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文藝復(fù)興時(shí)期意大利的婚姻研究

發(fā)布時(shí)間:2018-11-20 11:56
【摘要】: 婚姻在不同歷史時(shí)期和文化中有不同的制度和習(xí)俗,它反映了人類社會的文化變遷和發(fā)展。文藝復(fù)興時(shí)代是西方社會從中世紀(jì)向近代社會轉(zhuǎn)型的重要時(shí)期。意大利是文藝復(fù)興的發(fā)源地,因此,深入分析和探討該時(shí)期意大利人的婚姻狀況及其特征,不僅有助于我們?nèi)姘盐赵摃r(shí)期意大利的社會文化變遷及其特點(diǎn)并準(zhǔn)確理解“文藝復(fù)興”的內(nèi)涵,而且也有助于我們探明婚姻形態(tài)與社會發(fā)展之間的關(guān)系。 本文共分為五個(gè)章節(jié)。其中,第一章主要探討了文藝復(fù)興時(shí)期意大利人的婚姻觀。隨著社會的變遷與發(fā)展,統(tǒng)治者和個(gè)人對婚姻的認(rèn)識和看法也相應(yīng)發(fā)生了變化。不過,傳統(tǒng)的婚姻觀和性別觀念并沒有發(fā)生根本性改變。 第二章主要論述婚姻的締結(jié),包括婚姻對象的選擇、結(jié)婚年齡、訂婚和婚禮等內(nèi)容。該時(shí)期,青年男女的婚姻仍由父母做主,很少是建立在愛情基礎(chǔ)之上的。特別是在社會上層,婚姻往往成為家庭獲得某種政治和經(jīng)濟(jì)利益的重要工具;槎Y的世俗化特征增強(qiáng),基督教會在其中的作用減弱。 第三章主要考察意大利人的婚姻家庭生活。該時(shí)期,在核心式家庭有所發(fā)展的同時(shí),人們對家庭私人生活領(lǐng)域的注重卻使女性邊緣化。人們對婚姻生育功能的重視進(jìn)一步將婦女束縛在家庭中;橐錾钏w現(xiàn)出來的性別差異反映了意大利父權(quán)制的社會文化特質(zhì)和婦女較低的婚姻家庭地位。但夫妻關(guān)系在這個(gè)時(shí)期開始發(fā)生了某些新的變化,伴侶式的情愛關(guān)系有所發(fā)展。 第四章主要探討嫁妝這一重要的家庭財(cái)產(chǎn),包括嫁妝的來源和處置方式。在同時(shí)期的歐洲國家中,意大利的嫁妝體系是最穩(wěn)固的。嫁妝不僅為女性的生活提供了必要的經(jīng)濟(jì)保障,而且對婦女的丈夫及家庭以及她的出生家庭都具有重要作用。我們可以從文藝復(fù)興時(shí)期意大利人對待嫁妝的態(tài)度以及處置嫁妝的方式,來窺視他們處理家庭財(cái)產(chǎn)的原則以及這背后的人與人之間的關(guān)系。 第五章主要通過對夫婦或配偶一方、教會以及世俗權(quán)力在面對婚姻解除和再婚問題時(shí)的反應(yīng)與行為的考察,來說明人們在改變婚姻狀態(tài)方面所做的努力以及教會在監(jiān)管婚姻事務(wù)方面力量的復(fù)蘇。 總之,處于社會轉(zhuǎn)型期的意大利的婚姻形態(tài)亦如這個(gè)時(shí)代一樣具有過渡性特征:既具有傳承性和連續(xù)性,又具有變化性和特殊性。但總的來看,傳統(tǒng)的婚姻觀念和男女不平等的性別關(guān)系仍然牢固,因此,該時(shí)期的婚姻距婚姻關(guān)系的性別平等和理性化的目標(biāo)還有很大的距離。
[Abstract]:Marriage has different systems and customs in different historical periods and cultures, which reflects the cultural changes and development of human society. The Renaissance was an important period for the western society to transform from the Middle Ages to the modern society. Italy was the birthplace of the Renaissance. It is not only helpful for us to grasp the social and cultural changes and characteristics of Italy in this period, but also to understand the connotation of "Renaissance" accurately, and also help us to understand the relationship between marriage form and social development. This paper is divided into five chapters. Among them, the first chapter mainly discusses the view of Italian marriage during the Renaissance. With the change and development of society, the understanding and view of marriage of rulers and individuals have changed accordingly. However, there has been no fundamental change in the traditional concept of marriage and gender. The second chapter mainly discusses the conclusion of marriage, including the choice of marriage object, marriage age, engagement and wedding. During that period, young men and women's marriages were still dominated by their parents, rarely based on love. Especially at the upper levels of society, marriage is often an important tool for families to gain some kind of political and economic benefits. The secularization of the wedding was strengthened, and the role of the Christian Church diminished. The third chapter mainly examines the Italian marriage and family life. During this period, while the nuclear family developed, the attention paid to the private life of the family marginalized women. People pay more attention to the function of marriage and fertility, and further bind women to the family. The gender difference in marriage reflects the social and cultural characteristics of patriarchal system in Italy and the low marital and family status of women. But the relationship between husband and wife began to change in this period, and the partnership relationship developed. The fourth chapter mainly discusses the dowry as an important family property, including the origin and disposal of dowry. Italy's dowry system was the most stable of the European countries of the same period. Dowry not only provides the necessary economic security for the woman's life, but also plays an important role in the woman's husband and family as well as her birth family. We can look at the principles behind the attitude of the Italians in the Renaissance towards dowry and the way they dispose of the dowry and the relationship between the people behind it. The fifth chapter mainly through the couple or spouse, church and secular power in the face of the dissolution of marriage and remarriage issues of reaction and behavior. To illustrate efforts to change marital status and the revival of the church's power to regulate marriage matters. In a word, the Italian marriage in the period of social transition also has transitional characteristics as in this era: it has the characteristics of inheritance and continuity, as well as variety and particularity. However, in general, traditional marriage concepts and unequal gender relations between men and women are still strong, so marriage in this period is still far from the goal of gender equality and rationalization of marriage relations.
【學(xué)位授予單位】:上海師范大學(xué)
【學(xué)位級別】:博士
【學(xué)位授予年份】:2008
【分類號】:K546

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 辛晨;意大利文藝復(fù)興時(shí)期圖像中的女性婚禮服飾研究(1435-1609)[D];東華大學(xué);2012年

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本文編號:2344847

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