本文選題：角色造型　切入點(diǎn)：造型設(shè)計(jì)　出處：《現(xiàn)代裝飾(理論)》2015年06期 　論文類(lèi)型：期刊論文

【摘要】：正動(dòng)漫角色的造型設(shè)計(jì)是決定作品成敗的核心要素之一,動(dòng)畫(huà)角色本質(zhì)上和影視中的演員一樣,只不過(guò)把演員換成了設(shè)計(jì)師筆下的卡通形象。這種設(shè)計(jì)創(chuàng)作需要很強(qiáng)的想象力與幽默感,其表現(xiàn)手段的夸張性與表現(xiàn)形式的戲劇性是普通影視作品難以比擬的。所以,動(dòng)漫造型的設(shè)計(jì)者需要從劇情出發(fā),根據(jù)導(dǎo)演的具體要求,創(chuàng)造出符合標(biāo)準(zhǔn)的動(dòng)漫角色造型,并予之于生命力。本文以分析動(dòng)漫角色造型的基本內(nèi)涵為出發(fā)點(diǎn),探討了動(dòng)漫角色造型的表現(xiàn)形式,提出了動(dòng)漫角色造型設(shè)計(jì)的手法。
[Abstract]:The modeling design of the positive animation characters is one of the core elements that determine the success or failure of the works. The animation characters are essentially the same as the actors in the film and television. It's just that the actors are replaced by cartoon characters written by designers. This kind of design requires a strong imagination and a sense of humor, and the exaggeration of the means of expression and the drama of the forms of expression are incomparable to those of ordinary film and television productions. The designers of animation modeling need to start from the plot, according to the specific requirements of the director, to create a standard animation character modeling, and give it to vitality. This paper discusses the expressive form of animation character modeling, and puts forward the modus operandi of animation character modeling design.
【作者單位】： 成都紡織高等專(zhuān)科學(xué)校建筑工程學(xué)院;
【分類(lèi)號(hào)】：J954
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本文編號(hào)：1557034