本文選題：諾蘇形象 + 成因��； 參考：《原生態(tài)民族文化學(xué)刊》2017年04期

【摘要】：《在未知的中國》,是英籍傳教士柏格理在西南涼山諾蘇領(lǐng)地部落中游歷觀察和體驗(yàn)探險(xiǎn)的記錄。該著堪稱清末民國時(shí)期西人書寫近代西南圖像的翹楚之作,又恰似一面西洋鏡,系統(tǒng)映照出了涼山腹地近代諾蘇族民眾生相。究詰該西鏡東像的生成機(jī)制,"被俯視的尷尬時(shí)代"和"遭書寫的文化語境"構(gòu)成了化生形象的外部環(huán)境;受此"歷史場(chǎng)"和"文化場(chǎng)"影響,在關(guān)涉諾蘇形象內(nèi)在質(zhì)性的書寫策略和意義表達(dá)中,不僅藏掖著從"見證敘事"經(jīng)"英雄敘事"到"啟蒙敘事"三重并置模式,隱含著西方話語、國家政權(quán)和諾蘇本土互為"他者"的三重文化語境或"語詞關(guān)系",而且承載著撰述者"化中國的傳教需求"。因此,《在未知的中國》構(gòu)建的諾蘇形象,在現(xiàn)實(shí)之鏡表象下表達(dá)的是撰述者的欲望。
[Abstract]:In unknown China, it is a record of British missionaries visiting, observing and experiencing expeditions in the Noussou Tribes of the Southwestern Liangshan Mountains. This work can be regarded as a masterpiece of the western people writing modern southwest images in the late Qing Dynasty and the Republic of China, and it is just like a Western mirror, which systematically reflects the modern life of the Noussu people in the hinterland of Liangshan. The formation mechanism of the East Image of the West Mirror, the embarrassing era of being overviewed and the cultural context of being written constitute the external environment of the metaphysical image, which is influenced by the historical field and the cultural field. In the writing strategy and meaning expression related to the intrinsic quality of the image of Nuosu, it not only hides the triple juxtaposition model from "witness narration" to "heroic narrative" to "enlightening narrative", but also implies western discourse. The state power and the Neosu natives are the "other" in a triple cultural context or "word relation", and bear the "missionary demand" of the narrator "to turn China into a missionary". Therefore, the image of Nuosu constructed in unknown China expresses the desire of the narrator under the mirror of reality.
【作者單位】： 貴州大學(xué)文學(xué)與傳媒學(xué)院;貴州大學(xué)歷史與民族文化學(xué)院;
【基金】：貴州大學(xué)文科重點(diǎn)學(xué)科及特色學(xué)科重大科研項(xiàng)目“英語文獻(xiàn)中的貴州形象研究(1860-1949)”(GDZT201506)階段性成果
【分類號(hào)】：I561.076;K28
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本文編號(hào)：1937832