本文選題：漢代 + 婦女妝飾　； 參考：《西北大學(xué)》2001年碩士論文

【摘要】： 漢代國家統(tǒng)一、社會安定、經(jīng)濟繁榮、文化生活進步。當(dāng)此之時，對美好 生活的向往，，對美的孜孜追求，成為漢代人的重要生活風(fēng)尚；并由此促進了漢代 婦女妝飾風(fēng)俗的興盛。漢代婦女十分注重美化自身，以華美的服飾、精巧的梳妝、 優(yōu)雅端莊的形象聞名于世。本文從以下幾個部分來論述漢代婦女的妝飾風(fēng)俗： 引言 指出對漢代婦女妝飾風(fēng)俗進行研究的開拓性、迫切性和現(xiàn)實意義。 第一部分 從整體上論述漢代人對女性美的認識，包括體貌審美和服飾審美。 并通過引述《漢賦》中對美女形象的描寫，使人們對漢代的女性美有一個更為直 觀、具體的了解。 第二部分 記述漢代婦女發(fā)髻的形制和具有代表性的髻式及其制作方法。并 分析漢代婦女發(fā)髻所體現(xiàn)的階級區(qū)分。 第三部分 按化妝的步驟描述漢代婦女的面妝，包括典型的妝式和所使用的 化妝品。并指出其所反映的社會現(xiàn)實。 第四部分 分三部分介紹漢代婦女的服飾：漢代婦女的服裝形制、漢代的舞 服、漢代婦女服裝紋樣及其文化內(nèi)涵。同時指出漢代婦女服飾的時代風(fēng)格。 第五部分 總結(jié)出漢代婦女妝飾風(fēng)俗的三個特點：等級性、時代性、實用和 審美的統(tǒng)一性。 第六部分 從漢代社會經(jīng)濟、漢代蓄妓之風(fēng)和婦女精神風(fēng)貌、漢代婦女地位、 男性審美觀和統(tǒng)治階級的導(dǎo)向作用四個方面，全面論述了漢代婦女妝飾風(fēng)俗的形 成因素。 結(jié)語 指出漢代是中國婦女妝飾史上的奠基時期；漢代婦女妝飾風(fēng)俗具 有不可磨滅的歷史意義。
[Abstract]:Han Dynasty national unity, social stability, economic prosperity, cultural life progress. At this time, to the good The yearning for life and the painstaking pursuit of beauty became the important lifestyle of the Han Dynasty, and thus promoted the Han Dynasty. The prosperity of women's adornment customs. Women in the Han Dynasty paid great attention to beautifying themselves, with beautiful costumes and delicate dressing. The elegant and dignified image is famous all over the world. This paper discusses the adornment customs of women in the Han Dynasty from the following parts: The preface points out the pioneering, urgent and practical significance of the study on the dress customs of women in the Han Dynasty. The first part discusses the Han Dynasty people's understanding of female beauty, including body beauty and dress aesthetics. By quoting the description of beautiful women in Han Fu, people have a more direct view of the beauty of women in the Han Dynasty. View, concrete understanding. The second part describes the shape and representative bun style of women's bun in Han Dynasty. And An analysis of the class distinction embodied in the hair bun of women in the Han Dynasty. The third part describes the facial makeup of women in the Han Dynasty according to the steps of makeup, including the typical makeup style and the type of makeup used in the Han Dynasty. Cosmetics. And points out that it reflects the social reality. The fourth part is divided into three parts to introduce the dress of the women in the Han Dynasty: the dress form of the women in the Han Dynasty and the dance of the Han Dynasty. Clothing, Han Dynasty women's clothing pattern and its cultural connotation. At the same time, it points out the style of women's dress in Han Dynasty. The fifth part summarizes the three characteristics of women's adornment customs in the Han Dynasty: rank, epoch, practicality, and so on. The unity of aesthetics. In the sixth part, from the social economy of Han Dynasty, the style of keeping prostitutes and the spirit of women, the status of women in Han Dynasty. Four aspects of male aesthetics and the guiding role of the ruling class are discussed in this paper. The forms of women's adornment customs in the Han Dynasty are discussed in an all-round way. A factor. The conclusion points out that the Han Dynasty is the foundation period in the history of Chinese women's ornamentation. There is an indelible historical significance.
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2001
【分類號】：K234

【引證文獻】

相關(guān)期刊論文 前1條

1 楊文新;;漢代樂府詩中人物肖像“夸飾”描寫思想探微[J];西北民族大學(xué)學(xué)報(哲學(xué)社會科學(xué)版);2011年04期

本文編號：1964355