博物館設(shè)計(jì)空間集成技術(shù)研究
發(fā)布時(shí)間:2018-09-13 07:29
【摘要】:當(dāng)今時(shí)代,學(xué)科之間的相互滲透與融合使得知識(shí)領(lǐng)域呈現(xiàn)從分解走向綜合的發(fā)展趨勢(shì),本文將研究視角放在了博物館建筑設(shè)計(jì)領(lǐng)域,將其視為"復(fù)雜系統(tǒng)",并以此作為本課題研究的重要特征;诎l(fā)現(xiàn)問題、分析問題、解決問題的研究架構(gòu),融合哲學(xué)、博物館學(xué)、建筑學(xué)、工程學(xué)等學(xué)科知識(shí),對(duì)博物館設(shè)計(jì)的理論和實(shí)踐展開研究,提出博物館設(shè)計(jì)中的"空間集成技術(shù)"的概念并構(gòu)建其理論框架。通過對(duì)"博物館設(shè)計(jì)"這一復(fù)雜系統(tǒng)中各環(huán)節(jié)技術(shù)特點(diǎn)的全面解析,集成建筑、結(jié)構(gòu)、設(shè)備、展陳等相關(guān)專業(yè)的技術(shù)要點(diǎn),提出"博物館設(shè)計(jì)空間集成技術(shù)"的模式方法。論文的第一章"緒論",明確研究對(duì)象并提出研究目標(biāo),通過對(duì)國內(nèi)外相關(guān)研究的深入分析,探尋博物館設(shè)計(jì)的發(fā)展趨勢(shì),結(jié)合研究方法的確立和相關(guān)概念的界定提出論文研究的框架和結(jié)構(gòu)。第二章"博物館設(shè)計(jì)中的空間集成及其單元解析",將技術(shù)哲學(xué)和集成論引入建筑學(xué),明確博物館設(shè)計(jì)空間集成的內(nèi)涵,進(jìn)而提出博物館設(shè)計(jì)空間集成的理論架構(gòu)。以基礎(chǔ)的"單元解析"為切入點(diǎn),在復(fù)雜的系統(tǒng)中,表述"單元"的真實(shí)意義的內(nèi)涵以及關(guān)聯(lián)條件。第三到五章分別是"空間集成模式一:單元集成"、"空間集成模式二:交互集成,,以及"空間集成模式三:程序集成"。通過研究"單元集成"在"建筑"、"結(jié)構(gòu)"、"設(shè)備"、"展陳"等幾個(gè)大的單元集成模塊的關(guān)聯(lián)性之后進(jìn)一步推進(jìn)"交互集成"及"程序集成"的研究。以空間作為集成界面,通過對(duì)不同的設(shè)計(jì)案例的分析,研究大系統(tǒng)中各子系統(tǒng)以及子系統(tǒng)內(nèi)各種質(zhì)參量與象參量之間的關(guān)聯(lián)方式,提出博物館空間集成的三種模式及其相應(yīng)的技術(shù)方法。第六章"結(jié)論",對(duì)現(xiàn)階段闡述問題進(jìn)行總結(jié),分析論文的創(chuàng)新點(diǎn),同時(shí)也提出本課題研究所帶來的契機(jī),為未來的持續(xù)研究指出可能的方向。
[Abstract]:Nowadays, the interpenetration and fusion of disciplines make the knowledge field present a trend of development from decomposition to synthesis. This paper puts the research perspective in the field of museum architecture design. It is regarded as "complex system", and it is regarded as the important characteristic of this subject. Based on the research framework of problem finding, problem analysis, problem solving, integrating philosophy, museology, architecture, engineering and so on, the author studies the theory and practice of museum design. This paper puts forward the concept of "space integration technology" in museum design and constructs its theoretical framework. Based on the comprehensive analysis of the technical characteristics of various links in the complex system of "Museum Design", the paper puts forward the mode and method of "Space Integration Technology of Museum Design" by integrating the technical points of the related specialties, such as architecture, structure, equipment, exhibition and so on. The first chapter of this paper, "introduction", defines the research object and puts forward the research goal. Through the in-depth analysis of the related research at home and abroad, it explores the development trend of museum design. Combined with the establishment of research methods and the definition of related concepts, this paper puts forward the framework and structure of the research. In the second chapter, "Space integration and its unit analysis in museum design", the philosophy of technology and integration theory are introduced into architecture, the connotation of space integration of museum design is clarified, and the theoretical framework of space integration of museum design is put forward. With the basic "unit analysis" as the breakthrough point, in the complex system, the connotation of the true meaning of "unit" and the associated conditions are expressed. The third to fifth chapters are respectively "Spatial integration mode I: unit integration", "spatial integration mode two: interactive integration mode" and "spatial integration mode three: program integration". After studying the relevance of several large integrated modules, such as "architecture", "structure", "equipment" and "exhibition and presentation", the research of "interactive integration" and "program integration" is further promoted by the study of "unit integration" in "architecture", "structure", "equipment", "exhibition and display" and so on. Taking space as the integration interface, through the analysis of different design cases, this paper studies the relationship between various quality parameters and image parameters in the subsystems and subsystems of large scale systems. Three models of museum spatial integration and their corresponding technical methods are proposed. Chapter six, "conclusion", summarizes the current problems, analyzes the innovation of the paper, and points out the opportunity brought by the research of this subject, and points out the possible direction for the future continuous research.
