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  本文選題：文化大革命　切入點：服飾　出處：《安徽大學(xué)》2010年碩士論文　論文類型：學(xué)位論文

【摘要】： 本文主要研究的是文革時期的服飾、電影、歌曲藝術(shù)以及1970年代末至1980年代初的服飾、電影、歌曲藝術(shù),作者從與城市社會生活息息相關(guān)的三個方面入手,將文革十年貧乏的城市社會生活與1980年代初期豐富的城市社會生活進(jìn)行比較,運用列圖表的方式直觀的記錄對比的結(jié)果,由此直接闡明本文的結(jié)論。 正文的第一章首先介紹了文化大革命運動發(fā)生的歷史背景,文革對傳統(tǒng)思想和習(xí)俗的沖擊以及受到文革的影響而產(chǎn)生的“新思想、新習(xí)俗”；其次具體闡述了文革時期的服飾、電影和歌曲藝術(shù)的基本狀況。第二章詳述文革以后1980年代初期中國城市社會生活的多元化,第一部分寫1976年以后,中國政治發(fā)生的巨大轉(zhuǎn)折以及由此產(chǎn)生的社會文化藝術(shù)領(lǐng)域的劇變；第二部分則分節(jié)闡述1970年代末至1980年代初這一新時期的服飾流行、電影以及歌曲藝術(shù)。第三章首先運用表格對兩個時期城市社會生活的基本狀況進(jìn)行直觀的對比；接著記錄了作者收錄的網(wǎng)絡(luò)資源和口述資料,讓經(jīng)歷過兩個時期的人們來談兩個時期的不同生活和自己的切身體會,使文章更加具有說服力。結(jié)語部分得出結(jié)論,人民是國家的載體,將政治強加于人民的生活之上,是毋庸置疑的錯誤。無論任何時候,國家的穩(wěn)定和發(fā)展都應(yīng)當(dāng)以人為本,不能忽略人民的感受。 作者分別用前兩章的篇幅記錄了兩個時期人民社會生活三方面的狀況,第三章運用列圖表的方法目的是為了使兩個時期城市社會生活的鮮明對比更加突出,從而凸顯了文革時期泛政治化對整個國家社會生活產(chǎn)生的極端影響以及新時期城市社會生活的多元化,從而得出本文最終結(jié)論。文化大革命運動是中國歷史上較為特殊的事件,十年的擱淺,使這段歷史的重要性更加突出,我們應(yīng)當(dāng)汲取經(jīng)驗,創(chuàng)造更好的未來。
[Abstract]:This article mainly studies the clothing, the movie, the song art of the Cultural Revolution period, as well as the clothing, the movie, the song art from the late 1970s to the early 1980s. The author starts with the three aspects which are closely related to the urban social life. This paper compares the poor urban social life of the Cultural Revolution decade with the rich urban social life in the early 1980s, records the results of the comparison intuitively by using the method of chart, and thus clarifies the conclusion of this paper directly. The first chapter introduces the historical background of the Cultural Revolution Movement, the impact of the Cultural Revolution on the traditional thoughts and customs, and the "new ideas, new customs" caused by the Cultural Revolution. The second chapter elaborates on the diversification of social life in Chinese cities in the early 1980s after the Cultural Revolution, the first part of which is written after 1976. The great turning point in Chinese politics and the dramatic changes in the field of social culture and art arising therefrom; the second part deals with the fashion of the new period from the late 1970s to the early 1980s. The third chapter uses tables to compare the basic conditions of urban social life in the two periods, and then records the network resources and oral materials collected by the author. Let people who have experienced two periods talk about the different lives of the two periods and their own personal experiences, which makes the article more persuasive. The conclusion is that the people are the carrier of the country and impose politics on the lives of the people. At all times, the stability and development of a country should be people-oriented, and people's feelings should not be ignored. The author uses the first two chapters to record the three aspects of people's social life in the two periods. The third chapter uses the method of chart to make the contrast between the two periods of urban social life more prominent. Thus, it highlights the extreme influence of pan-politicization on the social life of the whole country during the Cultural Revolution and the pluralism of urban social life in the new period, and draws the final conclusion of this paper. The Cultural Revolution Movement is a relatively special event in the history of China. The grounding of ten years makes this section of history even more important. We should learn from experience and create a better future.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：K27

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本文編號：1637961