本文選題：蕪湖近代建筑　切入點(diǎn)：風(fēng)格特征　出處：《浙江大學(xué)》2017年博士論文

【摘要】：蕪湖的近代時(shí)期自1876年開埠通商開始,至1949年中華人民共和國成立止。在蕪湖的近代化過程中,建筑的近代化演變從一個(gè)側(cè)面反映了蕪湖的近代化歷程。這批類型豐富、特征顯著的近代建筑,在風(fēng)格、造型、空間、技術(shù)等各個(gè)方面都體現(xiàn)出顯著的近代特性,是一筆寶貴的歷史遺產(chǎn)。但是歷經(jīng)戰(zhàn)爭的洗劫和建國后城市化進(jìn)程的拆建,這批珍貴的建筑遭到了極大的損毀,亟待研究和保護(hù)。論文以蕪湖市區(qū)內(nèi)的近代建筑為研究對象,通過大量的田野調(diào)查,搜集了豐富的一手資料,在整合資料的基礎(chǔ)上,以建筑本體的風(fēng)格、造型、空間、技術(shù)特征為重點(diǎn)研究內(nèi)容,結(jié)合蕪湖近代社會、文化、歷史和城市發(fā)展背景,梳理得出蕪湖近代建筑發(fā)展演變的過程。論文通過對蕪湖近代建筑全面系統(tǒng)的研究,整理出蕪湖近代建筑的基本形態(tài),歸納起來即為:“五種風(fēng)格”和“五種空間模式”,其建筑造型體現(xiàn)了中西建筑文化碰撞、雜糅的不同程度,其建造方式則兼具本土化和先進(jìn)性的特征。論文探討了蕪湖近代建筑的演變過程,是在西式建筑文化與本土文化糅合的過程中,歷經(jīng)了三種傳播渠道,以“五種風(fēng)格”的建筑為物質(zhì)載體,歷經(jīng)了從“被動植入”到“因勢利導(dǎo)”再到“主動接納”的演變路徑,其演變過程呈現(xiàn)出一種“自下而上”的特點(diǎn),為研究中國其他中小城市的建筑在近代時(shí)期的演變提供可比較的樣本。
[Abstract]:The modern period of Wuhu began from the opening of ports in 1876 to the founding of the people's Republic of China in 1949. In the process of modernization of Wuhu, the modernization of architecture reflected the modernization process of Wuhu from one side. Modern architecture, with its distinctive features, embodies remarkable modern characteristics in style, shape, space, technology and so on. It is a valuable historical heritage. But after the looting of the war and the demolition and construction of the urbanization process after the founding of the people's Republic of China, These precious buildings have been greatly damaged and need to be studied and protected. This paper takes the modern buildings in Wuhu City as the research object. Through a large number of field investigations, it collects a wealth of first-hand information, and on the basis of integrating the data, Focusing on the style, modeling, space and technical characteristics of architecture, and combining the modern society, culture, history and urban development background of Wuhu, Through the comprehensive and systematic study of modern architecture in Wuhu, the paper sorted out the basic forms of modern architecture in Wuhu. It can be summed up as follows: "five styles" and "five space models", whose architectural forms reflect the different degrees of the collision of Chinese and Western architectural cultures, The paper discusses the evolution process of modern architecture in Wuhu, which has experienced three kinds of communication channels in the process of mixing western architectural culture with local culture. Taking the "five styles" architecture as the material carrier, it has experienced the evolution path from "passive implantation" to "favorable guidance" to "active acceptance", and its evolution process presents a "bottom-up" characteristic. To provide a comparable sample for the study of the evolution of architecture in other small and medium-sized cities in China in modern times.
【學(xué)位授予單位】：浙江大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2017
【分類號】：TU-092

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本文編號：1667473