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南宋四明史氏家族及其文學(xué)研究

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  本文選題:史氏家族 + 相門 ; 參考:《暨南大學(xué)》2009年博士論文


【摘要】: 南宋四明史氏家族號(hào)稱相門,政治個(gè)性與表現(xiàn)較為突出,文學(xué)創(chuàng)作及影響也自有特色。緒論部分主要介紹本論文的研究對(duì)象、研究現(xiàn)狀及研究思路。正文分為五章。第一章、《史氏家族的發(fā)展與評(píng)價(jià)》。史氏家族的發(fā)展經(jīng)歷了從一介寒族到地方望族再到相門之家并迅速衰落的過程,其中關(guān)鍵成員如史才、史浩、史彌遠(yuǎn)等以出色表現(xiàn)直接促進(jìn)了家族的政治崛起、經(jīng)濟(jì)上升與文化塑造。建國(guó)以前人們對(duì)于史氏家族的各種評(píng)論主要集中在和戰(zhàn)與用人兩大主題上,眾說紛紜,針鋒相對(duì)。兩大評(píng)論文體——史志傳記與筆記小說則載記各異,呈現(xiàn)出不同的言說風(fēng)貌。第二章、《史氏家族的政治崛起與表現(xiàn)》。史氏家族與趙宋皇權(quán)之間的密切關(guān)系是史氏相權(quán)的強(qiáng)大保證。這一政治傳統(tǒng)由史浩首建,經(jīng)史彌遠(yuǎn)發(fā)揚(yáng)光大,并惠及后世。為相期間,史浩與張浚紛爭(zhēng)不斷,在戰(zhàn)守異議的表面下隱藏著國(guó)是之爭(zhēng)、職權(quán)之爭(zhēng)及處事之爭(zhēng)的本質(zhì);作為與之關(guān)聯(lián)密切的一段公案,王十朋論史浩虛實(shí)互存,值得辨析。史彌遠(yuǎn)廢濟(jì)王、立理宗,引發(fā)了相權(quán)與公議的對(duì)抗,胡夢(mèng)昱案是個(gè)中典型。第三章、《史浩文集與詩詞創(chuàng)作》。史浩《鄖峰真隱漫錄》由周鑄編集于紹熙二年,以《四庫全書》本與《宋集珍本叢刊》本最為常見,應(yīng)用性、政治性突出,在家族文獻(xiàn)、地方文化、文藝研究方面具備重要價(jià)值。其中的詩詞作品深受某種制度或文化的影響,如宮廷供奉詩之于王府官制、酬唱詩之于休沐制度、歸隱詩詞之于四明仙隱文化等,皆是如此。雖文學(xué)性不高,個(gè)性特點(diǎn)卻很突出。第四章、《史浩(鄖峰真隱大曲)》。史浩大曲之變表現(xiàn)在以摘遍為大曲、以詞調(diào)入大曲,據(jù)此可以糾正王國(guó)維的若干誤斷。以宮廷宴饗文化相觀照,史浩大曲的創(chuàng)作背景、主體條件及藝術(shù)特征可得以說明。第五章、《史彌遠(yuǎn)與江湖詩案及滑稽戲》。圍繞著江湖詩案,史氏相黨與江湖詩人之間存在分立、沖突與消解的關(guān)系,與之相適應(yīng),詩也實(shí)現(xiàn)了群、怨或頌的功能轉(zhuǎn)換。滑稽戲以宰相為主要嘲謔對(duì)象,史彌遠(yuǎn)與它的關(guān)系是其中的的一個(gè)縮影。附錄有《史浩詩歌酬唱考》、《史浩佚作輯補(bǔ)》兩種。
[Abstract]:The four Ming Shi's family in the Southern Song Dynasty is known as "Xiangmen", political personality and performance are more prominent, literary creation and influence also have their own characteristics. The introduction part mainly introduces the research object, the research present situation and the research thought. The text is divided into five chapters. Chapter one, the Development and Evaluation of the Shi Family. The development of the Shi family experienced a rapid decline from the Han clan to the local distinguished clan and then to the Xiangmen family. The key members, such as Shi Cai, Shi Hao, Shi Mai Yuan, and so on, directly promoted the political rise of the family with outstanding performance. Economic rise and cultural shaping. Before the founding of the people's Republic of China, people's comments on the Shi family mainly focused on the two major themes of war and employment. The two critical styles-biographies and note-taking novels show different styles of expression. Chapter two, the political rise and performance of the Shi Family. The close relationship between the Shi family and the imperial power of the Zhao and Song dynasties is the strong guarantee of Shi Xiangquan. This political tradition was first founded by Shi Hao, through Shi Mai carried forward, and benefited later generations. During this period, the disputes between Shi Hao and Zhang Jun were incessant, and under the surface of the dissent between the defense and the war, there was the essence of the struggle for the state, the power and the handling of affairs; as a public case closely related to it, Wang Shipang discussed the existence of Shi Hao's vanity and reality, which was worthy of discrimination and analysis. Shi Mengyu's case of Hu Mengyu is a typical one. Chapter three, the works of Shi Hao and his Poems. Shi Hao "Yunfeng True Hidden Compendium" was compiled by Zhou Ju in Shaoxi two years. The most common books were "Siku Guanshu" and "Song Ji rare Books" series, which were applied and politically prominent, in family documents and local culture. Literature and art research has important value. The poetry works are deeply influenced by a certain system or culture, such as the court offering poems to the royal government system, singing poems to the Xiusu system, returning poems to the four immortals culture and so on. Although literariness is not high, individual character is very outstanding however. Chapter four, Shi Hao (Yunfeng Zhenyin Daqu). The change of Shi Hao's Daqu is as follows: to pick everything as a big song, and to use words to put it into Daqu, according to which some misunderstandings of Wang Guowei can be corrected. In the view of court banquet culture, Shi Hao's creation background, subject conditions and artistic features can be explained. Chapter V, Shi Mai Yuan and the case of quack poetry and farce. Around the case of quack poetry, there is a separation, conflict and deconstruction between the Shi's party and the poet. In accordance with it, poetry also realizes the functional transformation of group, resentments or praises. The relationship between Shi Mai and the prime minister is the epitome of the farce. The appendix includes Shi Hao's Poems and songs, and Shi Hao's compilation of lost works.
【學(xué)位授予單位】:暨南大學(xué)
【學(xué)位級(jí)別】:博士
【學(xué)位授予年份】:2009
【分類號(hào)】:K245;I206.2

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