【摘要】：20世紀(jì)50年代在新中國的意識形態(tài)和政治話語作用下,黃道婆被建構(gòu)出紡織女工、紡織技術(shù)革新家、童養(yǎng)媳、反抗者、民族文化交流使者等多重形象。這些形象建構(gòu)主要以編創(chuàng)新傳說的方式進行的,建構(gòu)新傳說首先是現(xiàn)實社會的需要,隨后成為社會記憶轉(zhuǎn)型的依托,而新的社會記憶維護著現(xiàn)存的權(quán)力話語體系。20世紀(jì)80年代以后,海南又編創(chuàng)了一批黃道婆傳說,并通過建構(gòu)傳說進行文化資源生產(chǎn),其中,三亞則試圖把黃道婆塑造成"黎族紡織女",但眾說紛紜,難以形成合力,因而在黃道婆記憶重構(gòu)方面收效不大。國家層面上的社會記憶,對海南重塑黃道婆記憶的努力起到了抑制作用。但是,海南打造的黃道婆記憶是國家共同體內(nèi)多重社會記憶的組成部分,因而仍有其存在價值。
[Abstract]:In the 1950s, under the influence of ideology and political discourse in New China, Huang Dao-po was constructed many images such as textile women workers, textile technical innovators, child brides, rebels, national cultural exchange messengers and so on. The construction of these images is mainly carried out in the form of creative legends. The construction of new legends is the need of the real society, and then becomes the basis of the transformation of social memory. The new social memory maintains the existing power discourse system. Since the 1980s, Hainan has created a number of zodiac legends and produced cultural resources through the construction of legends. Sanya tried to portray Huang Daopo as "Li textile woman", but there were different opinions, which made it difficult to form a joint force, so it had little effect on the reconstruction of Huang Dao-po 's memory. Social memory at the national level has inhibited Hainan's efforts to reshape the memory of the zodiac. However, the Zodiac memory created in Hainan is a part of multiple social memory in the national community, so it still has its existence value.
【作者單位】： 上海大學(xué)文學(xué)院;
【基金】：國家哲學(xué)社會科學(xué)重點項目“中國當(dāng)代文學(xué)的民族記憶研究”(12AZD089)階段性成果
【分類號】：K27

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