【摘要】：15—16世紀(jì),描繪民間流行佛教故事的圖像在明代宮廷內(nèi)部流傳,插畫本《目連寶卷》抄本與描繪妙善公主故事的大慧寺壁畫堪稱是這類佛教故事的兩則代表性例證,分別由正統(tǒng)年間的皇妃和正德年間的宦官定制。這兩件物品是宗教信仰、視覺圖像、書寫文本與口頭表演相互交織的產(chǎn)物,但它們的實(shí)際功用是十分復(fù)雜的。配有較多插圖的《目連寶卷》抄本,不僅是口頭演唱的腳本,亦對(duì)教化和娛樂性質(zhì)的閱讀有所輔益。大慧寺的壁畫則是祈愿性質(zhì)的繪畫作品,其創(chuàng)作底本乃是《香山寶卷》,同樣是寶卷宣唱的表演腳本,可是大慧寺壁畫很可能并不用于佛教教化,而是為了實(shí)現(xiàn)對(duì)太監(jiān)及其家人的超度。
[Abstract]:In the 15th and 16th centuries, images depicting popular folk Buddhist stories were circulated within the Ming court. The manuscripts of the illustration book "Mou Lian Bao Scroll" and the mural of Dahui Temple, which depicts the story of Princess Miaoshan, were two representative examples of such Buddhist stories. They were customized by imperial concubines in orthodox years and eunuchs in Zhengde years. These two objects are intertwined by religious beliefs, visual images, written texts and oral performances, but their actual functions are very complex. With more illustrations, the manuscript is not only a script for oral singing, but also helpful for educational and recreational reading. The mural of Dahui Temple, on the other hand, is a praying painting. Its original creation is "Xiangshan Treasure Scroll", which is also a performance script of Baowuxuan. However, it is very likely that the Dahui Temple murals are not used for Buddhist enlightenment. But to achieve the eunuchs and their families.
【作者單位】： 復(fù)旦大學(xué)文史研究院;
【基金】：何鴻毅(Robert H.N.Ho)家族基金有關(guān)妙善故事傳播研究項(xiàng)目的階段性成果
【分類號(hào)】：K248
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本文編號(hào)：2247563