發(fā)布時間：2018-03-26 21:00

  本文選題：日本動漫　切入點：文化傳播　出處：《華中科技大學》2007年碩士論文

【摘要】： 動漫作為一種重要的影視藝術(shù)形式,在文化傳播和國民經(jīng)濟中扮演著越來越重要的角色。世界動漫之林中,日本動漫以其獨特的風格后來居上,經(jīng)過幾十年的發(fā)展,在世界動漫領(lǐng)域獨占鰲頭,在世界各國擁有眾多追捧者,據(jù)初步統(tǒng)計,目前全球播放的動畫節(jié)目約有60%是日本制作的,許多日本動漫形象成為各國觀眾耳熟能詳?shù)拿餍侨宋�。而在中�?對大中小學生動漫市場問卷調(diào)查顯示,高達80%多的青少年,最為推崇的是日本動漫,除開經(jīng)濟效益,最驚心動魄是民族精神的弱化。從95年開始,我國政府已頒布了一系列措施來扶植中國動漫事業(yè)的發(fā)展,但是十多年過去,中國動漫的制作技術(shù)有很大提高,但內(nèi)容不受歡迎,不僅沒有走出國門,甚至仍然喪失著國內(nèi)的市場。本文分為五個部分對這一問題進行論述。第一部分對動漫的概念及論文研究的意義和現(xiàn)狀進行闡述。第二部分則對日本動漫的基本情況進行概述,從文學和藝術(shù)兩方面探討其特征。第三部分則先對日本動漫全球傳播的特點進行分析,并著重闡述了日本動漫在中國的傳播歷程,接著對日本動漫全球傳播的主要原因進行分析。第四部分則研究中國動漫存在的問題,并借鑒日本動漫的成功經(jīng)驗,得出對中國動漫事業(yè)發(fā)展的啟示。最后,對中國動漫的新世紀發(fā)展作出展望。
[Abstract]:Animation, as an important art form of film and television, plays a more and more important role in cultural communication and national economy. In the world animation forest, Japanese animation transcends the former with its unique style and has been developed for decades. In the field of animation and animation in the world, there are many fans around the world. According to preliminary statistics, about 60% of the animation programs broadcast worldwide are produced by Japan. Many Japanese anime images have become familiar to audiences all over the world. In China, a questionnaire survey on the animation market of students, middle and college students, shows that as many as 80% of young people are most admired for Japanese animation, excluding economic benefits. The most thrilling is the weakening of the national spirit. Since 1995, the Chinese government has promulgated a series of measures to support the development of China's animation industry. However, more than a decade has passed, the production technology of Chinese animation has been greatly improved, but the content is not popular. Not only did they not go out of the country, Even still lose the domestic market. This paper is divided into five parts to discuss this issue. The first part of the concept of animation and the significance of the paper and the status quo. The second part of the basic situation of animation in Japan is summarized. The third part analyzes the characteristics of the global spread of Japanese animation, and focuses on the communication process of Japanese animation in China. Then the main reasons for the global spread of Japanese animation are analyzed. The fourth part is to study the existing problems of Chinese animation, and draw lessons from the successful experience of Japanese animation, and draw inspiration to the development of Chinese animation industry. Finally, The development of Chinese animation in the new century to make a prospect.
【學位授予單位】：華中科技大學
【學位級別】：碩士
【學位授予年份】：2007
【分類號】：J954

【引證文獻】

相關(guān)期刊論文 前1條

1 公偉;孫強;;日本體育動漫對中國體育動漫發(fā)展的啟示[J];內(nèi)蒙古體育科技;2011年01期

相關(guān)博士學位論文 前1條

1 俞瑋婭;視覺文化視野下的上海漫畫藝術(shù)研究[D];上海戲劇學院;2012年

相關(guān)碩士學位論文 前7條

1 葉常青;日本動漫產(chǎn)業(yè)國際化分析[D];吉林大學;2011年

2 戚艷偉;日本動漫旅游發(fā)展模式研究[D];蘭州大學;2011年

3 楊光;中國語境下的日本影視動漫傳播現(xiàn)象研究[D];中央民族大學;2011年

4 林亞玲;日本動畫電影的傳播分析及對我國的啟示[D];華南理工大學;2011年

5 席智慧;從日本動漫在國內(nèi)的風行看中國連環(huán)畫的衰落[D];昆明理工大學;2011年

6 吳q，

本文編號：1669552