【摘要】：古代博物學(xué)是中國古人關(guān)于自然、人事、社會(huì)的知識(shí)基礎(chǔ),其知識(shí)圖景包括對象、范圍和表述方式的變化,體現(xiàn)的是社會(huì)和文化精神的變遷。宋代私撰類書中有關(guān)博物學(xué)知識(shí)的部類,在分類體系方面經(jīng)過了神鬼、災(zāi)祥與博物知識(shí)從混溶到分離的過程;不同類書對五部典籍的征引分布,呈現(xiàn)出趨于經(jīng)典化、常識(shí)化的特征;在輯錄文獻(xiàn)基礎(chǔ)上,南宋私撰類書出現(xiàn)了考論博物知識(shí)的窮理精神。宋代類書博物學(xué)知識(shí)圖景的演進(jìn),是宋學(xué)語境下儒家士人思考能力深化的結(jié)果,從社會(huì)知識(shí)結(jié)構(gòu)視角方面,反映了南宋是"唐宋變革"真正完成的時(shí)代。
[Abstract]:Ancient historiography is the knowledge base of the ancient Chinese people about nature, personnel and society. Its knowledge picture includes the change of object, scope and expression, and reflects the change of social and cultural spirit. In the Song Dynasty, the division of the knowledge of historical knowledge in the private books of the Song Dynasty went through the process of God and Ghost, disaster Xiang and Natural History knowledge from mixing to separating; The citation and distribution of the five classical books in different kinds of books tend to be classical and common-sense, and on the basis of compiling the literature, there appears the spirit of rationalism of textual research on the knowledge of historical records in the Southern Song Dynasty. The evolution of the historical knowledge picture of the Song Dynasty is the result of the deepening thinking ability of the Confucian scholars in the context of Song school. From the perspective of the social knowledge structure, it reflects that the Southern Song Dynasty was the time when the "Tang and Song Dynasty Revolution" really completed.
【作者單位】： 福建師范大學(xué)福清分校文法學(xué)院;
【基金】：國家社會(huì)科學(xué)基金青年項(xiàng)目“南宋考據(jù)學(xué)研究”(13CZW037) 福建省高校杰出青年科研人才培育計(jì)劃“南宋類書研究”(JAS14333)
【分類號(hào)】：K244

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