【摘要】：宮崎駿,世界的“動(dòng)漫詩人”,代表了日本動(dòng)畫的質(zhì)量與內(nèi)涵的一個(gè)高峰。他在動(dòng)畫這種被認(rèn)為是小孩子的娛樂當(dāng)中加入了深切的人文關(guān)懷和環(huán)保意識,提升了動(dòng)畫片的高度。因?yàn)閯?dòng)畫中外顯的和內(nèi)在的日本文化特色,他成為日本人引以為豪的民族文化象征。 文化與動(dòng)畫關(guān)系密切。在宮崎駿充滿日本風(fēng)味的動(dòng)畫電影里,體現(xiàn)了濃厚的日本民族審美特質(zhì)。其中,日本文化中的森林思想,信奉神靈的思維模式,以及日本人心靈的美這三個(gè)日本審美文化中的特質(zhì),在宮崎駿動(dòng)畫電影中有著顯著體現(xiàn)。 論文通過動(dòng)畫、文化、日本民族審美的角度,運(yùn)用文化學(xué)、美學(xué)、電影學(xué)的相關(guān)理論,采取電影文本解讀與理論演繹相結(jié)合的方式,分析宮崎駿的九部代表動(dòng)畫電影,探討他電影中所蘊(yùn)含的日本民族審美特質(zhì)。第一部分,是對宮崎駿的個(gè)人履歷、他所拍攝的電影、以及對他影響甚大的優(yōu)秀動(dòng)畫片的介紹；第二部分,從動(dòng)畫與文化的關(guān)系入手,引出宮崎駿本人以及他所拍攝的動(dòng)畫電影與日本民族文化、日本審美的深刻聯(lián)系；第三部分,解讀宮崎駿電影中體現(xiàn)的日本人的森林思想,其中包括三方面：樹木崇拜、對植物生命的贊美、破壞森林等；第四部分,探討宮崎駿動(dòng)畫中呈現(xiàn)的萬物有靈的思維模式,探尋精靈與妖怪的世界,解讀日本敬重神靈的思想；第五部分,是對日本人心的文化,人與自然的融合以及內(nèi)心的善的論述。
[Abstract]:MiyazakiHayao, the world's "animation poet", represents the quality and connotation of Japanese animation a peak. He adds deep humanistic care and environmental awareness to animation, which is regarded as the entertainment of children, and elevates the height of animation. Because of the Chinese and foreign animation and internal Japanese cultural characteristics, he became a proud symbol of Japanese national culture. Culture is closely related to animation. In the MiyazakiHayao animation film full of Japanese flavor, reflects the strong aesthetic characteristics of the Japanese nation. Among them, the forest thought in Japanese culture, the thinking mode of believing in the gods and the beauty of the Japanese soul are the characteristics of the Japanese aesthetic culture, which are obviously reflected in the MiyazakiHayao animated movies. From the angle of animation, culture and Japanese national aesthetics, using the relevant theories of culturology, aesthetics and cinematology, the paper analyzes the nine representative animated movies of MiyazakiHayao by combining the interpretation of film text with the theoretical deduction. To explore the aesthetic characteristics of the Japanese nation contained in his films. The first part is about MiyazakiHayao's personal history, the films he made, and the introduction to the excellent animation that greatly influenced him. The second part, starting with the relationship between animation and culture, MiyazakiHayao himself and his animated films are deeply related to Japanese national culture and Japanese aesthetics. The third part interprets the Japanese forest thought embodied in MiyazakiHayao film, which includes three aspects: tree worship, The fourth part discusses the animate mode of thinking in MiyazakiHayao animation, explores the world of elves and monsters, and interprets the Japanese thought of respecting gods. It is a discussion of the culture of Japanese people, the fusion of man and nature, and the goodness of heart.
【學(xué)位授予單位】：暨南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J954

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 朱菁;解讀宮崎駿商業(yè)動(dòng)畫電影：文本特征和受眾解讀[D];南京大學(xué);2012年

2 張培培;日本動(dòng)物主題電影研究[D];華中師范大學(xué);2013年

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本文編號：2130310