本文選題：社會(huì)主義核心價(jià)值觀 + 融入�。� 參考：《大理大學(xué)》2017年碩士論文

【摘要】：社會(huì)轉(zhuǎn)型時(shí)期原有的價(jià)值觀被消解,新的價(jià)值觀尚未建立,新舊觀念沖突,社會(huì)心理失衡,此時(shí)文化滲透就會(huì)趁虛而入。價(jià)值觀作為人的思想和行為的指南針,社會(huì)良性發(fā)展的方向盤(pán),社會(huì)轉(zhuǎn)型時(shí)期的價(jià)值迷茫成為亟待解決的問(wèn)題。社會(huì)主義核心價(jià)值觀是面對(duì)新時(shí)期新任務(wù)而提出的,核心價(jià)值觀的培育和踐行任務(wù)艱巨。結(jié)合影視的視覺(jué)性、受眾面廣、兼容性強(qiáng)、娛樂(lè)性、導(dǎo)向性、即時(shí)性等特點(diǎn)和影視的認(rèn)識(shí)功能、教育功能、審美功能、娛樂(lè)功能等以及當(dāng)前核心價(jià)值觀融入影視文化的窘境,社會(huì)主義核心價(jià)值觀融入到影視文化之中成為當(dāng)務(wù)之急。從橫向比較來(lái)說(shuō),社會(huì)主義核心價(jià)值觀融入到影視文化之中應(yīng)學(xué)習(xí)借鑒發(fā)達(dá)國(guó)家的有效經(jīng)驗(yàn)。美國(guó)好萊塢夢(mèng)工廠可以成為中國(guó)影視文化踐行意識(shí)形態(tài)功能的學(xué)習(xí)對(duì)象;從縱向來(lái)說(shuō),我們既要對(duì)計(jì)劃經(jīng)濟(jì)時(shí)期影視文化的單一性進(jìn)行突破,影視要百花齊放,也要改變新時(shí)期影視偏離其應(yīng)有之義的現(xiàn)象。即改變目前影視文化中對(duì)于歷史的歪曲、英雄的戲謔、低俗化,媚俗化、是非不分、善惡不辨、以丑為美,過(guò)度宣傳社會(huì)陰暗面、對(duì)享樂(lè)主義、奢侈的生活作風(fēng)等價(jià)值的認(rèn)同等等現(xiàn)象,同時(shí)也要改變影視作品的娛樂(lè)至上性和缺乏正能量的聚集與傳播等問(wèn)題。社會(huì)主義核心價(jià)值觀融入影視文化過(guò)程中存在的種種問(wèn)題,究其原因在于市場(chǎng)經(jīng)濟(jì)的消極影響、對(duì)本土文化價(jià)值標(biāo)準(zhǔn)缺少足夠的自信,造成崇洋媚外、文藝工作者對(duì)文化發(fā)展缺乏主動(dòng)承擔(dān)的責(zé)任的意識(shí),造成利益至上、目前的影視作品對(duì)以創(chuàng)新為特征的民族傳統(tǒng)文化缺乏繼承,造成有影響力的作品匱乏、影視劇的制作成本高、票房和收視率的評(píng)價(jià)體系導(dǎo)向等等。社會(huì)主義核心價(jià)值觀融入影視文化之中要堅(jiān)持正確的文藝方針政策,即堅(jiān)持“二為方向”和“雙百方針”;堅(jiān)持“以人民為中心”的創(chuàng)作導(dǎo)向;同時(shí)要堅(jiān)持社會(huì)效益為首要目標(biāo),力求實(shí)現(xiàn)經(jīng)濟(jì)效益和社會(huì)效益的統(tǒng)一;堅(jiān)持讓優(yōu)秀的、具有人文關(guān)懷的文藝工作者深度挖掘優(yōu)秀傳統(tǒng)文化和中國(guó)共產(chǎn)黨的革命、建設(shè)、改革精神,用中國(guó)話語(yǔ)體系講中國(guó)故事;最后,要吸收借鑒國(guó)外影視文化滲透核心價(jià)值觀的有效經(jīng)驗(yàn)和總結(jié)中國(guó)影視文化滲透社會(huì)主義核心價(jià)值觀的有效經(jīng)驗(yàn)。
[Abstract]:In the period of social transformation, the original values have been dispelled, the new values have not been established, the new and old concepts conflict, the social psychological imbalance, and the cultural infiltration will take advantage of the virtual. As the compass of human thought and behavior, the steering wheel of the benign development of society, the confusion of value in the period of social transformation becomes an urgent problem to be solved. The socialist core values are put forward in the face of new tasks in the new period. The cultivation and practice of the core values is arduous. Combining the visual features of the film and television, such as wide audience, strong compatibility, entertainment, guidance, immediacy, and so on, as well as the cognitive function, educational function, aesthetic function, entertainment function of the film and television, as well as the dilemma of the present core values in the film and television culture, The integration of socialist core values into the film and television culture has become a top priority. From the horizontal comparison, the socialist core values should learn from the effective experiences of the developed countries when they are integrated into the film and television culture. Hollywood DreamWorks in the United States can become the learning object of the ideological function of Chinese film and television culture. From a vertical point of view, we should not only break through the singularity of film and television culture in the period of planned economy, but also let a hundred flowers blossom in the film and television industry. We should also change the phenomenon of film and television deviating from its proper meaning in the new period. That is, to change the distortion of history in the present film and television culture, the banter, vulgarization and vulgarization of heroes, no distinction between right and wrong, no distinction between good and evil, beauty by ugliness, excessive propaganda of the dark side of society, and hedonism. Such phenomena as luxury life style and so on must change the entertainment supremacy of film and television works and the lack of positive energy to gather and spread. The problems existing in the process of the socialist core values being integrated into the film and television culture are due to the negative influence of the market economy and the lack of sufficient confidence in the local cultural value standards, which results in the adoration of foreign countries and foreign countries. The lack of awareness on the part of literary and art workers of the active responsibility for cultural development has led to the supremacy of interests, and the lack of inheritance of current film and television works to the traditional national culture characterized by innovation, resulting in a lack of influential works. High production cost, box office and ratings evaluation system guidance and so on. The socialist core values should adhere to the correct literary and artistic principles and policies, that is, adhere to the "two directions" and "double hundred principles", adhere to the "people as the center" of creative guidance; At the same time, it is necessary to adhere to social benefits as the primary goal, strive to achieve the unity of economic and social benefits, and insist that outstanding literary and art workers with humanistic concern be allowed to dig deeply into outstanding traditional culture and the revolution and construction of the Communist Party of China. Finally, we should absorb the effective experience of foreign film and television culture infiltrating the core values and summing up the effective experience of Chinese film and television culture infiltrating the socialist core values.
【學(xué)位授予單位】：大理大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：D64;J905

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本文編號(hào)：2012001