發(fā)布時(shí)間：2018-06-21 21:46

  本文選題：宮崎駿動(dòng)畫 + 畫面形式��； 參考：《浙江理工大學(xué)》2011年碩士論文

【摘要】：宮崎駿是日本著名的動(dòng)畫電影導(dǎo)演,他作為日本動(dòng)畫界將動(dòng)畫藝術(shù)與商業(yè)完美結(jié)合的巔峰代表,在全世界享有廣泛贊譽(yù)。宮崎駿創(chuàng)作了獨(dú)具藝術(shù)風(fēng)格與特征的動(dòng)畫作品,并將動(dòng)畫藝術(shù)上升到人文的高度,改變了人們對動(dòng)畫的種種偏見以及以少兒為受眾的固有動(dòng)畫定位,充分體現(xiàn)出他對人類的關(guān)注和對現(xiàn)實(shí)的思考。 本文在總結(jié)以往研究成果的基礎(chǔ)上,將宮崎駿動(dòng)畫畫面形式作為研究對象。文中嘗試對宮崎駿動(dòng)畫藝術(shù)的畫面形式進(jìn)行深入分析,進(jìn)而由表及里地挖掘其精神內(nèi)容,以期把握宮崎駿動(dòng)畫作品的整體藝術(shù)風(fēng)格,從中發(fā)掘其作品的成功經(jīng)驗(yàn),為我國的動(dòng)畫創(chuàng)作提供參考。 本文首先概述宮崎駿動(dòng)畫藝術(shù)的創(chuàng)作背景,闡釋了其成長環(huán)境對宮崎駿藝術(shù)生涯與精神理念的重要影響,并對宮崎駿動(dòng)畫的創(chuàng)作與發(fā)展歷程做了一個(gè)梳理和歸納。其次從繪畫藝術(shù)的審美視角出發(fā),著重對宮崎駿動(dòng)畫作品中的畫面表現(xiàn)形式進(jìn)行深入研究,全面分析其動(dòng)畫作品中的造型藝術(shù)、色彩藝術(shù)、構(gòu)圖藝術(shù),總結(jié)其動(dòng)畫畫面的藝術(shù)風(fēng)格特點(diǎn),進(jìn)而剖析它們對動(dòng)畫角色、故事情節(jié)、影片主題的影響。最后對作品畫面中蘊(yùn)藏的精神內(nèi)容進(jìn)行解讀,包括深刻的現(xiàn)實(shí)主義精神,具有民族與國際特色的多元文化,人與自然和諧共存的生態(tài)意識(shí),對童真世界的向往四個(gè)方面,從而詮釋作品深層的主題思想和濃厚的人文色彩,體現(xiàn)宮崎駿本人的價(jià)值取向,使觀眾全面而客觀地認(rèn)識(shí)宮崎駿的動(dòng)畫藝術(shù)。 宮崎駿在動(dòng)畫制作中堅(jiān)持追求畫面的高品質(zhì),是其動(dòng)畫取得商業(yè)成功的重要保障,奠定了他在全球動(dòng)畫界無可替代的地位,這為我國動(dòng)漫產(chǎn)業(yè)發(fā)展帶來一定的借鑒意義與參考價(jià)值。
[Abstract]:MiyazakiHayao is a famous animation film director in Japan. As the pinnacle of the perfect combination of animation art and business in Japanese animation industry, he has been widely praised all over the world. MiyazakiHayao created animation works with unique artistic style and characteristics, and raised animation art to the height of humanism, which changed people's prejudice towards animation and the inherent animation orientation of children as the audience. Fully reflects his concern for human beings and the reality of the thinking. On the basis of summarizing the previous research results, this paper takes the form of MiyazakiHayao animation picture as the research object. This paper attempts to deeply analyze the picture form of MiyazakiHayao animation art, and then excavate its spiritual content from the surface to the inside, in order to grasp the overall artistic style of the MiyazakiHayao animation works, and to explore the successful experience of its works. Provide reference for animation creation in our country. This paper first summarizes the background of the creation of MiyazakiHayao animation art, explains the important influence of its growing up environment on the artistic career and spiritual concept of MiyazakiHayao, and makes a combing and induction of the creation and development of MiyazakiHayao animation. Secondly, from the aesthetic point of view of painting art, focusing on the MiyazakiHayao animation works in the form of screen expression in-depth research, comprehensive analysis of its animation works of plastic art, color art, composition art, This paper summarizes the artistic characteristics of its animated pictures, and then analyzes their influence on animation characters, storylines and movie themes. Finally, it interprets the spiritual content contained in the works, including the profound realism spirit, the multi-culture with national and international characteristics, the ecological consciousness of harmonious coexistence between man and nature, and the yearning for the world of innocence. In order to annotate the deep theme of the works and strong humanistic color, reflect MiyazakiHayao's own value orientation, make the audience fully and objectively understand the animation art of MiyazakiHayao. In animation production, MiyazakiHayao insists on pursuing the high quality of the picture, which is an important guarantee for the commercial success of his animation, and establishes his irreplaceable position in the world of animation. This for the development of animation industry in China to bring certain reference significance and reference value.
【學(xué)位授予單位】：浙江理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J954

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 游智皓;永恒的追尋:《千與千尋》[J];北京電影學(xué)院學(xué)報(bào);2002年02期

2 游智皓;宮崎駿奇幻世界初旅[J];北京電影學(xué)院學(xué)報(bào);2003年03期

3 [榭，

本文編號(hào)：2050121