié)、娛樂的功能成為各國文化市場的一股重要力量,擁有大批忠實觀眾,具有不可小覷的經濟文化影響力。作為21世紀的一個新興產業(yè),動畫日益成為各國經濟的重要增長點,成為各國文化中不可缺少的重要組成部分。在美國、日本和韓國等發(fā)達國家文化創(chuàng)意產業(yè)比較發(fā)達的國家,動畫更是文化產業(yè)的支柱,是重要的經濟產業(yè),也是一種重要的文化載體,是弘揚本民族傳統文化的有效形式。我國動畫產業(yè)起步較早,且擁有豐富的民族傳統文化,但不同于美國和日本,我國動畫產業(yè)的發(fā)展水平一直比較低。在全球化語境下,日本動畫的成功給我們提供了啟示。 本文以宮崎駿動畫為例,回答了在動畫影片中如何對傳統文化的進行繼承和創(chuàng)新。全文主體有五個部分:第一部分是對日本動畫產業(yè)概況的描述,闡述日本動畫的發(fā)展歷程及宮崎駿動畫在日本動畫界的地位;第二部分至四部分分別從主題表達、環(huán)境設置、角色塑造三個方面對宮氏動畫中日本傳統文化的解構和重組進行分析,從而指出日本動漫對日本傳統文化是怎樣進行繼承發(fā)揚,怎樣加以體現突出,引出文章的第五部分:宮崎駿動畫對中國動畫產業(yè)發(fā)展的啟示性意義。揭示了在文化全球化的時代背景下,中國如何找到自己的定位,發(fā)掘本民族的文化特色,如何借鑒日本動畫發(fā)展的成功經驗,尋找適合中國動畫產業(yè)發(fā)展的路徑,以弘揚中國民族傳統文化,發(fā)展具有傳統文化特色的動畫產業(yè)。
[Abstract]:Nowadays, no country in the world will lack animation in its literary and artistic market. It has become an important force in the cultural market of all countries with fashionable creativity, funny plots and entertainment functions. It has a large number of loyal audiences and has great economic and cultural influence. As a new industry in the 21st century, animation has increasingly become the economy of all countries. In the United States, Japan and South Korea and other developed countries with relatively developed cultural and creative industries, animation is the pillar of the cultural industry, an important economic industry, an important cultural carrier, and an effective form of carrying forward the traditional culture of our nation. The animation industry started early, and has a wealth of national traditional culture, but different from the United States and Japan, the level of development of China's animation industry has been relatively low. In the context of globalization, the success of Japanese animation provides us with inspiration.
This paper takes Hayao Miyazaki animation as an example to answer how to inherit and innovate the traditional culture in animated films. The main body of the paper is divided into five parts: the first part is a description of the general situation of Japanese animation industry, expounding the development of Japanese animation and the status of Hayao Miyazaki animation in the Japanese animation industry; the second part to the fourth part are subordinate to the main This paper analyzes the deconstruction and reorganization of Japanese traditional culture in Miyazaki's animation from three aspects: expression, environment setting and character shaping. It points out how Japanese animation inherits and develops Japanese traditional culture and how to embody it. It leads to the fifth part of the article: the inspiration of Hayao Miyazaki's animation to the development of Chinese animation industry. Yi. It reveals how China finds its own position in the context of cultural globalization, explores its own cultural characteristics, uses the successful experience of the development of Japanese animation for reference, and seeks a path suitable for the development of Chinese animation industry, so as to carry forward Chinese traditional culture and develop animation industry with traditional cultural characteristics.
【學位授予單位】：華中科技大學
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：J954
本文編號：2203395
[Abstract]:Nowadays, no country in the world will lack animation in its literary and artistic market. It has become an important force in the cultural market of all countries with fashionable creativity, funny plots and entertainment functions. It has a large number of loyal audiences and has great economic and cultural influence. As a new industry in the 21st century, animation has increasingly become the economy of all countries. In the United States, Japan and South Korea and other developed countries with relatively developed cultural and creative industries, animation is the pillar of the cultural industry, an important economic industry, an important cultural carrier, and an effective form of carrying forward the traditional culture of our nation. The animation industry started early, and has a wealth of national traditional culture, but different from the United States and Japan, the level of development of China's animation industry has been relatively low. In the context of globalization, the success of Japanese animation provides us with inspiration.
This paper takes Hayao Miyazaki animation as an example to answer how to inherit and innovate the traditional culture in animated films. The main body of the paper is divided into five parts: the first part is a description of the general situation of Japanese animation industry, expounding the development of Japanese animation and the status of Hayao Miyazaki animation in the Japanese animation industry; the second part to the fourth part are subordinate to the main This paper analyzes the deconstruction and reorganization of Japanese traditional culture in Miyazaki's animation from three aspects: expression, environment setting and character shaping. It points out how Japanese animation inherits and develops Japanese traditional culture and how to embody it. It leads to the fifth part of the article: the inspiration of Hayao Miyazaki's animation to the development of Chinese animation industry. Yi. It reveals how China finds its own position in the context of cultural globalization, explores its own cultural characteristics, uses the successful experience of the development of Japanese animation for reference, and seeks a path suitable for the development of Chinese animation industry, so as to carry forward Chinese traditional culture and develop animation industry with traditional cultural characteristics.
【學位授予單位】：華中科技大學
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：J954
【引證文獻】
相關期刊論文 前1條
1 李明星;;國際舞臺上的日式變奏——從宮崎駿動畫看文化融合[J];新聞世界;2013年03期
相關碩士學位論文 前2條
1 朱菁;解讀宮崎駿商業(yè)動畫電影：文本特征和受眾解讀[D];南京大學;2012年
2 楊姝楠;從宮崎駿到新海誠[D];上海師范大學;2013年
，本文編號：2203395
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