本文選題：冷枚　切入點：生卒年　出處：《故宮博物院院刊》2017年05期

【摘要】：冷枚是歷經(jīng)康、雍、乾三朝的宮廷畫家,但記載其生平的資料極少見。本文結(jié)合新發(fā)現(xiàn)的王沛恂《匡山集》和《冷氏族譜》等文獻,對冷枚的生卒年、師承關(guān)系、家族構(gòu)成和生活狀況等進行了新的考證:第一,冷枚的生卒年當(dāng)在1661-1743,享年八十二歲;第二,冷枚在清宮除了師從焦秉貞學(xué)畫外,還可能與顧見龍學(xué)習(xí)了一段時間,其"金門畫史"的別號即襲用自顧見龍;第三,冷枚是元末明初時膠州人物畫家冷超巖的后人,有子三人,為冷鑒、冷銓和冷撓,而不是一般認(rèn)為的二人(冷鑒、冷銓);第四,冷枚出身低微,雖為皇帝作畫,但終生清貧,很難融入當(dāng)時的文人文化圈,因此導(dǎo)致他在畫史上某種程度的缺席。
[Abstract]:Lengmei is a court painter who has lived through Kang, Yong, and Gan dynasties, but there are very few records of his life. This article, combined with the newly discovered documents such as Wang Pei-Xun 's Collection of Kuangshan and Leng's Genealogy, has learned the relationship between the birth and death years of Leng Mei. New textual research has been made on the composition and living conditions of the family: first, the birth and death years of Lengmei were 1661-1743 at the age of 82; second, in addition to studying painting by Jiao Bingzhen at the Qing Palace, Leng Mei may have studied with Gu Jiulong for a period of time. "the history of Jinmen painting" is used by Gu Jinglong. Third, Leng Mei is the descendant of Jiaozhou figure painter Leng Chaoyan in late Yuan and early Ming Dynasty. There are three children, for cold warning, Leng Quan and cold torsion, but not for two people (cold Jian, cold Quan); fourth, Leng Mei was of low birth and painted for the emperor, but he was poor all his life, so it was difficult to integrate into the literati culture circle at that time, so he was absent to some extent in the history of painting.
【作者單位】： 江蘇師范大學(xué)文學(xué)院;
【分類號】：J209;K249

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