本文選題：冼星海　切入點(diǎn)：抗戰(zhàn)時(shí)期　出處：《湘潭大學(xué)》2016年碩士論文　論文類型：學(xué)位論文

【摘要】：冼星海是我國(guó)杰出的社會(huì)主義現(xiàn)實(shí)主義人民音樂家,一生都在為民族創(chuàng)作、為人民吶喊,他不僅是作曲家、音樂活動(dòng)家,也是音樂教育家。冼星海從小立志“把音樂普遍中國(guó)”,1929年赴法國(guó)巴黎音樂學(xué)院勤工儉學(xué),學(xué)成歸國(guó),輾轉(zhuǎn)于上海、南京、武漢等地投身救亡歌詠運(yùn)動(dòng),以音樂為武器,鼓舞民眾、啟發(fā)民眾。1938年冬,到延安魯迅藝術(shù)學(xué)院,他潛心專業(yè)音樂教育,編寫了大量專業(yè)音樂教材,培養(yǎng)了大批音樂人才。在延安,冼星海深入人民群眾并堅(jiān)持學(xué)習(xí)馬列主義,創(chuàng)作了以《黃河大合唱》為代表的大量的“大眾化、民族化、藝術(shù)化”統(tǒng)一的藝術(shù)作品,形成了他的音樂思想。冼星海音樂思想形成的原因主要包括20世紀(jì)初音樂教育思想的影響、冼星海“把音樂普遍中國(guó)”的追求和中國(guó)共產(chǎn)黨的新民主主義文藝思想的影響;冼星海音樂思想的形成是從巴黎學(xué)成歸國(guó)后,積極投身抗戰(zhàn)歌曲創(chuàng)作,廣泛從事音樂救亡活動(dòng),給青年和干部教作曲、指揮,到各界的歌詠隊(duì)或班里去教唱。音樂為抗戰(zhàn)服務(wù),成為抗戰(zhàn)時(shí)期冼星海音樂思想的基本內(nèi)容。在延安魯迅藝術(shù)學(xué)院期間,是冼星海音樂人生中最為光輝的時(shí)期,他的音樂思想與實(shí)踐都達(dá)到了人生的巔峰,實(shí)現(xiàn)了“為抗戰(zhàn)發(fā)出怒吼,為大眾譜出呼聲”的理想。冼星海音樂思想的主要內(nèi)容,表現(xiàn)在提倡音樂的大眾化、提倡音樂的民族化、提倡音樂的藝術(shù)化、正確處理音樂與政治的關(guān)系、創(chuàng)作和宣傳以抗日救亡為主題的新音樂等等。他在延安魯迅藝術(shù)學(xué)院期間的著述、日記和作品等充分體現(xiàn)他的音樂思想的成熟。在前蘇聯(lián)時(shí)期,冼星海的音樂思想繼續(xù)發(fā)展,他促進(jìn)了國(guó)際音樂文化交流,向國(guó)際友人傳播了中國(guó)文化。作為人民音樂家,冼星海的音樂思想與實(shí)踐,不僅鼓舞著全國(guó)人民抗戰(zhàn),而且對(duì)中國(guó)近代音樂發(fā)展、音樂教育的探索,以及中外音樂文化交流都產(chǎn)生了重要影響。
[Abstract]:Xian Xinghai is an outstanding socialist realistic people musician in our country. He has been creating for the nation and shouting for the people all his life. He is not only a composer, but also a music activist. Xian Xinghai, who was also a music educator, made up his mind to "make music universal in China." in 1929, he went to the Paris Conservatory of Music in France for a work-study program, where he returned to study and went to Shanghai, Nanjing, Wuhan, and other places to join in the campaign of saving the nation from death and singing, using music as a weapon. In 1938, at Lu Xun College of Art in Yan'an, he devoted himself to professional music education, compiled a large number of professional music teaching materials, and trained a large number of music talents. Xian Xinghai went deep into the masses of the people and persisted in studying Marxism-Leninism and created a large number of unified works of art represented by the Yellow River Chorus, which were "popular, nationalized, and artistic." The main reasons for the formation of Xian Xinghai's music thought include the influence of music education thought at the beginning of 20th century, the pursuit of "making music universal in China" and the influence of the Communist Party of China's new democratic literary and artistic thought. Xian Xinghai's musical thought was formed when he returned from Paris, actively devoted himself to the creation of songs for the War of Resistance against Japan, extensively engaged in music activities to save the nation, taught young people and cadres to compose music, directed, and taught singing to singing groups or classes from all walks of life. Music served the War of Resistance against Japan. It became the basic content of Xian Xinghai's musical thought during the War of Resistance against Japan. During the period of #internal_person1# College of Art in Yan'an, it was the most glorious period in the musical life of Xian Xinghai. His music thought and practice reached the peak of his life. The main content of Xian Xinghai's music thought is to advocate the popularization of music, the nationalization of music, and the artistry of music. Correctly dealing with the relationship between music and politics, creating and propagating new music with the theme of resisting Japan and saving the nation, etc. His writings, diaries and works during the period of Lu Xun's Art Academy in Yan'an fully reflected the maturity of his musical thinking. Xian Xinghai's musical thought continued to develop. He promoted international musical and cultural exchanges and spread Chinese culture to international friends. As a people's musician, Xian Xinghai's musical thought and practice not only inspired the people throughout the country in the War of Resistance, Moreover, the development of modern Chinese music, the exploration of music education, and the exchange of Chinese and foreign music culture have had an important influence.
【學(xué)位授予單位】：湘潭大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：K265;J603

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