【摘要】：《崇慶皇太后八旬萬壽圖》,絹本,貼落,縱199.5厘米,橫232.5厘米。該畫描繪了乾隆為母親崇慶皇太后祝壽的場景,畫面人物眾多,色彩豐富,使用了多種類礦物顏料。畫幅送修時,折傷嚴(yán)重,折傷處畫絹破損產(chǎn)生大量碎片。本文在探討此類破損書畫修復(fù)的同時,也從書畫裝裱的角度對該畫的形制、名稱等存疑問題提供了修復(fù)方向的研究論證,進(jìn)而對修復(fù)與保護(hù)研究的一體性進(jìn)行深入探討,完成了一個典型的研究保護(hù)修復(fù)案例。
[Abstract]:Queen Mother Chongqing 80-year-old marigold, silk, decal, longitudinal 199.5 cm, horizontal 232.5 cm. The painting depicts Qianlong for his mother to celebrate the Queen Mother's birthday scene, the picture of many characters, rich colors, using a variety of mineral pigments. When the picture frame is sent to repair, the damage is serious, and the broken silk produces a lot of debris. While discussing the repair of this kind of damaged calligraphy and painting, this paper also provides the research and demonstration of the repair direction from the angle of calligraphy and painting mounting, such as the shape, system and name of the painting, and then makes an in-depth discussion on the unity of the research on restoration and protection. A typical case of protection and repair has been completed.
【作者單位】： 故宮博物院文保科技部;
【分類號】：G264.3
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本文編號：2446267