本文選題：庚斯博羅 + 藝術(shù)品交易��； 參考：《世界美術(shù)》2017年01期

【摘要】：正19世紀(jì)末20世紀(jì)初,美國出現(xiàn)了收藏英國喬治亞時(shí)代肖像畫的熱潮,【1】以摩根、【2】懷德納、【3】弗里克、【4】梅隆、【5】亨廷頓【6】等人為代表的財(cái)富巨頭們紛紛為此豪擲萬金。1921年,《藍(lán)衣少年》以72.88萬美元的成交價(jià)格進(jìn)入美國,(圖1)破了當(dāng)時(shí)國際藝術(shù)品交易的紀(jì)錄,【7】標(biāo)志著英國肖像畫收藏?zé)徇_(dá)到了巔峰�；仡欉@段歷史,再看看如今喬治亞時(shí)代肖像畫在學(xué)術(shù)界的暗淡地位,人們不禁要問:是什么造成了當(dāng)年如
[Abstract]:At the end of the 19th century and the beginning of the 20th century, the United States saw a boom in collecting British Georgian portraits. [1] to Morgan, [2] Wydner, [3] Frick, [4] Mellon, [5] Huntington et al. [6] the wealth giants represented by Huntington [6] threw huge sums of money. In 1921, the Blue Boy entered the United States at a price of $728800 (figure 1) and broke the record for the international art trade at that time. [7] marked the peak of the British portrait collection. Looking back at this period of history, and then looking at the bleak status of modern Georgian portraits in academia, one can't help asking: what caused such a thing?
【作者單位】： 中國國家圖書館;
【分類號(hào)】：G894
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本文編號(hào)：2005563