【學(xué)位授予單位】:東南大學(xué)
【學(xué)位級(jí)別】:博士
【學(xué)位授予年份】:2017
【分類號(hào)】:TU242.5
,
本文編號(hào):2240479
[Abstract]:Nowadays, the interpenetration and fusion of disciplines make the knowledge field present a trend of development from decomposition to synthesis. This paper puts the research perspective in the field of museum architecture design. It is regarded as "complex system", and it is regarded as the important characteristic of this subject. Based on the research framework of problem finding, problem analysis, problem solving, integrating philosophy, museology, architecture, engineering and so on, the author studies the theory and practice of museum design. This paper puts forward the concept of "space integration technology" in museum design and constructs its theoretical framework. Based on the comprehensive analysis of the technical characteristics of various links in the complex system of "Museum Design", the paper puts forward the mode and method of "Space Integration Technology of Museum Design" by integrating the technical points of the related specialties, such as architecture, structure, equipment, exhibition and so on. The first chapter of this paper, "introduction", defines the research object and puts forward the research goal. Through the in-depth analysis of the related research at home and abroad, it explores the development trend of museum design. Combined with the establishment of research methods and the definition of related concepts, this paper puts forward the framework and structure of the research. In the second chapter, "Space integration and its unit analysis in museum design", the philosophy of technology and integration theory are introduced into architecture, the connotation of space integration of museum design is clarified, and the theoretical framework of space integration of museum design is put forward. With the basic "unit analysis" as the breakthrough point, in the complex system, the connotation of the true meaning of "unit" and the associated conditions are expressed. The third to fifth chapters are respectively "Spatial integration mode I: unit integration", "spatial integration mode two: interactive integration mode" and "spatial integration mode three: program integration". After studying the relevance of several large integrated modules, such as "architecture", "structure", "equipment" and "exhibition and presentation", the research of "interactive integration" and "program integration" is further promoted by the study of "unit integration" in "architecture", "structure", "equipment", "exhibition and display" and so on. Taking space as the integration interface, through the analysis of different design cases, this paper studies the relationship between various quality parameters and image parameters in the subsystems and subsystems of large scale systems. Three models of museum spatial integration and their corresponding technical methods are proposed. Chapter six, "conclusion", summarizes the current problems, analyzes the innovation of the paper, and points out the opportunity brought by the research of this subject, and points out the possible direction for the future continuous research.
【學(xué)位授予單位】:東南大學(xué)
【學(xué)位級(jí)別】:博士
【學(xué)位授予年份】:2017
【分類號(hào)】:TU242.5
,
本文編號(hào):2240479
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