唐代太常、教坊樂官研究
發(fā)布時間：2019-01-24 19:58
【摘要】：中國的樂官制度肇始于商末,發(fā)展于魏晉南北朝,而成熟于隋唐。作為中國歷史上最強盛的王朝之一,唐代音樂呈現(xiàn)出了前所未有的中國音樂國際化和國際音樂中國化的繁榮局面,而唐代樂官制度的成熟與完善為這種繁榮的音樂局面提供了制度上的保障,同時,也為后世樂官制度的繼續(xù)延續(xù)與發(fā)展提供了必要的模本。 如果作為中國音樂文化主體的專業(yè)樂工從實踐上保證了中國音樂的順利傳承與發(fā)展,那么,作為專業(yè)樂工的直接領導者的樂官則是從思想、制度上保證了中國音樂的順利傳承與傳播,對于樂官這個群體的研究可以直接印證唐代音樂文化的發(fā)展狀況,透視唐代禮樂制度的輝煌與完善,了解唐代上層社會的音樂文化生活,甚于對研究整個唐代的社會生活也有一定的借鑒作用與意義。 本文這里選擇了在唐代國家音樂生活中占有絕對重要地位的太常寺和教坊中的樂官為研究對象,從中國古代官制的角度出發(fā),運用文獻學、史料學、文字學、社會學、管理學等多學理交融的方法,對樂官的機構(gòu)、職能、銓選、俸祿、考核、樂官與音樂活動的關系等相關問題進行綜合探討,為從整體上窺視整個唐代樂官提供必要的理論支撐和依據(jù)。
[Abstract]:China's music official system began at the end of Shang Dynasty, developed in Wei, Jin, Southern and Northern dynasties, and matured in Sui and Tang dynasties. As one of the most powerful dynasties in the history of China, the music of the Tang Dynasty presented an unprecedented situation of the internationalization of Chinese music and the prosperity of international music in China. The maturity and perfection of the music official system in the Tang Dynasty provided an institutional guarantee for this prosperous music situation, and at the same time, provided the necessary model for the continuation and development of the music official system in later generations. If the professional musicians, as the main body of Chinese music culture, ensure the smooth succession and development of Chinese music in practice, then, as the direct leader of the professional music workers, the music officials are thinking from the perspective. The system ensures the smooth transmission and transmission of Chinese music. The research on the group of music officials can directly confirm the development of music culture in the Tang Dynasty, and see through the brilliance and perfection of the etiquette and music system of the Tang Dynasty. Understanding the music and cultural life of the upper class of the Tang Dynasty is more useful than studying the whole social life of the Tang Dynasty. This article chooses the music officials in Taichang Temple and Jiefang, which occupies an absolutely important position in the national music life of Tang Dynasty, as the research object, from the angle of Chinese ancient official system, using the philology, historical materials, philology, sociology, etc. Management and other multi-academic blending methods, the organization of music officials, functions, public election, salaries, assessment, music officials and the relationship between music activities and other related issues are comprehensively discussed. In order to peep at the whole Tang Dynasty music officials to provide the necessary theoretical support and basis.
【學位授予單位】：福建師范大學
【學位級別】：博士
【學位授予年份】：2011
【分類號】：K242
本文編號：2414796
[Abstract]:China's music official system began at the end of Shang Dynasty, developed in Wei, Jin, Southern and Northern dynasties, and matured in Sui and Tang dynasties. As one of the most powerful dynasties in the history of China, the music of the Tang Dynasty presented an unprecedented situation of the internationalization of Chinese music and the prosperity of international music in China. The maturity and perfection of the music official system in the Tang Dynasty provided an institutional guarantee for this prosperous music situation, and at the same time, provided the necessary model for the continuation and development of the music official system in later generations. If the professional musicians, as the main body of Chinese music culture, ensure the smooth succession and development of Chinese music in practice, then, as the direct leader of the professional music workers, the music officials are thinking from the perspective. The system ensures the smooth transmission and transmission of Chinese music. The research on the group of music officials can directly confirm the development of music culture in the Tang Dynasty, and see through the brilliance and perfection of the etiquette and music system of the Tang Dynasty. Understanding the music and cultural life of the upper class of the Tang Dynasty is more useful than studying the whole social life of the Tang Dynasty. This article chooses the music officials in Taichang Temple and Jiefang, which occupies an absolutely important position in the national music life of Tang Dynasty, as the research object, from the angle of Chinese ancient official system, using the philology, historical materials, philology, sociology, etc. Management and other multi-academic blending methods, the organization of music officials, functions, public election, salaries, assessment, music officials and the relationship between music activities and other related issues are comprehensively discussed. In order to peep at the whole Tang Dynasty music officials to provide the necessary theoretical support and basis.
【學位授予單位】：福建師范大學
【學位級別】：博士
【學位授予年份】：2011
【分類號】：K242
【引證文獻】
相關碩士學位論文 前1條
1 劉憶;唐代樂舞規(guī)訓形態(tài)的身體語言研究[D];南京藝術學院;2013年
，本文編號：2414796
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