旗袍設(shè)計(jì)元素在時(shí)裝中的運(yùn)用
[Abstract]:Dress condenses rich cultural information, it not only shows the standard of living of people in a certain historical period, but also can express the aesthetic changes of people in a certain historical period. Cheongsam, as the traditional Chinese dress which can best express the shape and charm of oriental women, has the reputation of "national dress". As a classic dress, cheongsam has always existed in people's life. It is not only a garment, it has a special cultural connotation through the precipitation of history. The shape and style of the cheongsam make Chinese women have the intellectual, implicit and unpublicized temperament and charm performance incisively and vividly. It is a typical representative of Chinese traditional dress. Nowadays, with the globalization of economy and the invasion of foreign culture, Chinese traditional dress culture is slowly stagnating. Although the traditional culture has been praised by everyone all the time, it has not been taken seriously. We need to think deeply about this phenomenon. To come up with a better solution. Therefore, by analyzing the concept and background of cheongsam, as well as the evolution process and characteristics of cheongsam, the author summarizes how to combine the design elements of cheongsam with fashion, and summarizes the design ideas and methods. The design theory and method are integrated into the actual design case, and the analysis and summary are carried out. The final design works are in line with the trend, inheriting the styling characteristics and cultural connotations of Chinese traditional clothing, and also in line with the aesthetic and life needs of modern women.
【學(xué)位授予單位】:武漢紡織大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類(lèi)號(hào)】:TS941.2
【參考文獻(xiàn)】
相關(guān)期刊論文 前10條
1 李桂林;;對(duì)中式立領(lǐng)造型的結(jié)構(gòu)設(shè)計(jì)探討[J];青春歲月;2012年23期
2 龔建培;;月份牌繪畫(huà)與海派服飾時(shí)尚[J];民族藝術(shù)研究;2011年05期
3 高峰;;淺析中國(guó)服飾文化之清代服飾[J];讀與寫(xiě)(教育教學(xué)刊);2010年11期
4 陳禮玲;吳志明;;傳統(tǒng)旗袍結(jié)構(gòu)設(shè)計(jì)和工藝研究[J];藝術(shù)與設(shè)計(jì)(理論);2010年04期
5 卞向陽(yáng);周炳振;;民國(guó)旗袍實(shí)物的面料研究[J];絲綢;2008年08期
6 孫玉鳳;;解析電影人物旗袍服飾的運(yùn)用[J];電影評(píng)介;2008年14期
7 謝佳;;旗袍的款式與流行[J];科技信息(學(xué)術(shù)研究);2007年36期
8 郭娟;;從月份牌看女性服裝設(shè)計(jì)的發(fā)展[J];藝術(shù)探索;2007年02期
9 陳榮富;陳蔚如;;旗袍的造型演變與結(jié)構(gòu)設(shè)計(jì)變化研究[J];浙江理工大學(xué)學(xué)報(bào);2007年02期
10 蔣孝鋒;劉國(guó)聯(lián);蔣琳;;中、日、韓三國(guó)人對(duì)于民族服裝的態(tài)度與選擇要素的比較研究[J];東華大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2006年03期
相關(guān)碩士學(xué)位論文 前8條
1 劉yN;民國(guó)日常旗袍面料色彩研究[D];北京服裝學(xué)院;2012年
2 張丹櫟;民國(guó)旗袍的裝飾研究及現(xiàn)代設(shè)計(jì)創(chuàng)新[D];北京服裝學(xué)院;2012年
3 陸洪興;中國(guó)傳統(tǒng)旗袍造型結(jié)構(gòu)演變研究[D];北京服裝學(xué)院;2012年
4 荊曉亮;中國(guó)傳統(tǒng)旗袍創(chuàng)新設(shè)計(jì)的應(yīng)用與研究[D];西安美術(shù)學(xué)院;2011年
5 劉偉偉;對(duì)中國(guó)旗袍文化之美的符號(hào)學(xué)解讀[D];山東師范大學(xué);2010年
6 左宏;海派旗袍紋樣研究[D];南京藝術(shù)學(xué)院;2009年
7 滕騰;旗袍的文化意蘊(yùn)與審美特征[D];山東大學(xué);2008年
8 陳婷;微風(fēng)玉露傾,,挪步暗生香——追述民國(guó)年間旗袍的發(fā)展[D];四川大學(xué);2005年
本文編號(hào):2195903
本文鏈接:http://sikaile.net/shoufeilunwen/boshibiyelunwen/2195903.html