【摘要】：本文旨在通過(guò)對(duì)魯迅辛亥革命想象的考察,來(lái)探討現(xiàn)代文學(xué)怎樣來(lái)建構(gòu)與利用辛亥革命這一歷史事件。魯迅的辛亥革命想象,不僅表現(xiàn)了魯迅自己的辛亥革命經(jīng)驗(yàn),也展現(xiàn)了魯迅對(duì)辛亥革命的利用。但是魯迅的辛亥革命想象雖然包含著塑造者魯迅的思想投射,而卻不是不顧歷史現(xiàn)實(shí)基礎(chǔ)的純粹想象之物,同時(shí)歷史基礎(chǔ)還影響著形象塑造者的視角,影響著對(duì)待辛亥革命的態(tài)度與評(píng)價(jià)。 本論文除緒論和結(jié)語(yǔ)外,共分三個(gè)部分。 第一章討論魯迅對(duì)辛亥革命的想象。此章第一節(jié)通過(guò)對(duì)辛亥革命想象的四大關(guān)鍵詞——“名號(hào)”、“熱鬧”、“雞肋”以及“反動(dòng)”的梳理,討論魯迅分別從革命目標(biāo)、革命意義、革命民眾以及革命后果四方面對(duì)辛亥革命本身所進(jìn)行的反思。在魯迅對(duì)辛亥革命本身的想象中,辛亥革命成為了“騙局”與“把戲”,它的正面價(jià)值可以說(shuō)是微乎其微的,帶有失敗、絕望以及幻滅感。而第二節(jié)從“戰(zhàn)士與蒼蠅的寓言”、“傀儡崇拜”、“散胙命運(yùn)”與“‘四舍五入’的歷史地位”四方面,來(lái)談?wù)擊斞笇?duì)革命者的想象,發(fā)現(xiàn)魯迅十分尊重與同情革命者。那么通過(guò)本章可看出,魯迅的辛亥革命想象,明顯地存在著某種矛盾,那就是魯迅否定辛亥革命之時(shí),卻肯定了革命者。 第二章探討?hù)斞感梁ジ锩胂蟮姆绞脚c意義。此章第一節(jié)探討“辛亥革命案例化”。辛亥革命的案例化,是魯迅辛亥革命想象的主要方式之一。辛亥革命案例化,也就是讓辛亥革命成為創(chuàng)作中的例子,來(lái)審視歷史,批判社會(huì),反思民眾,但這都與辛亥革命無(wú)關(guān)。第二節(jié)討論“辛亥革命被弱化”。此節(jié)以“‘阿Q式’的革命者”、“軍閥混戰(zhàn)”、“復(fù)辟現(xiàn)象”、“三民主義”為例子進(jìn)行分析,發(fā)現(xiàn)魯迅的辛亥革命想象在一些方面弱化了辛亥革命的影響力,同時(shí)魯迅也對(duì)辛亥革命的陰暗面進(jìn)行了夸大,顯得有點(diǎn)批判過(guò)度了。 第三章探析魯迅辛亥革命想象的原因。本章討論魯迅在制造自己的辛亥革命經(jīng)驗(yàn)之時(shí),由于受到“質(zhì)疑一切的精神性格”、“以立人為考察中心”、“日本體驗(yàn)”三方面的影響,使魯迅對(duì)辛亥革命敘述與想象的方式非常獨(dú)特,從而使此想象所產(chǎn)生的意義變得與眾不同的。
[Abstract]:The purpose of this paper is to explore how modern literature constructs and utilizes the historical event of the Revolution of 1911 through the investigation of the imagination of the Revolution of 1911 in Lu Xun. Lu Xun's imagination of 1911 not only shows Lu Xun's own experience in 1911, but also shows Lu Xun's use of it. However, although Lu Xun's imagination of the Revolution of 1911 contains the projection of Lu Xun, it is not a pure imagination without regard to the historical reality, and at the same time, the historical basis also influences the perspective of the imager. It influences the attitude and evaluation of the 1911 Revolution. In addition to the introduction and conclusion, this paper is divided into three parts. The first chapter discusses Lu Xun's imagination of the Revolution of 1911. The first section of this chapter discusses the revolutionary goal and significance of Lu Xun by combing the four key words in the imagination of the Revolution of 1911-"name", "bustle", "chicken rib" and "reactionary". Revolutionary masses and revolutionary consequences of the four aspects of the revolution itself. In Lu Xun's imagination of the Revolution itself, the Revolution of 1911 became a "scam" and a "trick", the positive value of which can be said to be minimal, with a sense of failure, despair and disillusionment. The second section discusses Lu Xun's imagination of revolutionaries from the fables of soldiers and flies, puppet worship, fate and historical status, and finds that Lu Xun respects and sympathizes with revolutionaries. Through this chapter, we can see that Lu Xun's imagination of 1911 revolution obviously has some contradiction, that is, when Lu Xun negated the Revolution of 1911, he affirmed the revolutionaries. The second chapter discusses the way and significance of Lu Xun revolution imagination. The first section of this chapter discusses the case study of the Revolution of 1911. The case study of the Revolution of 1911 is one of the main ways of imagining the Revolution of Lu Xun. The case study of the 1911 Revolution, that is, let the 1911 Revolution become a creative example, examines history, criticizes the society and reflects on the masses, but it has nothing to do with the Revolution of 1911. The second section discusses the weakening of the 1911 Revolution. This section takes "A Q" revolutionary, "warlord melee", "restoration phenomenon" and "three people's principles" as examples, and finds that Lu Xun's imagination of 1911 revolution weakens the influence of Xinhai Revolution in some aspects. At the same time, Lu Xun also exaggerates the dark side of the 1911 Revolution, which appears to be a bit of critical. The third chapter analyzes the reason of Lu Xun revolution imagination. This chapter discusses the influence of "questioning everything", "taking Liren as the center of study" and "Japanese experience" when Lu Xun made his own experience of the 1911 Revolution. It makes Lu Xun unique to the narrative and imagination of the Revolution of 1911, which makes the meaning of this imagination different.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：K257

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