本文選題：《秣陵秋》　切入點(diǎn)：校定本　出處：《戲曲藝術(shù)》2017年02期

【摘要】：淮陰師范學(xué)院藏陳畏人抄本傳奇《秣陵秋》應(yīng)為最終校定本;《秣陵秋》作者為泰州徐f+,曾僑居淮上,與詩(shī)人魯一同為密友;校訂者吳涑為清末民初清河學(xué)者、詩(shī)人;傳抄終校者陳畏人為民國(guó)至文革期間的淮安藏書(shū)家。《秣陵秋》在反映夷人凌侵的孱弱國(guó)勢(shì)、士風(fēng)日下的社會(huì)風(fēng)尚、知識(shí)分子憂(yōu)國(guó)憂(yōu)民的情狀等方面,有突出表現(xiàn)。藝術(shù)上虛實(shí)相間,真幻混同,兼具現(xiàn)實(shí)與浪漫雙重色彩;結(jié)構(gòu)精巧,文采斐然;富有濃郁的地方色彩。
[Abstract]:In Huaiyin normal College, the legend of Chen Wei's manuscripts < moling and autumn > should be the final version; the author is Xu f, Taizhou, who lived in Huai River and was close friend with poet Lu, and Wu Gui was a scholar and poet of Qing River in the late Qing Dynasty and early Republic of China; Chen Chun, who copied the final school from the Republic of China to Huai'an during the Cultural Revolution, was a bookseller in Huai'an during the period of the Republic of China and the Cultural Revolution. [moling autumn] reflected the weak state of the nation that the Yi people had invaded, the social fashion of the decline of the scholars, and the state of concern for the nation and the people among the intellectuals, and so on. There are outstanding performance. On the art of vanity and reality, real fantasy mixed, both realistic and romantic dual color; structure is delicate, brilliant; rich rich local color.
【作者單位】： 揚(yáng)州大學(xué)文學(xué)院;
【分類(lèi)號(hào)】：G256

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相關(guān)期刊論文 前1條

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相關(guān)期刊論文 前1條

1 朱德慈;;校定本傳奇《秣陵秋》考論[J];戲曲藝術(shù);2017年02期

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本文編號(hào)：1686118