本文選題：展品 + 策展　； 參考：《東南文化》2017年05期

【摘要】：博物館通過展覽將物品建構(gòu)為展品的時(shí)候,也為觀眾的感官體驗(yàn)創(chuàng)造了條件。在博物館空間中,物品以展品的形態(tài)影響了其在人類社會(huì)中的絕對(duì)時(shí)間;而觀眾這一暫時(shí)性的身份與地位,使得其在博物館空間中的感官體驗(yàn)過程是在其相對(duì)時(shí)間中完成。觀眾參觀時(shí)間的暫時(shí)性,使得展品在博物館空間中的存在是以刺激觀眾感官體驗(yàn)為前提;觀眾感官體驗(yàn)過程中的展品,是物品的絕對(duì)時(shí)間在現(xiàn)代性社會(huì)中延續(xù)的一種形式。而博物館與公眾之間距離的縮小,亦使得博物館通過展品與觀眾試圖重構(gòu)"物"與"人"的關(guān)系。
[Abstract]:When the museum constructs objects as exhibits through exhibitions, it also creates conditions for the sensory experience of the audience. In museum space, objects affect their absolute time in human society in the form of exhibits, while the audience's temporary identity and status make their sensory experience in museum space complete in their relative time. The temporary visiting time of the audience makes the existence of exhibits in the museum space is based on stimulating the audience's sensory experience, and the exhibits in the process of the audience's sensory experience is a form of the absolute time of the object which continues in the modern society. The narrowing of the distance between the museum and the public also makes the museum try to reconstruct the relationship between "object" and "man" through exhibits and the audience.
【作者單位】： 大理大學(xué)民族文化研究院;
【分類號(hào)】：G260
，

本文編號(hào)：1788380