本文選題：唐墓壁畫(huà)　切入點(diǎn)：周邊民族文化因素　出處：《蘭州大學(xué)》2012年博士論文　論文類(lèi)型：學(xué)位論文

【摘要】：唐代考古資料的不斷發(fā)現(xiàn),為唐代民族關(guān)系的研究提供了全面豐富、翔實(shí)可靠的實(shí)物資料,為主要基于傳統(tǒng)文獻(xiàn)史料而進(jìn)行的唐代民族關(guān)系研究注入了新鮮的血液。文章以考古發(fā)掘的唐墓壁畫(huà)資料為切入點(diǎn)來(lái)研究唐代民族關(guān)系史,在梳理前人研究成果的基礎(chǔ)上,將已發(fā)掘出土的唐墓壁畫(huà)資料與有關(guān)唐代民族關(guān)系的史料加以整合,通過(guò)3章16節(jié)的篇幅支撐起唐墓壁畫(huà)與民族關(guān)系史交叉研究的敘述框架與邏輯推理過(guò)程,建立起從唐墓壁畫(huà)視角考察唐代民族關(guān)系史的研究體系,在綜合圖像學(xué)、歷史學(xué)、考古學(xué)、民族學(xué)、新社會(huì)史學(xué)等多學(xué)科研究方法的基礎(chǔ)上,搭建起獨(dú)特的“敘事大廈”。 首先,在系統(tǒng)總結(jié)唐墓壁畫(huà)分布、出土與研究情況的基礎(chǔ)上,從神靈世界、皇家禮儀、世俗生活、建筑、藝術(shù)、民族往來(lái)以及星象等方面,對(duì)唐墓壁畫(huà)的內(nèi)容進(jìn)行分類(lèi)、歸納和系統(tǒng)研究。其次,在系統(tǒng)整理唐墓壁畫(huà)題材類(lèi)別的基礎(chǔ)上從胡人(使者、儀衛(wèi)、貢人、胡客)、胡物(器物、動(dòng)物)、胡樂(lè)胡舞、胡服胡飾、胡食胡飲、馬球運(yùn)動(dòng)、百戲以及宗教題材與因素等方面,詳細(xì)剖析唐墓壁畫(huà)中各類(lèi)周邊民族文化因素的淵源、流徙與變異軌跡,及其對(duì)所流布地區(qū)的影響,并對(duì)其中涉及的相關(guān)問(wèn)題進(jìn)行了必要的論述。最后,在分析唐代民族關(guān)系演變背景的基礎(chǔ)上,將唐墓壁畫(huà)中的周邊民族文化因素與各階段的民族關(guān)系實(shí)踐聯(lián)系起來(lái)綜合考察,對(duì)唐代民族關(guān)系思想與實(shí)踐的動(dòng)態(tài)演變脈絡(luò),唐朝中央政府與周邊國(guó)家(政權(quán)、族群)的非對(duì)等關(guān)系,唐代朝貢、互市等政策的特點(diǎn)對(duì)唐代民族關(guān)系思想進(jìn)一步演變的重要影響,以及唐代民族交往所帶來(lái)的多向文化輻射及其影響等主要問(wèn)題著重加以討論。 唐墓壁畫(huà)中出現(xiàn)的周邊民族文化因素,既是唐代胡風(fēng)胡化興盛的圖像反映,又是唐代各民族交流、融合、共同發(fā)展的歷史再現(xiàn),在唐代民族關(guān)系研究中有較大的研究空間。文章對(duì)研究中涉及的唐文化向周邊地區(qū)的輻射、唐代胡風(fēng)胡化的時(shí)尚以及唐代胡人墓葬與漢人墓葬的比較研究等問(wèn)題涉及尚淺,有待深化。
[Abstract]:The unceasing discovery of archaeological materials in the Tang Dynasty has provided a rich, informative and reliable material material for the study of ethnic relations in the Tang Dynasty. New blood is injected into the study of ethnic relations in the Tang Dynasty, which is mainly based on the historical data of the traditional literature. This article studies the history of the national relations of the Tang Dynasty with the mural materials of the Tang tombs excavated by archaeology as the starting point, on the basis of combing the research achievements of the predecessors. By integrating the excavated frescoes of Tang tombs with the historical data on the relations between Tang Dynasty and nationalities, the narrative framework and logical reasoning process of the cross-study between the murals of Tang tombs and the history of ethnic relations are supported through the space of 3 chapters and 16 sections. This paper sets up a research system to study the history of national relations in Tang Dynasty from the perspective of tomb murals of Tang Dynasty. On the basis of the comprehensive research methods of graphics, history, archaeology, ethnology, new social historiography and so on, a unique "narrative edifice" is set up. First of all, on the basis of systematically summarizing the distribution, unearthed and research situation of the frescoes of the Tang Tombs, the contents of the murals of the Tang Tombs are classified from the aspects of the divine world, royal etiquette, secular life, architecture, art, ethnic contacts and stars. Secondly, on the basis of systematically sorting out the types of murals of Tang tombs, from the Hu people (emissaries, Yi Wei, Gong people, Hu Ke), Hu (utensils, animals), Hu Le Hu Dance, Hu Wu Fu decoration, Hu Yu drink, polo movement, From the aspects of 100 dramas and religious themes and factors, this paper analyzes in detail the origin, migration and variation track of various national cultural factors in the frescoes of Tang tombs, and their influence on the areas where they are scattered. Finally, on the basis of analyzing the background of the evolution of the ethnic relations in the Tang Dynasty, the cultural factors of the surrounding nationalities in the murals of the Tang tombs and the practice of the ethnic relations in various stages are comprehensively investigated. The dynamic evolution of the thought and practice of the national relations in the Tang Dynasty, the unequal relationship between the central government of the Tang Dynasty and the neighboring countries (regime, ethnic group), the tribute of the Tang Dynasty, The characteristics of the exchange of cities and other policies have an important influence on the further evolution of the thought of national relations in the Tang Dynasty, as well as the multi-directional cultural radiation and its influence brought by the communication of the nationalities in the Tang Dynasty and so on. The cultural factors of the surrounding nationalities in the murals of Tang tombs are not only a reflection of the prosperity of Hu Feng in the Tang Dynasty, but also a historical representation of the exchange, integration and common development of various nationalities in the Tang Dynasty. There is a great space for research in the study of ethnic relations in the Tang Dynasty. The article deals with the radiation of the Tang culture to the surrounding areas, the fashion of Hu Feng in the Tang Dynasty, and the comparative study of the tombs of the Hu people and the Han people in the Tang Dynasty. Need to be deepened.
【學(xué)位授予單位】：蘭州大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：K242;K879.41

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