本文選題：檔案記憶 + 社會再生產(chǎn)�。� 參考：《檔案學(xué)通訊》2017年04期

【摘要】：檔案記憶再生產(chǎn)作為社會再生產(chǎn)的重要方式之一,在生產(chǎn)過程上包括生成、加工、展演、消費四個階段,在生產(chǎn)對象上包涵檔案記憶的文本、內(nèi)容和意義三個層面。作為一項文化實踐活動,檔案記憶再生產(chǎn)具有鮮明的實踐特征,即往返重復(fù)的綿延性、記憶重構(gòu)的更新性、恪守真實的客觀性。檔案記憶再生產(chǎn)的當(dāng)代趨勢體現(xiàn)為:數(shù)字化與媒介化;加速化與深度化;大眾化與社會化;資本化與消費化。
[Abstract]:Archival memory reproduction, as one of the important ways of social reproduction, includes four stages: generation, processing, exhibition and consumption, and covers the text, content and meaning of archival memory in production objects. As a cultural practice, the reproduction of archival memory has distinct practical characteristics, that is, the continuity of repetition, the renewal of memory reconstruction, and the adherence to the objectivity of reality. The contemporary trend of archival memory reproduction is as follows: digitization and media; acceleration and depth; popularization and socialization; capitalization and consumption.
【作者單位】： 上海大學(xué)圖書情報檔案系;東華大學(xué)檔案館;
【基金】：國家社科基金重點項目“城鄉(xiāng)檔案記憶工程推進(jìn)機(jī)制研究”(項目編號:14ATQ009)成果之一
【分類號】：G270
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本文編號：1991010