【摘要】： 本文的研究范圍是“西歐中世紀(jì)騎士裝階層標(biāo)志的文化意義”。通過對(duì)騎士裝階層標(biāo)志的列舉和分析,旨在剖析其文化意義上的進(jìn)步因素和局限性。在論證的過程中,用辨證的思維方式統(tǒng)領(lǐng)全文,在繼承的基礎(chǔ)上進(jìn)行批判,把傳統(tǒng)與現(xiàn)代互為交融,希望通過對(duì)西歐中世紀(jì)騎士裝階層標(biāo)志這一文化現(xiàn)象的剖析,促使我們對(duì)于當(dāng)代世界的服飾文化,特別是西服文化有更進(jìn)一步的思考。 對(duì)于“西歐中世紀(jì)騎士裝階層標(biāo)志的文化意義”這一服飾文化領(lǐng)域的研究,目前在學(xué)術(shù)界還未受到充分的重視,這正是本文研究的意義和價(jià)值所在。 論文的本論部分由四部分組成: 第一章介紹了西歐中世紀(jì)騎士制度產(chǎn)生的社會(huì)背景,分成三小節(jié)進(jìn)行論述:分別是中世紀(jì)概述、騎士制度的形成和發(fā)展、騎士身份的特殊性和本質(zhì)特征; 第二章對(duì)騎士裝階層標(biāo)志進(jìn)行了分類,選取了盔甲和衣服以及飾品、武器和隨件上的階層標(biāo)志兩方面。目的在于使讀者對(duì)騎士裝階層標(biāo)志有一個(gè)總體上的感性認(rèn)識(shí); 第三章本文的主體部分,集中論證騎士裝階層標(biāo)志的階級(jí)體現(xiàn)和精神實(shí)質(zhì)。主要通過兩個(gè)小節(jié)來層層深入:第一節(jié)首先論證了騎士裝階層標(biāo)志的階級(jí)體現(xiàn),主要借助于準(zhǔn)入儀式上的騎士著裝和族徽兩方面作為論據(jù),來論證這些標(biāo)志上所體現(xiàn)的階級(jí)性。第二節(jié)則進(jìn)一步去探討騎士裝階層標(biāo)志的精神實(shí)質(zhì)。選取了十字架、勛章、騎士的典雅愛情信物三個(gè)點(diǎn)作為論據(jù),由表及里地揭示騎士裝階層標(biāo)志的精神實(shí)質(zhì); 第四章闡述了西歐中世紀(jì)騎士裝階層標(biāo)志對(duì)西服文化的影響,作為最后一章,落腳在本文的論點(diǎn)——文化意義上,針對(duì)騎士裝階層標(biāo)志對(duì)西服文化的影響進(jìn)行集中論證,并得出筆者獨(dú)到的見解:其一,現(xiàn)代西服文化受到騎士裝階層標(biāo)志和它代表的騎士精神的極大影響。其二,騎士精神作為一種文化現(xiàn)象有著自身無法克服的局限性。
[Abstract]:The research scope of this paper is the cultural significance of the symbol of knighthood in the Middle Ages in Western Europe. Through the enumeration and analysis of chivalry class logo, this paper aims to analyze the progressive factors and limitations in its cultural significance. In the process of argumentation, we use dialectical mode of thinking to guide the full text, criticize on the basis of inheritance, blend tradition and modernity, and hope to analyze the cultural phenomenon of the class symbol of knighthood in the Middle Ages in Western Europe. Urges us to the contemporary world clothing culture, especially the suit culture has the further thought. The study of the cultural significance of the medieval knighthood class logo in Western Europe has not been paid enough attention to in academic circles at present, which is the significance and value of this study. The thesis consists of four parts: the first chapter introduces the social background of the emergence of medieval chivalry system in Western Europe, which is divided into three sections: the overview of the Middle Ages, the formation and development of the chivalry system. The second chapter classifies the class logo of knighthood and selects armor and clothing as well as ornaments weapons and class logos. The purpose of this paper is to make readers have a general perceptual understanding of the chivalry class logo; the third chapter is the main part of this paper, which focuses on the demonstration of the class embodiment and spiritual essence of the chivalry class logo. The first section demonstrates the class embodiment of the chivalry class symbol, mainly by means of the chivalry dress and the national emblem in the entrance ceremony as the argument, to demonstrate the class nature of these symbols. The second section goes further to explore the spiritual essence of the chivalry class logo. Selected the cross, the medal, the knight's elegant love trust three points as the argument, The fourth chapter expounds the influence of the chivalry class logo on the Western European culture, as the last chapter, From the point of view of culture, this paper focuses on the influence of the chivalry class logo on the suit culture, and draws the author's original opinion: first, The modern suit culture is greatly influenced by the chivalry class symbol and the chivalry spirit it represents. Second, chivalry as a cultural phenomenon has its own limitations.
【學(xué)位授予單位】：天津師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：K503

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本文編號(hào)：2208305