本文選題：儒學(xué) + 漢唐��； 參考：《藝術(shù)百家》2003年01期

【摘要】：儒學(xué)一躍成為治國之綱并暢行天下之后,延綿了整個(gè)中國封建社會(huì),漢唐時(shí)期尤為盛烈。儒學(xué)成了中國社會(huì)的統(tǒng)治思想,它對(duì)文藝產(chǎn)生的最大影響,便是將文藝視為實(shí)現(xiàn)儒家圣王之治的重要手段,以政治倫理的教化觀作為文藝功能的基本立足點(diǎn)。本文將借助于美術(shù)考古材料對(duì)漢唐女性“美德”重新作以觀照,以期揭示那一以貫之的儒學(xué)影響與泛化。
[Abstract]:Confucianism leapt into the platform of governing the country and spread the whole feudal society, especially during the Han and Tang dynasties. Confucianism has become the ruling thought of Chinese society, and its greatest influence on literature and art is to regard literature and art as an important means to realize the rule of Saint Wang of Confucianism, and to regard the concept of political ethics as the basic foothold of literary and artistic function. With the aid of archeological art materials, this article will re-examine the "virtue" of women in Han and Tang dynasties in order to reveal the consistent influence and generalization of Confucianism.
【作者單位】： 浙江大學(xué)人文學(xué)院
【基金】：①此文屬大連大學(xué)藝術(shù)研究院主持的申報(bào)國家科研項(xiàng)目“中國繪畫中女性形象研究”的階段性成果,以后還將陸續(xù)發(fā)出。
【分類號(hào)】：K207
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本文編號(hào)：1796507