本文選題：康熙　切入點(diǎn)：御書　出處：《文史哲》2017年04期

【摘要】：康熙帝酷愛書法藝術(shù),其書法活動與權(quán)力有一定關(guān)系,存在著"包裝機(jī)制",康熙帝形象一定程度上是通過賞賜書法"制造"的�？滴醯圪p賜江南織造、步軍統(tǒng)領(lǐng)、欽差大臣以及皇子、宗室等御書作品,將這些人視為親信,臣下得到御書受寵若驚,通過共賞御制書法,交流感情,建立親密關(guān)系。通過在教育機(jī)構(gòu)、祠廟、名勝等文化場所,外交場合賞賜御書,表達(dá)對于儒學(xué)正統(tǒng)意識形態(tài)的尊崇,以自己深厚的漢族文化修養(yǎng),隱喻統(tǒng)治國家的合法性。康熙皇帝也通過書法反映其崇儒重道,以接續(xù)中華文化的道統(tǒng)。
[Abstract]:Emperor Kangxi loves calligraphy art, and his calligraphy activities have a certain relationship with power, and there is a "packaging mechanism". To some extent, Emperor Kangxi's image is "made" by giving calligraphy.Emperor Kangxi rewarded Jiangnan with weaving, leading the army, imperial emperors, princes, monarchs, and other imperial works. They were regarded as trusted by imperial officials, who were flattered by imperial calligraphy, exchanged feelings, and established close relations through a common appreciation of imperial calligraphy.In educational institutions, temples, scenic spots and other cultural places, diplomatic occasions to reward the imperial books, to express the orthodox ideology of Confucianism, with their own profound Han culture, metaphorical legitimacy of the rule of the country.Emperor Kangxi also reflected his worship of Confucianism and Taoism through calligraphy in order to follow the Chinese culture.
【作者單位】： 南開大學(xué)中國社會史研究中心、歷史學(xué)院;
【分類號】：K249.2

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本文編號：1718410