本文選題：近代 + 武漢園林　； 參考：《華中師范大學(xué)》2014年碩士論文

【摘要】：黃鶴樓于1884年毀于大火,卻并沒有得到重建,而武漢其它的一些名勝,如晴川閣、古琴臺(tái)也逐漸破損、倒塌。近代武漢城市中的私家園林也逐漸湮沒在社會(huì)變遷之中。這都顯示出武漢傳統(tǒng)園林的衰落,其直接原因在于近代武漢城市社會(huì)混亂,戰(zhàn)爭頻繁和政權(quán)更迭,而深層次的原因是傳統(tǒng)文化的衰落,以及近代知識(shí)分子對(duì)傳統(tǒng)園林詩情風(fēng)雅文化意蘊(yùn)的放棄。 隨著以黃鶴樓為代表的傳統(tǒng)園林的衰落,城市公園作為近代園林而逐漸被建設(shè)起來。近代武漢城市中建設(shè)起來的公園有首義公園、中山公園、武昌公園和其它一些小公園,替代了富有盛名的傳統(tǒng)園林。近代城市公園的興建及其面對(duì)天災(zāi)人禍后的迅速恢復(fù)能力,體現(xiàn)了近代社會(huì)對(duì)城市公園的需求和體認(rèn)。而公園之所以能在近代武漢城市中扎根,主要原因在于社會(huì)的呼吁、近代知識(shí)分子掌握的技能以及政府的努力推動(dòng)等多種力量的匯聚。不同城市區(qū)域內(nèi)建設(shè)的公園又存在個(gè)體上的差異,但這種差異的背后又隱藏著城市各個(gè)公園在文化意蘊(yùn)上的統(tǒng)一。對(duì)新文化意蘊(yùn)的追求,成為武漢公園在近代逐漸建設(shè)起來的深層次動(dòng)因。建設(shè)基本游樂設(shè)施、重視森林綠地、增設(shè)游樂場(chǎng)所,體現(xiàn)了近代武漢公園對(duì)現(xiàn)實(shí)生活積極追求的、生活至上的文化意蘊(yùn)；建設(shè)體育場(chǎng)館,開展各種體育競(jìng)技活動(dòng),以及園林建筑風(fēng)格上的改變,體現(xiàn)了近代武漢公園濃重的以西化為美的文化意蘊(yùn)；紀(jì)念辛亥革命,植樹以及抗戰(zhàn)中舉行抗日宣傳等活動(dòng),則體現(xiàn)了近代武漢公園里以愛國為要的政治情感。在這種情形下,近代武漢園林的文化意蘊(yùn)逐漸演變成形。 政府設(shè)立公園管理處為管理機(jī)構(gòu),對(duì)公園進(jìn)行日常管理,即是對(duì)近代武漢公園文化意蘊(yùn)的維持。但公園受社會(huì)落后現(xiàn)象、軍隊(duì)和其他政治勢(shì)力的侵?jǐn)_,再加上公園管理者管理不善,使得近代武漢公園生活至上、西化為美和愛國為要的文化意蘊(yùn)的維持處于困境之中。
[Abstract]:The Yellow Crane Tower was destroyed by fire in 1884, but it has not been rebuilt, while other places of interest in Wuhan, such as Qingchuan Pavilion and Guqin platform, have been gradually damaged and collapsed. The private gardens in the modern Wuhan city were gradually annihilated in the social vicissitude. All of these show the decline of Wuhan traditional garden. The direct reason lies in the chaos of modern Wuhan city, the frequent war and the change of political power, while the deep reason is the decline of traditional culture. And the modern intellectuals give up the traditional garden poetry elegant culture implication. With the decline of traditional gardens represented by Yellow Crane Tower, urban parks were gradually built as modern gardens. The parks built in modern Wuhan cities include Shouyi Park, Zhongshan Park, Wuchang Park and other small parks, replacing the famous traditional gardens. The construction of modern urban parks and their ability to recover quickly from natural and man-made disasters reflect the demand and understanding of urban parks in modern society. The main reason why parks can take root in the modern Wuhan city lies in the appeal of the society, the skills mastered by modern intellectuals and the efforts of the government to promote the gathering of various forces. There are individual differences in the parks built in different urban areas, but behind these differences there is the unity of the cultural meaning of the parks in the city. The pursuit of new culture has become the deep motive of Wuhan Park's gradual construction in modern times. The construction of basic recreational facilities, the importance of forest green space and the establishment of recreation places reflect the cultural implication of the positive pursuit of modern Wuhan Park for real life and the supremacy of life, and the construction of stadiums and gymnasiums, the development of various sports competitions, And the change in the style of garden architecture reflects the cultural implication of the heavy west of Wuhan Park in modern times as beauty; commemorating the 1911 Revolution, planting trees and holding anti-Japanese propaganda in the Anti-Japanese War, and so on. It reflects the political emotion of patriotism in modern Wuhan Park. In this case, the cultural implication of modern Wuhan garden gradually evolved and formed. The government set up the park management office as the management organization to carry on the daily management of the park, that is, to maintain the cultural implication of the modern Wuhan park. But the social backwardness, the invasion of the army and other political forces, and the poor management of the park made the modern Wuhan park's life supreme, westernized into beauty and patriotic.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：TU986;K26

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