數(shù)字?jǐn)z影對苗族銀飾品的傳承作用
發(fā)布時(shí)間：2018-09-11 15:32
【摘要】：苗族銀飾是苗族歷史和文化的核心,作為國家級非物質(zhì)文化遺產(chǎn)有很高藝術(shù)價(jià)值,苗族銀飾作為民族標(biāo)志工藝品,是唯善唯美的,源遠(yuǎn)流長的苗族銀飾文化所具有的色彩也反映出苗族人民別具一格的審美觀,作為苗族家族世代傳承的制銀技藝,傳內(nèi)不傳外,手藝極少外泄,但這種單一傳承模式在科技高速發(fā)展的現(xiàn)今變得越來越脆弱,苗族是沒有文字記載的族群,技藝全靠口耳相授,父輩傳承記憶便是最重要的文化財(cái)產(chǎn),現(xiàn)在隨著手藝精湛的老一輩銀匠越來越少,而其子嗣多選擇外出打工不愿接管這門手藝,為了不讓這門技藝失傳,老一輩銀匠不得不改變以往觀念外接展演尋覓學(xué)徒,但是反響并不理想,在科技高速發(fā)展的現(xiàn)今,藝術(shù)的全新發(fā)展趨勢引出前沿化設(shè)計(jì)的需求,而數(shù)字?jǐn)z影作為一種表達(dá)手段,以一種前沿藝術(shù)方式給人們生活帶來更多的藝術(shù)享受,用攝影的方式介入藝術(shù)創(chuàng)作中,以視覺傳遞理念,表現(xiàn)形式也更豐富,比傳統(tǒng)攝影展示方式擁有更多審美表達(dá)空間,給予視覺沖擊力更強(qiáng),探索用數(shù)字?jǐn)z影這種年輕一代接受度高的新視覺表達(dá)手段,來對苗族銀飾品進(jìn)行展示與宣傳,以年輕一代為主要受眾群體,從年輕受眾的審美需求和情感訴求出發(fā),以期讓年輕一代獲得情感上的共鳴,為苗族銀飾藝術(shù)傳承鋪路。本文以筆者設(shè)計(jì)的數(shù)字?jǐn)z影系列作品“苗”為實(shí)例,初衷是出于設(shè)計(jì)人的社會責(zé)任意識,而苗族人民在制造精美銀飾過程中,注重自我情感訴求,萬物皆為其所用,筆者認(rèn)為其與數(shù)字?jǐn)z影在同為藝術(shù)的個體性表達(dá)方面是不謀而合的,這給予筆者探索的勇氣,所以筆者嘗試將這個理念運(yùn)用于“苗”的創(chuàng)作,希望通過數(shù)字?jǐn)z影系列作品“苗”來表達(dá)對具有傳統(tǒng)性、民族性和地域性民俗的關(guān)注,揭示出苗族銀飾品在今天的傳承價(jià)值,在筆者對貴州鎮(zhèn)遠(yuǎn)縣苗寨實(shí)地考察的基礎(chǔ)上,運(yùn)用審美思考發(fā)揮分析能力,通過文獻(xiàn)分析法、舉例說明及推論法,對苗族銀飾的構(gòu)成元素進(jìn)行造型與后期分析,用攝影與數(shù)字化結(jié)合的方式表達(dá)出設(shè)計(jì)想法,把意念融合到作品中去,形成新的思維方式,把審美表達(dá)注入苗族銀飾數(shù)字化作品中,通過數(shù)字化技術(shù)的渲染,由基本形態(tài)拓展新元素,營造出二維到多維空間造型感,最后用數(shù)字化色彩后期進(jìn)行修飾與調(diào)和,用先進(jìn)和前沿方式創(chuàng)作出形態(tài)多種多樣且具有審美情趣的數(shù)字?jǐn)z影作品,筆者希望通過實(shí)踐,探索一條適應(yīng)現(xiàn)代社會和年輕一代群體審美需求的路,而后者作為被賦予傳承使命的主要人群,是為苗族銀飾品創(chuàng)造傳承新價(jià)值的重要載體,“苗”是筆者為了挽救傳統(tǒng)文化所做的努力,以期對苗族銀飾的文化傳承有促進(jìn)作用,也為未來民俗的數(shù)字化展示走向做一個參考。
[Abstract]:Miao silver ornaments are the core of Miao's history and culture. As a national intangible cultural heritage, Miao silver ornaments are of high artistic value. The color of the Miao silver decoration culture, which has a long history, also reflects the unique aesthetic standards of the Miao people. But with the rapid development of science and technology, this single mode of inheritance has become more and more fragile. The Miao people are an undocumented ethnic group. Their skills are all taught by their mouths and ears, and the inheritance and memory of their fathers' generation is the most important cultural property. Now as there are fewer and fewer silversmiths of the older generation, whose sons choose to work outside the home rather than take over the craft, in order not to let this skill go, the older generation of silversmiths have to change their old ideas and put on a show looking for apprenticeships. But the response is not ideal. With the rapid development of science and technology, the new development trend of art leads to the demand of cutting-edge design, and digital photography as a means of expression, It brings more art enjoyment to people's life by a kind of frontier art way. It involves in art creation by means of photography, conveys the idea by vision, and has more aesthetic expression space than the traditional photography display mode. To give more visual impact, to explore the use of digital photography, the younger generation of high acceptance of the new means of visual expression, to display and promote the Miao silver jewelry, taking the younger generation as the main audience group, Starting from the aesthetic needs and emotional demands of the young audience, the young generation can gain emotional resonance and pave the way for the inheritance of silver ornaments of the Miao nationality. Taking Miao, a series of digital photography works designed by the author, as an example, the original intention is that the designer has a sense of social responsibility. In the process of making exquisite silver ornaments, the Miao people pay attention to their own emotional demands, and all things are used by them. The author thinks that it coincides with digital photography in the same aspect of individual expression of art, which gives me the courage to explore, so I try to apply this idea to the creation of Miao. It is hoped that the attention to traditional, national and regional folklore will be expressed through Miao, a series of digital photography works, which will reveal the value of silver ornaments of the Miao nationality in today's heritage, and on the basis of the author's field inspection of Miaozhai in Zhenyuan County, Guizhou Province. Using aesthetic thinking to give full play to the analytical ability, through literature analysis, illustrating and deducing the elements of silver ornaments of Miao nationality, the author analyzes the elements of silver ornaments of Miao nationality in the later stage, and expresses the design ideas by combining photography with digitization. Integrate ideas into works, form new ways of thinking, inject aesthetic expression into digital works of Miao silver ornaments, expand new elements from basic forms and create a sense of two-dimensional to multidimensional spatial modeling through digital rendering. Finally, we use digital color to modify and reconcile, and use advanced and cutting-edge ways to create a variety of forms and aesthetic taste of digital photography works, I hope through practice, To explore a way to meet the aesthetic needs of modern society and the younger generation, and the latter, as the main group entrusted with the mission of inheritance, is an important carrier for creating new values for the Miao silver jewelry. "Miao" is the author's efforts to save the traditional culture, with a view to promoting the cultural heritage of the Miao silverware, and also making a reference for the future digital display of folk customs.
【學(xué)位授予單位】：湖北工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：TS934.3;J404
本文編號：2237095
[Abstract]:Miao silver ornaments are the core of Miao's history and culture. As a national intangible cultural heritage, Miao silver ornaments are of high artistic value. The color of the Miao silver decoration culture, which has a long history, also reflects the unique aesthetic standards of the Miao people. But with the rapid development of science and technology, this single mode of inheritance has become more and more fragile. The Miao people are an undocumented ethnic group. Their skills are all taught by their mouths and ears, and the inheritance and memory of their fathers' generation is the most important cultural property. Now as there are fewer and fewer silversmiths of the older generation, whose sons choose to work outside the home rather than take over the craft, in order not to let this skill go, the older generation of silversmiths have to change their old ideas and put on a show looking for apprenticeships. But the response is not ideal. With the rapid development of science and technology, the new development trend of art leads to the demand of cutting-edge design, and digital photography as a means of expression, It brings more art enjoyment to people's life by a kind of frontier art way. It involves in art creation by means of photography, conveys the idea by vision, and has more aesthetic expression space than the traditional photography display mode. To give more visual impact, to explore the use of digital photography, the younger generation of high acceptance of the new means of visual expression, to display and promote the Miao silver jewelry, taking the younger generation as the main audience group, Starting from the aesthetic needs and emotional demands of the young audience, the young generation can gain emotional resonance and pave the way for the inheritance of silver ornaments of the Miao nationality. Taking Miao, a series of digital photography works designed by the author, as an example, the original intention is that the designer has a sense of social responsibility. In the process of making exquisite silver ornaments, the Miao people pay attention to their own emotional demands, and all things are used by them. The author thinks that it coincides with digital photography in the same aspect of individual expression of art, which gives me the courage to explore, so I try to apply this idea to the creation of Miao. It is hoped that the attention to traditional, national and regional folklore will be expressed through Miao, a series of digital photography works, which will reveal the value of silver ornaments of the Miao nationality in today's heritage, and on the basis of the author's field inspection of Miaozhai in Zhenyuan County, Guizhou Province. Using aesthetic thinking to give full play to the analytical ability, through literature analysis, illustrating and deducing the elements of silver ornaments of Miao nationality, the author analyzes the elements of silver ornaments of Miao nationality in the later stage, and expresses the design ideas by combining photography with digitization. Integrate ideas into works, form new ways of thinking, inject aesthetic expression into digital works of Miao silver ornaments, expand new elements from basic forms and create a sense of two-dimensional to multidimensional spatial modeling through digital rendering. Finally, we use digital color to modify and reconcile, and use advanced and cutting-edge ways to create a variety of forms and aesthetic taste of digital photography works, I hope through practice, To explore a way to meet the aesthetic needs of modern society and the younger generation, and the latter, as the main group entrusted with the mission of inheritance, is an important carrier for creating new values for the Miao silver jewelry. "Miao" is the author's efforts to save the traditional culture, with a view to promoting the cultural heritage of the Miao silverware, and also making a reference for the future digital display of folk customs.
【學(xué)位授予單位】：湖北工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：TS934.3;J404
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